{"id":97,"date":"2022-02-17T09:30:06","date_gmt":"2022-02-17T15:30:06","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=97"},"modified":"2023-02-28T16:45:03","modified_gmt":"2023-02-28T22:45:03","slug":"2022-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/previous\/2022-schedule\/","title":{"rendered":"2022 Schedule"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.muw.edu\/images\/colleges\/as\/music\/musicbywomen.jpg\" alt=\"Music by Women Festival\"\/><\/figure>\n<\/div>\n\n\n<h2 class=\"has-text-align-center wp-block-heading\">Schedule &#8211; March 3-5, 2022<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Thursday, March 3, 2022<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">10:00 AM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 1<\/h2>\n\n\n\n<p>Thursday March 3, 2022<br>10:00 AM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 1\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/hJTXVVpvrlY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Three Romances\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026Clara Schumann (1819-1896)<\/strong><\/p>\n\n\n\n<p>1. Andante molto<br>2. Allegretto<br>3. Leidenschaftlich schnell<\/p>\n\n\n\n<p><strong>Poem&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. Marina Dranishnikova (1929-1994)<\/strong><\/p>\n\n\n\n<p>Theresa Delaplain, oboe (University of Arkansas)<br>Miroslava Panayotova, piano (University of Arkansas at Fayetteville)<\/p>\n\n\n\n<p><strong>Unorthodox Redux (2021)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. Stefania de Kenessey<\/strong><\/p>\n\n\n\n<p>Amanda Wilton, violin (Louisiana Tech University)<br>Suren Petrosyan, cello (Arkansas State University)<br>Hsiaopei Lee, viola (University of Southern Mississippi)<\/p>\n\n\n\n<p><strong>Rhapsody in Darkness&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. Evgeniya Kozhevnikova (University of Florida)<\/strong><\/p>\n\n\n\n<p>Danielle Moreau, marimba (University of Florida)<\/p>\n\n\n\n<p><strong>Sherwood Legend&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. Elizabeth Raum<\/strong><br>3. Unabashed Scoundrel<\/p>\n\n\n\n<p>Katey J. Halbert, horn (University of Arkansas at Fayetteville)<br>Miroslava Panayotova, piano (University of Arkansas at Fayetteville)<\/p>\n\n\n\n<p><strong>Crescendo &#8211; a trilogy for solo piano (2021)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Biljana Bojovi\u0107<\/strong><br>1. Heart of a Hero<br>2. Joyful Sorrow<br>3. The Ground Is Not Still<br><br>Valentin Bogdan, piano<\/p>\n\n\n\n<p><strong>IL SILENZIO DELL&#8217;ULIVO &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.. EMANUELA&nbsp; BALLIO&nbsp; (I.S.S.M. Conservatorio &#8220;G.Cantelli&#8221; of Novara, Italy)<\/strong><\/p>\n\n\n\n<p><em>BATIK Clarinet Quartet<\/em><br>Christy Banks, Bb and bass clarinet&nbsp; (Millersville University of Pennsylvania)<br>Timothy Bonenfant, bass clarinet (Angelo State University)<br>Soo Goh, Bb clarinet (Appalachian State University)<br>Michelle Kiec, Bb clarinet (Kutztown University of Pennsylvania)<\/p>\n\n\n\n<p><strong>Conversations &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. Barbara York (1949-2020)<\/strong><br>1. Allegretto<br>2. Lento<br>3. Jaunty<\/p>\n\n\n\n<p>Cynthia Cripps, saxophone (University of Texas Rio Grande Valley)<br>Scott Roeder, tuba (University of Texas Rio Grande Valley)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">11:30 AM -12:00 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h4>\n\n\n\n<p><strong>Paper: <em>The Female Hit Parade: Acknowledging the Women Jazz Song Composers of the 1930s and 40s<\/em><\/strong><\/p>\n\n\n\n<p>Elizabeth Momand (University of Arkansas &#8211; Fort Smith)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Penny Rodriguez&#8217;s Nine Poetic Love Songs: Pedagogy, Inclusivity, and Diversity of Texts<\/em><\/strong><\/p>\n\n\n\n<p>Chuck Chandler, tenor (DePaul University)<br>Jonathan Levin, piano <a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">12:00 PM (Noon)<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 2<\/h2>\n\n\n\n<p>Thursday March 3, 2022<br>12:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 2\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/WVKvDmmyGDY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Mosaic of Joy\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Theresa Delaplain (b. 1959) (University of Arkansas)<\/strong><\/p>\n\n\n\n<p>Theresa Delaplain, oboe (University of Arkansas)<br>(Pre-recorded track&nbsp;to be played during performance)<\/p>\n\n\n\n<p><strong>Three Songs\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026Florence Price (1887-1953)<\/strong><br>1. Night<br>2. Out of the South Blew a Wind<br>3. Hold Fast to Dreams<\/p>\n\n\n\n<p>Amy Yeung, soprano (University of Tennessee at Martin)<br>Chan Mi Jean, piano University of Tennessee at Martin)<\/p>\n\n\n\n<p><strong>Blue As In My Dreams&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Kim Osteen-Petreshock<\/strong><br>I. Sky<br>II. Aquamarine<br>III. Turquoise<br>IV. Lapis Lazuli<br>V. Indigo<br>VI. Sea<\/p>\n\n\n\n<p>Miroslava Panayotova, piano (University of Arkansas at Fayetteville)<\/p>\n\n\n\n<p><em>It Comes From Within: Music for Flute and Clarinet<\/em><\/p>\n\n\n\n<p><strong>Beats of the Field (1990)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Beth Wiemann (b. 1959)<\/strong><br>I<br>II: