Date of Performance: March 26, 2024 at 7:30 p.m. in Connie Sills Kossen Auditorium, Poindexter Hall.

Program

Biographies

Dr. Susan Hurley, soprano, has performed in Europe and the United States in repertoire that ranges from opera and musical theatre to concert and recital literature. A prizewinner at the 2002 Meistersinger competition in Graz, Austria, she has sung 25 principal operatic roles and soloed with orchestras in Germany and Austria as well as throughout the U.S.

She is the founding Artistic Director of Phoenix Arizona’s annual AIDS Quilt Songbook concert series. Later this month, she will present her ninth annual AIDS Quilt Songbook benefit concert in Phoenix. The concert launches a week of World AIDS Day events and raises funds for Arizona HIV/AIDS service organizations. Dr. Hurley has commissioned several new songs, with texts by long-term HIV survivors, which have premiered on the Phoenix concerts. She has presented lecture recitals, masterclasses, and talks on the literature comprising the AIDS Quilt Songbook for Southern Regional NATS, the Mississippi Music Teachers Association, at universities, and most recently, this past August at the tenth International Congress of Voice Teachers (ICVT)in Vienna, Austria.

She has given presentations on the theories of Alfred Tomatis, founder of audio-psycho-phonology, at ICVT Stockholm (2017), NATS, and the Mississippi Music Teachers Association. She authored the chapter on Tomatis listening in the book So You Want to Sing with Awareness, published in 2020 by Rowman and Littlefield.

Dr. Hurley is currently Associate Professor of Voice at Mississippi University for Women where she teaches Voice, Opera Workshop, Voice Pedagogy, and Music Literature. Several of her current and former voice students have won top prizes at state, regional, and national NATS competitions. She earned her Doctor of Musical Arts degree from Arizona State University in 2012.

Dr. William Reber is Director of Choirs and Staff Pianist at MUW. Professor Emeritus of Opera and Music Theatre at Arizona State University where he was on the faculty for 24 years and served as Artistic Director and Principal Conductor of the Lyric Opera Theatre,  he is former vocal coach, pianist and conductor for the Mittelsächsiches Theater in Germany, was head of the vocal coaching program for the American Institute of Musical Studies in Graz, Austria (12 years) and was Music Director of the German Opera Experience in Freiberg, Germany (10 years). In summer 2019, he joined the faculty of Spotlight on Opera as conductor and collaborative pianist and was appointed music director in 2020.

Dr. Reber has been Music Director for more than 150 productions of operas and musicals and has been conductor of the Corpus Christi (TX) ballet since 1986. As a collaborative pianist, he has performed recitals with singers and instrumentalists in Germany, Austria, Macedonia and throughout the United States. He is the pianist and music director for the annual AIDS Quilt Songbook benefit performances in Phoenix. Dr. Reber earned his Doctor of Musical Arts degree in Opera and Conducting at The University of Texas at Austin.

Date of Performance: February 27, 2024 at 7:30 p.m. in Connie Sills Kossen Auditorium, Poindexter Hall.

Program

Odd Times – Valentin M. Bogdan (Mississippi University for Women)

Valentin Bogdan and Julia Mortyakova, piano

Midnight Glowing on Horseback – Alan Goldspiel (University of Montevallo)

Electronic Playback

Legacies – Hannah Adhikari (W Music Alumna)

Hannah Adhikari, piano

Life Sequences, Mvt. 1 & Mvt. III – Charles Weathersby (W Music Student composer)

Ginger Zingara, flute

“May I ask you to…?” – Ivan Elezovic (Jackson State University)

Electronic Playback

Impromptu No. 1 – Hannah Adhikari

Hannah Adhikari, piano

Etudes for Solo Piano – Valentin M. Bogdan

  1. Introduction
  2. Basso Ostinato
  3. Sets
  4. Aug

Program Notes

Odd Times is a work loosely based on the Sonata Allegro form. Composed during the challenging period of the pandemic lockdown, it serves as an allegorical representation of the uncertainty that characterized this unprecedented era.

Midnight Glowing on Horseback juxtaposes surrealist ideas and classical formal structures within its left to right time-based electronic playback. The audio events combine and mix samples of ordinary objects, instruments, synthesized sound, and Salvadore Dali discussing his moustache. The slightly bizarre mix of elements, rarely all that jarring, and maybe nonsensical, combine to conjure a mental image – midnight glowing on horseback? – or perhaps to merely create an awake dream.

