













Omelette Quartet from Doctor Miracle – Georges Bizet (1838-1875)
Moira Cairns, soprano
Lisa Smith, mezzo-soprano
Ricky Dubuisson II, baritone
Zachariah Harden, tenor
William Reber, piano
Ce qu’a vu le Vent d’Ouest – Claude Debussy (1862-1918)
John Luke Lollar, piano
Dansul Stelelor si a Luceafarului ((The dance of the Stars and the Evening Star) Op. 73
Fantezie Dansanta (Dancing Fantasy) Op. 76 – Carmen Petra-Basacopol (1926-2023)
Raisa Virlan, piano
Trumpet Sonata – Kent Kennan (1913-2003)
Zahrya Harrison, trumpet
William Reber, piano
Serenade – Franz Schubert (1797-1828)
Gabrielle Foster & John Luke Lollar, piano duet
Port of Many Ships from Three Salt Water Ballads – Frederick Keel (1871-1954)
Ricky Dubuisson II, baritone
William Reber, piano
Slavonic Dance No. 8 – Antonín Dvořák (1841-1904)
Raisa Virlan & John Luke Lollar, piano duet
We Shall Overcome – Margaret Bonds (1913-1972)
Moira Cairns, soprano
Gabrielle Foster, pianist
Zane Lynn, conductor
When Evening’s Twilight – John L. Hatton (1809-1886)
Charles Weathersby, conductor
“Dieu! Qu’il la fait bon regarder! (from Trois Chansons) – Claude Debussy (1862-1918)
Zane Lynn and William Reber, pianists
Johnathan Lollar, conductor
Act III, final scene from The Rake’s Progress – Music by Igor Stravinsky (1882-1971) & Lyrics by W. H. Auden (1907-1973)
“Anne Trulove,” Susan Hurley, soprano
“Tom Rakewell,” Zane Lynn, tenor
William Reber, pianist
I Wish I Knew How It Would Feel to be Free – Margaret Bonds
Kalina Tran, soprano
William Reber, pianist
Zane Lynn, conductor
May it Be from The Lord of the Rings, Fellowship of the Ring – Eithne Ni Bhraonain, Nicky Ryan, & Roma Ryan
Gabrielle Foster, conductor
William Reber, piano
Ariana Grande Medley – arr. Julia Fang
Eden Cartwright, soprano
Raisa Virlan, mezzo-soprano
Lisa Smith, mezzo-soprano
Beyonce Kirkwood, mezzo-soprano
Kalina Tran, soprano
Katie Richardson, soprano
Zane Lynn and William Reber, pianists
Ricky Dubuisson II, conductor
I Wanna Be Ready (African-American spiritual) – arr. Rosephanye Powell & William C. Powell
Kalina Tran, soprano
Lisa Smith, mezzo-soprano
Zane Lynn, pianist
Zachariah Harden, conductor
Dr. Susan Hurley, soprano, has performed in Europe and the United States in repertoire that ranges from opera and musical theatre to concert and recital literature. A prizewinner at the 2002 Meistersinger competition in Graz, Austria, she has sung 25 principal operatic roles and soloed with orchestras in Germany and Austria as well as throughout the U.S.
She is the founding Artistic Director of Phoenix Arizona’s annual AIDS Quilt Songbook concert series. Later this month, she will present her ninth annual AIDS Quilt Songbook benefit concert in Phoenix. The concert launches a week of World AIDS Day events and raises funds for Arizona HIV/AIDS service organizations. Dr. Hurley has commissioned several new songs, with texts by long-term HIV survivors, which have premiered on the Phoenix concerts. She has presented lecture recitals, masterclasses, and talks on the literature comprising the AIDS Quilt Songbook for Southern Regional NATS, the Mississippi Music Teachers Association, at universities, and most recently, this past August at the tenth International Congress of Voice Teachers (ICVT)in Vienna, Austria.
She has given presentations on the theories of Alfred Tomatis, founder of audio-psycho-phonology, at ICVT Stockholm (2017), NATS, and the Mississippi Music Teachers Association. She authored the chapter on Tomatis listening in the book So You Want to Sing with Awareness, published in 2020 by Rowman and Littlefield.