Allegro<br>III<br><strong>A Little Gift (2006) &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Joan Tower (b. 1938)<br>Three Bagatelles from China West (2010)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Chen Yi (b. 1953)<\/strong><br>I. Shan Ge<br>II. Nai Guo Hou<br>III. Dou Dou<\/p>\n\n\n\n<p><em>Synergy 78<\/em><br>Carol Shansky, flute (New Jersey City University)<br>Michelle Kiec, clarinet (Kutztown University of Pennsylvania)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Break<\/em><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">2:30 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 3<\/h2>\n\n\n\n<p>Thursday March 3, 2022<br>2:30 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 3\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/QUk0vLaRfbs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Kisahkihitin I Love You\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026 Rhonda Head (Indigenous Super Stars)<br>From Afar<br>Voices<br>500 Years<\/strong><\/p>\n\n\n\n<p>Rhonda Head, mezzo soprano (Indigenous Super Stars)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Colibri Op. 72\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026..Laura Netzel (1839-1927)<br>Goldfish Through Summer Rain\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Anne Boyd (b. 1946)<br>Amazonia (2020) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.. Valerie Coleman (b. 1970)<\/strong><\/p>\n\n\n\n<p>Paula Gudmundson, flute (University of Minnesota Duluth)<br>Diana Shapiro, piano (University of Minnesota Duluth)<\/p>\n\n\n\n<p><strong>Piano Suite &#8216;Circus&#8217; \u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026SiHyun Uhm<\/strong><br>I. Monkey<br>II. Clown<br>III.Trapeze<br>IV. Lion<\/p>\n\n\n\n<p>Eun-Hee Park, piano (University of Montevallo)<\/p>\n\n\n\n<p><strong>I Am in Doubt\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Undine Smith Moore (1904-1989)<br>Night\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026Florence Price (1887-1953)<\/strong><br><br>Kate Fehan, soprano (Butler University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Fountain Fantasy\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jerry Casey<\/strong><\/p>\n\n\n\n<p>Michelle Kiec, clarinet (Kutztown University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Three Irish Country Songs&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;. Rebecca Clarke<\/strong><br>1. I know my love<br>2. I know where I&#8217;m goin&#8217;<br>3. As I was goin&#8217; to Ballynure<br><strong>Aubade\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Clara K. Rogers<\/strong><br><strong>Ecstasy\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Amy Beach<\/strong><br><strong>Blue Bird\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;&#8230;.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Helena Kim<\/strong><br>Traditional Korean Folk Song<\/p>\n\n\n\n<p><em>QueensSound Ensemble<\/em><br>Linda Teixeira, soprano<br>Laura Giannini, violin<br>Helena Kim, piano<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:00-4:25 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/h4>\n\n\n\n<p><strong>Paper: <em>The Chamber Wind Ensemble Music of Ruth Gipps (1921-1999): Composer, Conductor, and Performer<\/em><\/strong><\/p>\n\n\n\n<p>Brittan Braddock (University of West Florida)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital:<em>Ellen Taaffe Zwilich&#8217;s Einsame Nacht: Sonic Depictions of Existential Loneliness<\/em><\/strong><\/p>\n\n\n\n<p>Matthew Hoch, baritone (Auburn University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:00-4:25 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Open Spaces: The Unique Compositional Language of Priaulx Rainier\u2019s Pastoral Triptych<\/em><\/strong><\/p>\n\n\n\n<p>David Munro, oboe (Bowling Green State University)<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:30-4:55 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>Ruth Crawford: Prestige and Discrimination<\/em><\/strong><\/p>\n\n\n\n<p>Jillian Vogel (Louisiana State University)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Cabaret Songs of Madeleine Dring<\/em><\/strong><\/p>\n\n\n\n<p>Sofia Scattarreggia, soprano<br>Rebecca Golub, piano<br>Wanda Brister, lecturer (Florida State University)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Opera the Journalist<\/em><\/strong><\/p>\n\n\n\n<p>Larisa Kholodnaya, soprano<br>Jonathan Levin, piano<a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">5:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 4<\/h2>\n\n\n\n<p>Thursday March 3, 2022<br>5:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 4\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/N5pggzJTTjM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>From <em>Six Songs on Poems by Edna St. Vincent Millay<\/em>\u2026\u2026\u2026\u2026\u2026&#8230;Margaret Bonds (1913-1972)<\/strong><br>Women Have Loved Before as I Love Now<br>Even in the Moment<br>What Lips My Lips Have Kissed<\/p>\n\n\n\n<p>Susan Hurley, soprano (Mississippi University for Women)<br>William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n<p><strong>Capriccio, Op. 18 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026C\u00e9cile Chaminade (1857-1944)<\/strong><br>Boh\u00e9mienne, Op. 31, No. 3<\/p>\n\n\n\n<p>&nbsp;Amanda Wilton, violin (Louisiana Tech University)<br>Lauren Schack Clark, piano (Arkansas State University)<\/p>\n\n\n\n<p><strong>Black, White, COLOUR!