Legacies – A piano solo for Grief. Whether it be family or friend, all loss is loss. May this melody bring out your memories together that still live on.

“May I ask you to…?” The main approach of the piece leaves the listener in an unexpected and confused state produced by interactions among the characters of the piece. The appearance of ignorance and sometimes irony causes communication to be very difficult, and in some instances impossible. The mixture of hesitated questions, observations, and attempts at clarification produces even further confusion with occasional comical events.

Life Sequences is a 3-movement piece composed for flute. Each movement begins with a sequence that is repeated and manipulated to develop the movement. This set of movements at the time of composition was an introspective reflection of a sequence of life events. However, each listener is free to interpret them in their own way.

Impromptu No. 1– A piano solo to remind us of our Childhood. We can find magic in life again when we see the world through a lense of love.

Etudes for Solo Piano This set of apply the meaning of the word etude, “study”, not only to the performer, but also to the audience and composer. Some of the writing is meant to challenge the pianist, similarly to the etudes of past major composers, while some of these etudes are the result of the composer challenging himself to make the most use of certain techniques. Finally, some of these works involve the listeners; they are asked to create their own understanding of what they hear, as part of an intellectual challenge.

Date of Performance: November 14, 2023 at 7:30 p.m. in Connie Sills Kossen Auditorium, Poindexter Hall.

PROGRAM

Changes

Ginger Zingara, flute

Figuring It Out

Valentin Bogdan, piano

Distant Dissonance I-III.

Kelly Williams, bass clarinet & Ginger Zingara, flute

TV Cue

Pre-recorded electronics

Frazier’s Waltz

Valentin Bogdan, piano & Kelanie Frazier, piano

INTERMISSION

Thursday’s Are for Peace and Rain

Musique Concrete

For Love

Tommie Rice, bass & Tahj McKey, drums

Unstoppable Fusion

Tommie Rice, bass & Tahj McKey, drums

BIOGRAPHY

Kelanie Frazier is a senior Music Composition major at the W. She was born and raised here in Columbus, MS by her parents, Geno and Patricia Frazier. Despite an athletic background, Kelanie chose to pursue music by joining the Lee Middle School band playing trombone. With her education from band, she taught herself how to play both piano and bass guitar at the age of 16. Before arriving to the W, she gained her B.S. degree from Mississippi State University in Business Administration.

Kelanie is an active musician playing for multiple for ensembles, church services, and social events. In 2020, Kelanie had the opportunity to score a 4-part mini-series, Selma: The Untold Stories. During her time here at the W, Kelanie has won and been recognized for her compositions. In 2022, Kelanie won the MTNA Composition competition Young Artist division for the state of Mississippi for her brass duet, Could You Duet? On the national level of the MTNA Composition competition, she received honorable mention. In March 2023, Kelanie had her quintet, String Quintet, No. 1, read by the Mississippi Symphony Orchestra. After graduation, Kelanie looks forward to continuing her musical education.

Kelanie would like to thank the W and everyone for their love and support!

This recital is given in  partial fulfilment of degree requirements for the  Bachelor of Arts in Music (Composition). 

Kelanie Frazier is from the composition studio of Dr. Valentin M. Bogdan. 

Classics: Old & New

Date of Performance: November 13, 2023 at 7:30 p.m. in Connie Sills Kossen Auditorium, Poindexter Hall.

PROGRAM

MUW Counseling Center Contact: 662-329-7748

Date of Performance: November 7, 2023 at 7:30 p.m. in Connie Sills Kossen Auditorium, Poindexter Hall. Senior Aaron Rishel, baritone accompanied by William Reber, piano.

PROGRAM

Im Frühling – Franz Schubert

Ganymed – Franz Schubert

Sonntag – Johannes Brahms

Deh vieni alla finestra from Don Giovanni – W.A. Mozart

La ci darem la mano from Don Giovanni – W.A. Mozart

with Tiffani Jernigan, soprano

When I was One and Twenty – George Butterworth

Is My Team Ploughing from Six Songs from a Shropshire Lad – George Butterworth

I Never Knew from AIDS Quilt Songbook – Ricky Ian Gordon

Walt Whitman in 1989 from AIDS Quilt Songbook – Chris DeBlasio

Avant de quitter ces lieux from Faust – Charles Gounod

Agony from Into the Woods – Steven Sondheim

with Ricky Dubuisson II, baritone

Losing My Mind from Follies – Steven Sondheim

BIOGRAPHY

Aaron Rishel is a senior studying vocal performance at The W. Aaron was very active performing in musical theatre for the past decade on the Mississippi Gulf Coast.  He was a student of Westley Hodges for voice, piano, and saxophone; Brandon Ring for voice, MGCCC Perkinston Campus; and currently studies under the tutelage of Dr. Susan Hurley.