Zane Lynn serves as a voice instructor at Mississippi University for Women in Columbus, MS. With a solid background in both performance and teaching, Zane is committed to sharing his knowledge and passion for music with his students.
Throughout his performing career, Zane has enjoyed various opportunities in concerts, recitals, and operas. Some of his roles include Fernando in Mozart’s Così fan tutte with the Portland Opera Workshop, Herr Vogelsang in Mozart’s Der Schauspieldirektor, Mayor Upfold in Britten’s Albert Herring, and Marcellus in Nancy Van de Vate’s Hamlet with the Moravian Philharmonic.
Before his current role, Zane taught at Mississippi Gulf Coast Community College, where he directed two choirs, taught private voice lessons, led a music theatre workshop, and instructed courses in music theory. His focus has always been on fostering a supportive and enriching environment for his students.
An alumnus of Mississippi University for Women, Zane holds a Bachelor of Music in Music Education. He continued his studies at the University of Mississippi,
Dr. Hurley is currently Associate Professor of Voice at Mississippi University for Women where she teaches Voice, Opera Workshop, Voice Pedagogy, and Music Literature. Several of her current and former voice students have won top prizes at state, regional, and national NATS competitions. She earned her Doctor of Musical Arts degree from Arizona State University in 2012.
Dr. William Reber is Director of Choirs and Staff Pianist at MUW. Professor Emeritus of Opera and Music Theatre at Arizona State University where he was on the faculty for 24 years and served as Artistic Director and Principal Conductor of the Lyric Opera Theatre, he is former vocal coach, pianist and conductor for the Mittelsächsiches Theater in Germany, was head of the vocal coaching program for the American Institute of Musical Studies in Graz, Austria (12 years) and was Music Director of the German Opera Experience in Freiberg, Germany (10 years). In summer 2019, he joined the faculty of Spotlight on Opera as conductor and collaborative pianist and was appointed music director in 2020.
Dr. Reber has been Music Director for more than 150 productions of operas and musicals and has been conductor of the Corpus Christi (TX) ballet since 1986. As a collaborative pianist, he has performed recitals with singers and instrumentalists in Germany, Austria, Macedonia and throughout the United States. He is the pianist and music director for the annual AIDS Quilt Songbook benefit performances in Phoenix. Dr. Reber earned his Doctor of Musical Arts degree in Opera and Conducting at The University of Texas at Austin.
An alumnus of Mississippi University for Women, Zane holds a Bachelor of Music in Music Education. He continued his studies at the University of Mississippi,
earning a Master of Music in Vocal Performance. His education and varied experiences have shaped his teaching approach, emphasizing both technical skill and a love for music.
Sopranos: Moira Cairns, Eden Cartwright, Gabrielle Foster, Katie Richardson, Kalina Tran
Altos: Beyoncé Kirkwood, Lisa Smith, Raisa Virlan
Tenors: Zachariah Harden, Jonathan Lollar
Basses: Kaloep Banks, Ricky Dubuisson II, Charles Weathersby
Bois épais from Amadis – Jean-Baptiste Lully (1632-1687)
Ricky Dubuisson II, baritone
William Reber, piano
Seligkeit – Franz Schubert (1797-1828)
Kalina Tran, soprano
William Reber, piano
Vallee d’Obermann – Franz Lizst (1811-1886)
Johnathan Lollar, piano
Tale of the Oyster from Fifty Million Frenchmen – Cole Porter (1891-1964)
Shari Wilson, mezzo soprano