&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Emily Joy Sullivan (UC Davis)<\/strong><br><\/p>\n\n\n\n<p><em>BATIK Clarinet Quartet<\/em><br>Christy Banks, Bb clarinet&nbsp; (Millersville University of Pennsylvania)<br>Timothy Bonenfant, bass clarinet (Angelo State University)<br>Soo Goh, Bb clarinet (Appalachian State University)<br>Michelle Kiec, Bb clarinet (Kutztown University of Pennsylvania)<\/p>\n\n\n\n<p><strong>Through Tears and Beyond, for Piano, Either Hand Alone&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Deborah Yardley Beers (Rivers School Conservatory)<\/strong><br>1. Prelude of Hope to a Tale of Sorrow<br>2. A Fleeting Memory<br>3. Outburst<br>4. Meditation by Starlight<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Sea Dreams&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Barbara York (1949-2020)<\/strong><br>I. Down Under<br>III. Dolphins<\/p>\n\n\n\n<p><strong>Tuba Songs&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Jennifer Higdon (b. 1962)<\/strong><br>Morning Opens<br>Hope &amp; Toe Dance<\/p>\n\n\n\n<p><strong>Concert Piece&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Libby Larsen (b. 1950)<\/strong><\/p>\n\n\n\n<p>Steven Darling, tuba (University of Tennessee at Martin)<br>Chan Mi Jean, piano<\/p>\n\n\n\n<p><strong>Living in the Body&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Lori Laitman<\/strong><\/p>\n\n\n\n<p>1. Burning the Woods of My Childhood<br>2. Living in the Body<br>4. Lost at Table<br>5. Bring on the Rain<br>6. Crossroads<\/p>\n\n\n\n<p>Kristine Hurst-Wajszczuk, soprano (University of Alabama at Birmingham)<br>Denise Gainey, clarinet (University of Alabama at Birmingham)<\/p>\n\n\n\n<p><em>Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">8:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 5<\/h2>\n\n\n\n<p>Thursday March 3, 2022<br>8:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 5\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8uI_D2KSOng?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Le clown (\u2026c\u2019est moi)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rosita Piritore<\/strong><\/p>\n\n\n\n<p>Jennifer Piazza-Pick, soprano (Georgia College and State University)<br>Matthew Hoch, baritone (Auburn University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Sonata in C Minor, Op. 21\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026C\u00e9cile Chaminade<\/strong><br>Allegro Appassionato<br>Andante<br>Allegro<\/p>\n\n\n\n<p>Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n<p><strong>Drift (2002 \/ rev. 2021)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Dorothy Hindman (b. 1966)<br>Quartet for Four Abstract Expressionist Paintings (2017)&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Dana Kaufman (b. 1989)<br><\/strong>I. Woman III (Willem de Kooning)<br>II. Untitled, ca. 1958 by Alma Thomas<br>III. Children of Frejus by Sonia Getchoff<br>IV. Gento Niese by Michael West<\/p>\n\n\n\n<p><em>BATIK Clarinet Quartet<\/em><br>Christy Banks, basset and bass clarinet&nbsp; (Millersville University of Pennsylvania)<br>Timothy Bonenfant, bass clarinet (Angelo State University)<br>Soo Goh, Bb clarinet (Appalachian State University)<br>Michelle Kiec, Eb and Bb clarinet (Kutztown University of Pennsylvania)<\/p>\n\n\n\n<p><strong>Healing\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Hannah Heaton Adhikari (BMI)<\/strong><br>Susan Hurley, soprano (Mississippi University for Women)<br>William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n<p><strong>Crystal Cathedral (2014) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026.\u2026\u2026 Leanna Primiani (b. 1978)<br>Song Without Words (1983) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Libby Larsen (b. 1950)<\/strong><\/p>\n\n\n\n<p>Timothy Bonenfant, clarinet (Angelo State University)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<\/p>\n\n\n\n<p><strong>Sonata in D Minor for Violin and Piano, op. 36 (1920)\u2026\u2026\u2026\u2026Marcelle Soulage (1894-1970)<\/strong><br>I. Lent \u2013 Mod\u00e9r\u00e9 \u2013 Allegro<br>II. Scherzo \u2013 Vif<br>III. Lent et grave<br>IV. Final \u2013 Vif<\/p>\n\n\n\n<p>Chi Young Song, violin (Arkansas State University)<br>Lauren Schack Clark, piano (Arkansas State University)<\/p>\n\n\n\n<p><em>Reflections of Hope<\/em><\/p>\n\n\n\n<p><strong>Sunrises at the Ocean\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Sophia Pavlenko<\/strong><\/p>\n\n\n\n<p>Sophia Pavlenko, piano<\/p>\n\n\n\n<p><strong>Muse &amp; Protagonist\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Sophia Pavlenko<\/strong><br>1.) The Longing and the Doubts<br>2.) Exaltation and Profession<br>3.) Desperation, Revelation, and Surrender<\/p>\n\n\n\n<p>Corey Raquel Lovelace, soprano<br>Sophia Pavlenko, piano<\/p>\n\n\n\n<p><strong>Water Dancer\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026Sophia Pavlenko<\/strong><\/p>\n\n\n\n<p>Sophia Pavlenko, piano<\/p>\n\n\n\n<p><strong>Night Music for an Austere Warrior\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Sophia Pavlenko<\/strong><\/p>\n\n\n\n<p>Corey Raquel Lovelace, soprano<br>Sophia Pavlenko, piano<\/p>\n\n\n\n<p><strong>Crystal Cathedral (2014) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026.