He enjoyed attending the Junior Theater Festival in Atlanta for many years and working with iTheatrics in New York City during the summers helping to make musicals into versions for students. Aaron was also cast with iTheatrics All-Star National JTF Europe Cast and performed at the inaugural JTF Europe, Birmingham, UK, in May 2019.

Aaron would like to thank everyone who has supported him throughout his endeavors.

This recital is given in partial fulfillment of degree requirements for the Bachelor of Arts in Music (Performance).

Aaron Rishel is from the studio of Dr. Susan Hurley.

Performed in Connie Sills Kossen Auditorium in Poindexter Hall on November 3, 2023 at 7:30 pm. MUW Chamber Singers conducted by Dr. William Reber & accompanied by Faith Nance, piano featuring Special Guest Artist, Dr. Susan Hurley, soprano.

BIOS

Dr. William Reber is Director of Choirs and Staff Pianist at MUW. He is Professor Emeritus of Opera and Music Theatre at Arizona State University where he was on the faculty for 24 years and served as Artistic Director and Principal Conductor of the Lyric Opera Theatre.  Former Director of the 17th Air Force Men’s Chorus in Germany, he was head of the vocal coaching program for the American Institute of Musical Studies in Graz, Austria (1993-2004), and was Music Director of the German Opera Experience/German Singer Summer in Freiberg, Germany (2008-2017). He was vocal coach, collaborative pianist and conductor for the Mittelsächsiches Theater in Germany. In the summer of 2019, joined the faculty of Spotlight on Opera as conductor and collaborative pianist and was appointed Music Director in 2020.

Dr. Reber has been Music Director/Conductor for more than 150 productions of operas and musicals and has been conductor of the Corpus Christi (TX) ballet for 37 years. As a collaborative pianist, he has performed recitals with singers and instrumentalists in Germany, Austria, Macedonia and throughout the United States. He is the pianist and music director for the annual AIDS Quilt Songbook benefit performances in Phoenix, AZ. Dr. Reber earned his Doctor of Musical Arts degree in Opera and Conducting at The University of Texas at Austin under Walter Ducloux.

Dr. Susan Hurley, soprano, has performed in Europe and the United States in repertoire that ranges from opera and musical theatre to concert and recital literature. A prizewinner at the 2002 Meistersinger competition in Graz, Austria, she has sung 25 principal operatic roles and soloed with orchestras in Germany and Austria as well as throughout the U.S.

She is the founding Artistic Director of Phoenix Arizona’s annual AIDS Quilt Songbook concert series. Later this month, she will present her ninth annual AIDS Quilt Songbook benefit concert in Phoenix. The concert launches a week of World AIDS Day events and raises funds for Arizona HIV/AIDS service organizations. Dr. Hurley has commissioned several new songs, with texts by long-term HIV survivors, which have premiered on the Phoenix concerts. She has presented lecture recitals, masterclasses, and talks on the literature comprising the AIDS Quilt Songbook for Southern Regional NATS, the Mississippi Music Teachers Association, at universities, and most recently, this past August at the tenth International Congress of Voice Teachers (ICVT) in Vienna, Austria.

She has given presentations on the theories of Alfred Tomatis, founder of audio-psycho-phonology, at ICVT Stockholm (2017), NATS, and the Mississippi Music Teachers Association. She authored the chapter on Tomatis listening in the book So You Want to Sing with Awareness, published in 2020 by Rowman and Littlefield.

Dr. Hurley is currently Associate Professor of Voice at Mississippi University for Women where she teaches Voice, Opera Workshop, Voice Pedagogy, and Music Literature. Several of her current and former voice students have won top prizes at state, regional, and national NATS competitions. She earned her Doctor of Musical Arts degree from Arizona State University in 2012.