Susan Hurley / William Reber, piano
Compensation – Charles Lloyd Jr. (1797-1828)
Ricky Dubuisson II, baritone
William Reber, piano
Dansul Stelelor si a Luceafarului (The dance of the Stars and the Evening Star) Op. 73
& Fantezie Dansanta (Dancing Fantasy) Op. 76 – Carmen Petra-Basacopol (1926-2023)
Raisa Virlan, piano
Home from Beauty and the Beast – Alan Menken (b. 1949)
Lisa Smith, soprano
William Reber, piano
Romance is Dead – Ryan Clark (b. 2006)
Ryan Clark, euphonium
Charles Weathersby, piano
Der Tod und das Mädchen – Franz Schubert
Ricky Dubuisson II, baritone
William Reber, piano
Serenade – Franz Schubert
Gabrielle Foster, piano
Johnathan Lollar, piano
Shenandoah – arr. Frank Ponzio (1866-1949)
Beyonce Kirkwood, mezzo soprano
Zane Lynn, piano
Steal Away – H.T Burleigh (1866-1949)
Zachariah Harden, tenor
William Reber, piano
Lullabies for Little Ones – Hannah E. Adhikari
1, Delicate. 2, First Smile
Hannah E. Adhikari, piano
Ambiance 1 – Richard Montalto
Processed Sound
Two Movements for Trombone Alone – Ryan Clark
I. Moderato II. Impressions
Ryan Clark, trombone
Ask, Seek, Knock – Andrew Mark Sauerwein
Prerecorded Electronics
Art Modules – 11. 16th C.P – Richard Montalto
Processed Sound
Etudes for Solo Piano – Valentin M. Bogdan
I. Introduction II. Basso Ostinato III. Sets IV. Aug
Valentin M. Bogdan, piano
Drawing Noise / Circle Noise – Ivan Elezovic
Prerecorded Audio-Visual Media
Conversations I’ve Missed – Ryan Clark
Ody Brass Collective
Dr. Douglas Mark, director
Zahrya Harrison, Aaliyah Heard, Jaylen Lewis, trumpets
Ryan Clark, Douglas Mark, trombones
Robert Adams, euphonium
I
From celestial seats descending from Hercules – G.F. Handel (1685-1759)
II
Je vous envoie | Genièvres hérissés | Je me lamente | Bel aubépin | Si mille œillets – Jacques Leguerney (1906-1997)
III
Three Songs on the Poetry of Mihai Eminescu – Valentin Bogdan (b. 1981)
I. Somnoroase Pasarele | II. Si Daca | III. Trecut-au Anii
– Intermission –
IV
Seligkeit | Im Abendrot | Der Musensohn – Franz Schubert (1797 – 1828)
V
Piano Lessons – Juliana Hall (b. 1958)
I. My Teacher Lies on The Floor | II. Every Scale Has a Shape | III. Mother of the Chords | IV. Doing My Scales | V. Learning to Play | VI. I Think About the Piano

Sì, tra i ceppi from Berenice ━ Georg Friedrich Händel (1685-1759)
Ricky as Demetrio
Good night, my someone from The Music Man ━ Meredith Wilson (1902-1984)
Lisa as Marian
Losing my mind from Follies ━ Stephen Sondheim (1930-2021)
Charlene as Sally
L’ho perduta from Le nozze di Figaro ━ W. A. Mozart (1756-1791)
Kalina as Barbarina
Mister Cellophane from Chicago ━ John Kander (b. 1927)
Ricky as Amos
Burn from Hamilton ━ Lin Manuel Miranda (b. 1980)
Lisa as Eliza Hamilton
Bewitched, Bothered, and Bewildered from Pal Joey ━ Richard Rodgers (1902-1979)
Charlene as Vera Simpson
Après un rêve ━ Gabriel Fauré (1845-1924)
Kalina
The Thirst from Lestat: The Musical ━ Elton John (b. 1947)
Ricky as Lestat
I
O Virga, ac Diadema – Hildegard von Bingen (1098-1179), Arr. by William Reber
I’m Gonna Sing ‘Til the Spirit Moves in My Heart – Moses Hogan (1957-2003)
Leader: Zachariah Harden, tenor
Descant: Moira Cairns, soprano
The W Chamber Singers
Zane Lynn, piano
William Reber, conductor
II
Non t’amo più – Paolo Tosti (1846-1916)
Zane Lynn, tenor
So kommen Sie from Die Lustige Witwe – Franz Lehar (1870-1948)
Valencienne: Susan Hurley, soprano
Camille: Zane Lynn, tenor
Kling! – Richard Strauss (1864-1949)
Susan Hurley, soprano
William Reber, pianist
III
Inscription of Hope – Z. Randall Stroope (b. 1953)
Gabrielle Foster, piano
Zane Lynn, conductor
O Virga ac Diadema – Hildegard von Bingen, Arr. Ellen Ruth Harrison