\u2026\u2026 Leanna Primiani (b. 1978)<br>Song Without Words (1983) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Libby Larsen (b. 1950)<\/strong><\/p>\n\n\n\n<p>Timothy Bonenfant, clarinet (Angelo State University)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Friday, March 4, 2022<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">9:30 AM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Slip Sliding Away, decoding the mystery of trombone legato using the vocalises of Mathilde Marchesi<\/em><\/strong><\/p>\n\n\n\n<p>Alexandra Zacharella, trombone (University of Arkansas-Fort Smith)<br>Elizabeth Momand, piano (University of Arkansas-Fort Smith)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Reconstructing Philippa Schuyler\u2019s \u201cSeven Pillars of Wisdom<\/em><\/strong><\/p>\n\n\n\n<p>Sarah Masterson, piano (Newberry College)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">10:00 AM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 6<\/h2>\n\n\n\n<p>Friday March 4, 2022<br>10:00 AM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 6\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/MLFSFsqm5b0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Lullaby Variation for Solo Piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026Jiyoun Chung<\/strong><br>Theme<br>Hymn<br>Staccato<br>Arpeggiation<br>Fuga<br>High<br>Low<br>Octaves<br>The Finale<\/p>\n\n\n\n<p>April Kim, piano (St. Olaf College)<\/p>\n\n\n\n<p><strong>Three Pieces for Woodwinds\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Eurydice Osterman<\/strong><br>I. Scherzo<br>II. Pastorale<br>III. The Playground<\/p>\n\n\n\n<p>Carol Shansky, flute,<br>Soo Goh, clarinet (Appalachian State University)<br>Cynthia Cripps, bassoon (University of Texas Rio Grande Valley)<\/p>\n\n\n\n<p><strong>Soliloquy for solo cello (1995)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Linda Kernohan<\/strong><\/p>\n\n\n\n<p>Paul Christopher, cello (Northwestern State University of Louisiana)<\/p>\n\n\n\n<p><strong>A Single Thread for baritone voice and cello (1994)\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Linda Kernohan<\/strong><br>I. Je t&#8217;adore<br>II. Lullaby<br>III. Longing<\/p>\n\n\n\n<p>Robert Cardwell, baritone (Northwestern State University of Louisiana)<br>Paul Christopher, cello (Northwestern State University of Louisiana)<\/p>\n\n\n\n<p><strong>Tillein for an intimate percussionist..\u2026\u2026\u2026..\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Rania Chrysostomou<br>The Dictionary of Obscure Sorrows: exulansis..\u2026.\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026. Annika Socolofsky<br>How to be a Deep Thinker in Los Angeles..\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026. Jennifer Jolley<\/strong><\/p>\n\n\n\n<p>Danielle Moreau, percussion (University of Florida)<\/p>\n\n\n\n<p><strong>Theme and Variations: Emotions\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026Hannah Heaton Adhikari<\/strong> (BMI)<br><br>Hannah Heaton Adhikari, piano (BMI)<\/p>\n\n\n\n<p><strong>&#8220;These Four Directions&#8221; for Wind Quartet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;.Amber Ferenz Spuller<\/strong><br>I. Sunrise in the East<br>II. Southern Summer: Roan Mountain High Balds<br>III. Take Your Place Among the Western Stars<br>IV. North Carolina Called Me Home<\/p>\n\n\n\n<p>Deanna Little, flute<br>David Cyzak, oboe<br>Todd Waldecker, clarinet<br>Sasha Gee Enegren, bassoon<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">11:30 AM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>Women Composers as Poets: Reordering and Omission in 19th-Century Lieder Texts<\/em><\/strong><\/p>\n\n\n\n<p>Tyler Osborne<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Twelve Tone Lizzie: An Analysis of Elisabeth Lutyens\u2019 Serial Techniques in \u201c5 Bagatelles for Piano\u201d (1965)<\/em><\/strong><\/p>\n\n\n\n<p>Sandra Coursey, piano (Bowling Green State University)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>21st Century Crossover\/Musical Theatre Songs &amp; Composers for the Classically Trained Singer<\/em><\/strong><\/p>\n\n\n\n<p>Dorea Cook, mezzo soprano (Valencia College)<br>Jonathan Levin, piano<a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">12:00 PM (Noon)<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 7<\/h2>\n\n\n\n<p>Friday March 4, 2022<br>12:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtube.com\/watch?v=qN2VnhBFuEY\n<\/div><\/figure>\n\n\n\n<p><strong>Den abschied schnell genommen\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Josephine Lang (1815 \u2013 1880)<\/strong><br>Ob ich manchmal Dein gedanke<br><br>Rachel Boone, mezzo-soprano<\/p>\n\n\n\n<p><em>Songs With(out) Words<\/em><br><strong>John Muir Trails\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026. Eva-Maria Houben<br>Circle of Fun!\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Daria Binkowski<br>Will It Happen? Did It Happen? Is It Happening?\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;.\u2026. Ania Sundstrom<\/strong><\/p>\n\n\n\n<p>Daria Binkowski, flute<br>Kyle Rowan, clarinet<\/p>\n\n\n\n<p><strong>Snowflakes\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026Shao Fern Teo (b.1992)<\/strong><\/p>\n\n\n\n<p>Martin Van Klompenberg, bassoon<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Threnody (1996)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Thea Musgrave (b. 1928)<br>Reverie (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026Eurydice Osterman (b. 1950)<br>Peace (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Jessie Montgomery (b. 1981)<br>The Kelpie of Corrievrecken (1939)\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026..Ruth Gipps (1921-1999)<\/strong><\/p>\n\n\n\n<p>Timothy Bonenfant, clarinet (Angelo State University)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<\/p>\n\n\n\n<p><strong>La Calavera\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.Alice Gomez (b. 1960)<\/strong><\/p>\n\n\n\n<p>Brenda Luchsinger, horn (Alabama State University)<\/p>\n\n\n\n<p><strong>A Woman Keeps Opening (2021)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026Melika M. Fitzhugh (b. 1972)<\/strong><br><em>World Premiere<\/em><\/p>\n\n\n\n<p><strong>IV. Lavmaelt from Nattsanger (2008)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026. Abbie Betinis (b.1980)<\/strong><\/p>\n\n\n\n<p><strong>Letter from Beirut (2021)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Jennifer Stevenson (b. 1977)<\/strong><br><em>World Premiere<\/em><\/p>\n\n\n\n<p><strong>Say I Am a River (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Diana Rosenblum (b. 1983)<\/strong><br><em>World Premiere<\/em><\/p>\n\n\n\n<p><strong>Scat 2 (1984)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026&#8230;\u2026\u2026.. Victoria Bond (b. 1945)<\/strong><\/p>\n\n\n\n<p><em>Whistling Hens<\/em><br>Jennifer Piazza-Pick, soprano (Georgia College and State University)<br>Natalie Groom, clarinet (University of Maryland, Baltimore County)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Break<\/em><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">2:30 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 8<\/h2>\n\n\n\n<p>Friday March 4, 2022<br>2:30 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 8\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/BmDnUzpLYXk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>color coming silent\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026Olivia Kieffer<br>Solitudes\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026..\u2026Akshaya Avril Tucker<\/strong><br>1. Air Through an Open Window<br>2. Glass Doorknob Refracts Light<br>3. Leaves Rush By<br>4. Two Solitudes (You and I)<\/p>\n\n\n\n<p>Nathaniel Gworek, percussion (Point University)<br>vibraphone, snare drum, bass drum, tom tom<\/p>\n\n\n\n<p><strong>Ode to Odessa\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026.Eva Wasserman-Margolis (b. 1956)<\/strong><\/p>\n\n\n\n<p>May Smith, clarinet (University of North Carolina at Charlotte)<\/p>\n\n\n\n<p><strong>Sonata for Viola and Piano, op. 7 (c. 1925)\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026.\u2026.K. Dorothy Fox (c. 1894-1934)<\/strong><br>I.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Molto moderato<br>II.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Allegro molto \u2013 Un poco meno mosso \u2013 Allegro molto<br>III.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Allegro moderato<\/p>\n\n\n\n<p>Josquin Larsen, viola<br>Lauren Schack Clark, piano (Arkansas State University)<\/p>\n\n\n\n<p><strong>American Dance Suite\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026Julia Frances Smith (1905-1989)<\/strong><br>I.&nbsp;One Morning in May<br>II.&nbsp;Lullaby<br>III.&nbsp;Lost My Partner<br>IV.&nbsp;Chicken Reel<\/p>\n\n\n\n<p>Patricia Williamson, piano (Lamar University)<br>Rachel Clark, piano (Lamar University)<\/p>\n\n\n\n<p><strong>Duo Sonata: &#8220;Wisdom of our Fathers&#8221; \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Barbara York (1949-2020)<\/strong><br>for alto saxophone, trumpet, and piano<\/p>\n\n\n\n<p>Sarah Hetrick, alto saxophone (Texas A&amp;M International University)<br>Nicole Gillotti, trumpet (Texas A&amp;M International University)<br>Tatiana Gorbunova, piano (Texas A&amp;M International University)<\/p>\n\n\n\n<p><strong>Formosa Collages (2021)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026. Chia-Yu Hsu (b. 1975)<\/strong><br>I. From afar<br>II. A song to the land<br>III. Festival<\/p>\n\n\n\n<p>Hsiaopei Lee, viola (University of Southern Mississippi)<br>Chialing Hsieh, piano (Northwestern State University of Louisiana)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:00 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>Composer Diversity in Solo Vocal Repertoire Assignments<\/em><\/strong><\/p>\n\n\n\n<p>Victoria Corona (Texas A&amp;M University-Kingsville)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Tres for Trois: Flute Trios by Three Mexican Female Composers<\/em><\/strong><\/p>\n\n\n\n<p>Ammi L\u00f3pez (University of Alabama)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Margaret Bonds Sets Edna St. Vincent Millay: Two Brilliant Artistic Minds<\/em><\/strong><\/p>\n\n\n\n<p>Dana Zenobi, soprano (Butler University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:30 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Mary Chandler and her works for oboe<\/em><\/strong><\/p>\n\n\n\n<p>Kristin Leitterman, oboe (Arkansas State University)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 307<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Nueve Canciones by Gisela Hern\u00e1ndez Gonzalo: A Picturesque Synthesis of Words and Music<\/em><\/strong><\/p>\n\n\n\n<p>Elizabeth Momand, piano (University of Arkansas &#8211; Fort Smith)<br>Katherine White, mezzo soprano<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Six Japanese Songs by Margaret Garwood<\/em><\/strong><\/p>\n\n\n\n<p>Cheryl Coker, soprano (Millsaps College)<br>Ken Graves, clarinet<br>Jonathan Levin, piano<a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">5:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 9<\/h2>\n\n\n\n<p>Friday March 4, 2022<br>5:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 9\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1ieWhkH-_Ro?