The Lord Bless You and Keep You – Peter C. Lutkin (1858-1931)
The W Chamber Singers
Zane Lynn, piano
William Reber, Conductor
The W Chamber Singers
Soprano: Moira Cairns, Eden Cartwright, Gabby Foster, Kalina Tran
Alto: Nyla Campbell, Kaitlyn Chambers, Emily Perkins, Lisa Smith, Charlene Stork, Raisa Virlan
Tenor: Zach Harden, Braylen Jones, Johnathan Lollar, Randy Taylor
Bass: Kaloep Banks, Cadan Brothers, Ryan Clark, Ricky Dubuisson II, Charles Weathersby
Fire Down Below ━ Jay Althouse (b. 1951)
Zachariah Harden, tenor
I Love All Graceful Things ━ Eric H. Thinan (1900-1975)
Kalina Trans, soprano
TEARDROPS – Mitchell Peters (1935-2017)
Adrian Barber, marimba
Bring Him Home from Les Misérables ━ Claude-Michel Schönberg (b. 1944)
Braylen Jones, tenor
Cockeyed Optimist from South Pacific ━ Richard Rodgers (1902-1979) & Oscar Hammerstein II (1895-1960)
Eden Cartwright, soprano
Piano Sonata No. 11 in A Major II, Minuetto and Trio ━ Wolfgang A. Mozart (1756-1791)
Gabrielle Foster, piano
Bewitched, Bothered, and Bewildered from Pal Joey ━ Richard Rodgers (1902-1979)
Charlene Stork, mezzo-soprano
The Negro Speaks of Rivers ━ Margaret Bonds (1913-1972)
Jerry Brown, tenor
Andante et Allegro ━ Joseph Edouard Barat (1882-1963)
Ryan Clark, trombone
Gia il sole dal Gange ━ Alessandro Scarlatti (1810-1856)
Jerry Brown, tenor
Concert Etude ━ Alexander F. Goedicke (1877-1957)
Zahrya Harrison, trumpet
Die Forelle ━ Franz Schubert (1797-1828)
Kalina Trans, soprano
Ich Grolle Nicht ━ Robert Schumman (1670-1725)
Jerry Brown, tenor
Theme and Variations in F ━ Charles Weathersby (b. 2003)
Valentin M. Bogdan, piano
Someone Like You from Jekyll & Hyde ━ Frank Wildhorn (b. 1958)
Eden Cartwright, soprano
If I Can’t Love Her from Beauty and the Beast ━ Alan Menken (b. 1949)
Braylen Jones, tenor
Dansul timpului (Time dance) op. 76, Dansul cerului (Sky dance) op. 76, Dansul pământului (Earth dance) op. 76 ━ Carmen Petra-Basacopol (1756-1791)
Raisa Virlan, piano
Why Can’t You Behave from Kiss Me, Kate ━ Cole Porter (1891-1964)
Charlene Stork, mezzo-soprano
She Loves Me from She Loves Me ━ Jerry Bock (1928-2010) & Sheldon Harnick (1924-2023)
Zachariah Harden, tenor
I
Sì, tra i ceppi from Berenice – George Frederick Handel (1685-1759)
O del mio amato ben – Stefano Donaudy (1879-1925)
II
From Songs of Travel
Bright is the Ring of Words & Roadside Fire – Ralph von Williams (1872-1958)
III
Les Berceaux, Au bord de l’eau, & Les Matelots – Gabriel Faurè (1845-1924)
IV
From the AIDS Quilt Songbook
A Dream of Nightingales – Ned Rorem (1923-2022)
blues for an imaginary valentine – Fred Hersch (b. 1955)
V
Wild Uncharted Waters from The Little Mermaid (2023) – Alan Menken (b. 1949)
The Thirst from Lestat the Musical – Elton John (b. 1947)
Program Notes
Biography
Ricky Dubuisson II is a vocal performance major at MUW. This is his fourth year at the W and he has studied voice under the guidance of Dr. Susan Hurley since fall of 2022. While studying with Dr. Hurley, Ricky won first place in his category at the regional NATS singing competition in fall of 2023.
His past performance experience includes the previous 2 years of Opera Scenes performances at the W, plus Beautiful Beulah Belle, Little Mermaid Jr, Medea, The Wiz, and other stage productions with Perk Players and Mississippi Sound at MS Gulf Coast Community College.
Ricky would like to send out a special thanks to all of his friends, chosen family, and professors for encouraging him throughout this process. He encourages all to read the program notes between sets and hopes everyone thoroughly enjoys the recital!