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Evening, Ponte al Mare, Pisa&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Traci Mendel (Troy University)<\/strong><\/p>\n\n\n\n<p>Matthew Hoch, baritone (Auburn University)<br>Ellie Jenkins, horn (Dalton State College)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>A Sprout for Solo Clarinet&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Guisook Lee (Korea National University of Arts)<\/strong><\/p>\n\n\n\n<p>Christy Banks, clarinet (Millersville University of Pennsylvania)<\/p>\n\n\n\n<p><strong>Nocturne&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;Geraldine Green<\/strong><\/p>\n\n\n\n<p><strong>In light we see, in light we are seen&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Elaine Fine<\/strong><br>For Poulenc<\/p>\n\n\n\n<p>Rebecca Johnson, flute (Eastern Illinois University)<br>Cara Chowning, piano (Ball State University)<\/p>\n\n\n\n<p><strong>Collision Etudes for Solo Oboe&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;..Alyssa Morris<\/strong><br>Jimson Weed \u2013 Georgia O\u2019Keeffe<br>City Landscape \u2013 Joan Mitchell<\/p>\n\n\n\n<p>Kristin Sarvela, oboe (Sam Houston State University)<\/p>\n\n\n\n<p><strong>How Beautiful\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026..\u2026\u2026Barbara York (1949-2020)<\/strong><\/p>\n\n\n\n<p>Scott Roeder, tuba, (University of Texas Rio Grande Valley)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<\/p>\n\n\n\n<p><strong>Hidden Love (Four Sara Teasdale Poems)\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elaine Ross (b. 1966)<\/strong><br>1. Hidden Love<br>2. Houses of Dreams<br>3. The Flight<br>4. To Joy<\/p>\n\n\n\n<p>Teri Bickham, soprano (University of North Carolina Greensboro)<br>Elaine Ross, piano<\/p>\n\n\n\n<p><strong>Set for Clarinet, Op. 15 (1978)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Katherine Hoover (1937-2018)<\/strong><br>I. Fanfare<br>II. Air<br>III. Dance<\/p>\n\n\n\n<p>Wyatt Stocks, clarinet<\/p>\n\n\n\n<p><strong>Les Larmes De La Plan\u00e8te\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026.\u2026\u2026\u2026.\u2026\u2026Eliane Aberdam (b. 1964) (URI)<\/strong><br><em>World Premiere<\/em><\/p>\n\n\n\n<p>Timothy Bonenfant, clarinet (Angelo State University)<br>Martha Saywell, piano (Texas A&amp;M University San Antonio)<br>Biljana Bojovi\u0107, cello<\/p>\n\n\n\n<p><strong>\u00d6tzi (2017) for Tenor saxophone and Electronics&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.Alexis Bacon (b. 1975)<\/strong><br>Brian Rodesch, tenor saxophone (Simpson College)<\/p>\n\n\n\n<p><em>Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">8:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 10<\/h2>\n\n\n\n<p>Friday March 4, 2022<br>8:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtube.com\/watch?v=iw22uUB5VWQ\n<\/div><\/figure>\n\n\n\n<p><strong>&#8216;Escenarios&#8217; ten audiovisual impressions for piano improv\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Sof\u00eda Matus Cancino (Universidad Nacional Aut\u00f3noma de M\u00e9xico [UNAM])<\/strong><\/p>\n\n\n\n<p>Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n<p><strong>Two Ocean Songs\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Collier<\/strong><br>I. Winds of May<br>II. Once by the Pacific<\/p>\n\n\n\n<p>Deborah Popham, soprano<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Venice..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;&#8230;Teresa Carre\u00f1o<\/strong><\/p>\n\n\n\n<p><strong><em>Fileuse, Etudes de Concert Op.35, No. 3<\/em>..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;C\u00e9cile Chaminade<\/strong><\/p>\n\n\n\n<p>Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n<p><strong>Foam and Sun for clarinet, saxophone, and electronic media \u2026\u2026..\u2026\u2026\u2026\u2026Yuanyuan (Kay) He<\/strong><\/p>\n\n\n\n<p>Amy Humberd, clarinet (Berry College and Lee University)<br>Elizabeth King-Bennett, saxophone (Chipola College)<\/p>\n\n\n\n<p><strong>C\u00e1nticos para sonar\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026Irma Urtega (b. 1929)<\/strong><br>1. Canci\u00f3n de cuna para mi coraz\u00f3n solitario<br>2. Canto de nodriza<br>3. Vocalise<br>4. Capullito<\/p>\n\n\n\n<p>Rebecca Coberly, soprano (University of Texas Rio Grande Valley)<br>Stacy Kwak, piano (University of Texas Rio Grande Valley)<\/p>\n\n\n\n<p><strong>Thread of Providence for solo violoncello (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026&#8230;\u2026..\u2026Biljana Bojovi\u0107<\/strong><\/p>\n\n\n\n<p>Biljana Bojovi\u0107, cello<\/p>\n\n\n\n<p><strong>Three Roses \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Florence Price (1887-1953)<\/strong><br>arr. by The Music Thief<br>I. To a Yellow Rose<br>II. To a White Rose<br>III. To a Red Rose<\/p>\n\n\n\n<p><br><em>The Music Thief<\/em><br>Thomas Wheeler, guitar<\/p>\n\n\n\n<p><strong>After All Is Gone \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Evgeniya Kozhevnikova (University of Florida)<\/strong><\/p>\n\n\n\n<p>Serena Scibelli, violin (University of North Georgia)<\/p>\n\n\n\n<p><strong>Fantasia-Sonata\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026.\u2026\u2026.\u2026\u2026. Olga Harris<\/strong> (Tennessee State University)<\/p>\n\n\n\n<p>Timothy Bonenfant, clarinet (Angelo State University)<\/p>\n\n\n\n<p><em>Home. Lake. Rake.<\/em><br><strong>Homeland\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026.. Allison-Loggins Hull<\/strong><\/p>\n\n\n\n<p><strong>Po jezeru\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Nina \u0160enk<\/strong><\/p>\n\n\n\n<p><strong>to all the gooses i have loved \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230; Daria Binkowski<\/strong><\/p>\n\n\n\n<p>Daria Binkowski, flute<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Saturday, March 5, 2022<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">9:30\u201310:00 AM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>The Incomparable Helen May Butler and her Ladies Military Brass Band<\/em><\/strong><\/p>\n\n\n\n<p>Alexandra Zacharella (University of Arkansas-Fort Smith)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: \u201c<em>Too Great to Get Published?\u201d Kapr\u00e1lov\u00e1&#8217;s Sonata appassionata, op.6<\/em><\/strong><\/p>\n\n\n\n<p>Anna Betka, piano<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">10:00 AM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 11<\/h2>\n\n\n\n<p>Saturday March 5, 2022<br>10:00 AM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 11\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/c3AwOKTUmUY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Kwong Song for Clarinet Quartet \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elena Kats-Chernin (b. 1957)<\/strong><\/p>\n\n\n\n<p>May Smith, Clarinet 1, (UNC Charlotte)<br>Wyatt Stocks, Clarinet 2, (UNC Charlotte)<br>Gavin Fulker, Clarinet 3, (UNC Charlotte)<br>Sadie McNair, Clarinet 3, (UNC Charlotte)<br>Kenan Boswell, Bass Clarinet, (UNC Charlotte)<\/p>\n\n\n\n<p><strong>To Aspire\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Shayla Blake (Louisiana Tech University)<\/strong><\/p>\n\n\n\n<p>Shayla Blake, piano (Louisiana Tech University)<\/p>\n\n\n\n<p><strong>In The City at Night\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jenni Brandon (b. 1977)<\/strong><\/p>\n\n\n\n<p>Jessica Haislip, English horn (Mississippi State University)<\/p>\n\n\n\n<p><strong>Free to Be \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Hannah Rice (Louisiana State University)<\/strong><\/p>\n\n\n\n<p>James Zingara, trumpet<\/p>\n\n\n\n<p><strong>Pleas to Famous Fairies \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Linda Lister<\/strong><br>I. Ariel Ambitions<br>II. Queen Titania<br>III. Fairy Godmother<br>IV. Tink<br>V. Rusalka<br>VI. Sookie Stackhouse<br>VII. Fairy Thank You Miscellany<\/p>\n\n\n\n<p>Jordan Dark, voice, soprano<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>The Vast Unknowable (2017)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026Joanne Metcalf<\/strong><\/p>\n\n\n\n<p><strong>Gray Stone, Green Garden (2018)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Anna Meadors<\/strong><\/p>\n\n\n\n<p>Nicholas Suosso, soprano and alto saxophones<\/p>\n\n\n\n<p><strong>A Favorite Duett for Two Performers on One Piano Forte or Harpsichord\u2026\u2026\u2026\u2026..Jane Savage<\/strong><br>I. Maestoso<br>II. Larghetto<br>III. Rondo<\/p>\n\n\n\n<p>Jacob Clark (Lamar University) &amp; Sujung Cho (Lamar University), piano duet<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">11:30 AM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>The Published and Unpublished Choral Compositions of Margaret Vardell Sandresky: An Examination of Style and Conductor\u2019s Guide<\/em><\/strong><\/p>\n\n\n\n<p>Creighton Holder<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Juliana Hall\u2019s Cameos and the Female Visual Artist as Muse \u2013 From Inspiration to Creation and Beyond<\/em><\/strong><\/p>\n\n\n\n<p>Molly Fillmore, soprano (University of North Texas)<br>Elvia Puccinelli, piano (University of North Texas)<a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">12:00 PM (Noon)<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 12<\/h2>\n\n\n\n<p>Saturday March 5, 2022<br>12:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 12\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/L2I7qd7TepE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>5 Miniatures for flute solo (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 \u2026\u2026\u2026\u2026\u2026..Seong Ae Kim<\/strong><\/p>\n\n\n\n<p>Rebecca Johnson, flute (Eastern Illinois University)<\/p>\n\n\n\n<p><br><strong>When I am Dead, My Dearest\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026Liza Lehmann (1862-1918)<\/strong><br>Dusk in the Valley<\/p>\n\n\n\n<p>Deborah Popham, soprano (Sam Houston State University)<br>ILonka Rus, piano (Sam Houston State University)<\/p>\n\n\n\n<p><strong>QuarTango (2020) for Clarinet Duet\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026.&nbsp;Elaine Ross (b. 1966)<\/strong><\/p>\n\n\n\n<p>Amanda Morrison, clarinet (Slippery Rock University)<br>Lynda Dembowski, clarinet (Towson University)<\/p>\n\n\n\n<p><strong>Song Selections\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Zina Goldrich &amp; Marcy Heisler<\/strong><br>Apathetic Man<br>Out of Love<br>Gabriel\u2019s List<br>Love Like Breathing<br>Dorea Cook, mezzo soprano (Valencia College)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><em>20th Century French Clarinet Works by Women Composers<\/em><\/p>\n\n\n\n<p><strong>Ashakiran &#8220;Ray of Hope&#8221;\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026.. Meera Gudipati<\/strong><\/p>\n\n\n\n<p>Kathleen Carter Bell, English horn (Auburn University)<\/p>\n\n\n\n<p><strong>Elvish Forest\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026.. Rushaniya Nizamutdinova<\/strong><\/p>\n\n\n\n<p>acousmatic composition<\/p>\n\n\n\n<p><strong>Sunrise and Sabbath: Four Songs of Emily Dickinson\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026..Traci Mendel <\/strong>(Troy University)<br>1. Not Knowing When the Dawn Will Come<br>2. At Last, To Be Identified<br>3. Some Keep the Sabbath<br>4. I&#8217;ll Tell You How the Sun Rose<\/p>\n\n\n\n<p>Christi Amonson, soprano (Augusta University)<br>Tim Phillip, clarinet (Troy University)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Break<\/em><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">2:30 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 13<\/h2>\n\n\n\n<p>Saturday March 5, 2022<br>2:30 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 13\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/R7MwPiLllqQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Selections from <em>The Sun is Love<\/em> \u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026Gwyneth Walker (b. 1947)<\/strong><br>1. Circling the Sun&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<br>2. Quietness<br>6. A Waterbird (Flying into the Sun)<\/p>\n\n\n\n<p>Deborah Popham, soprano (Sam Houston State University)<br>ILonka Rus, piano (Sam Houston State University)<\/p>\n\n\n\n<p><strong>Sonata for Cello\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026Olga Harris<\/strong><br>(Tennessee State University)<\/p>\n\n\n\n<p>Deidre Emerson, cello (Tennessee State University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Chansons de la Nature pour la Clarinette\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;.Jenni Brandon (b. 1977)<\/strong><br>I. Les Oiseaux (The Birds)<br>II. Le Poisson (The Fish)<br>III. Le Papillon (The Butterfly)<br>IV. Le Li\u00e8vre et la Tortue (The Hare and the Tortoise)<br>V. L&#8217;Etoile (The Star)<br>VI. Dansez! (Dance!)<br>VII. Le Serpent (The Snake)<\/p>\n\n\n\n<p>Hilary Lowery, clarinet (Bemidji State University)<\/p>\n\n\n\n<p><strong>Per la pi\u00f9 vaga e bella\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Francesca Caccini<br>Gi\u00e0 la notte s&#8217;avvicina\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026\u2026\u2026\u2026.Isabella Colbran<\/strong><\/p>\n\n\n\n<p>Kate Fehan, soprano (Butler University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Bolts of Loving Thunder\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Missy Mazzoli<\/strong><\/p>\n\n\n\n<p>Sandra Coursey, piano (Bowling Green State University)<\/p>\n\n\n\n<p><strong>Night Crossing \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.I\u2019lana Sandra Cotton<\/strong><\/p>\n\n\n\n<p>Heather Killmeyer, English horn (East Tennessee State University)<br>Lisa Perry, bass clarinet (East Tennessee State University)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>What we do with the ashes&#8230; \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Hannah Rice<\/strong><br>I. Our house is on fire. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;(Louisiana State University)<br>II. A movement is only people moving.<br>III. Rise!<br>IV. The truth will set you free.<br>V. We can create transformational action.<\/p>\n\n\n\n<p>Jamie Reimer, soprano (University of Nebraska-Lincoln)<br>Stacie Haneline, piano (University of Nebraska at Omaha)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:00-4:25 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>Bikini Kill\u2019s \u201cLiar\u201d: Trauma, Screams, and Embodied Confusion<\/em><\/strong><\/p>\n\n\n\n<p>Emily Milius (University of Oregon)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: <em>Fanny Mendelssohn Hensel and Josephine Lang &#8211; Comparisons and Contrasts of Their Lives and Music in the 1800&#8217;s<\/em><\/strong><\/p>\n\n\n\n<p>Cheryl Coker, soprano (Millsaps College)<br>Samantha Sherman, soprano<br>Jonathan Levin, piano<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">4:30 PM<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">Room 211<\/h4>\n\n\n\n<p><strong>Paper: <em>Ma(she)ne?: Posthumanizing Female Vocal Aesthetics in 2000s Electronica<\/em><\/strong><\/p>\n\n\n\n<p>Tyler Osborne<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Room 408<\/h4>\n\n\n\n<p><strong>Lecture Recital: &#8220;Let\u2019s be mono-dramatic!\u201d <em>\u2013 Mary Magdalene at the Tomb<\/em><\/strong><\/p>\n\n\n\n<p>Marika Kyriakos, soprano (Arkansas State University)<br>Jerry Casey, composer\/lecturer&nbsp;&nbsp;&nbsp; <a><\/a><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">5:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 14<\/h2>\n\n\n\n<p>Saturday March 5, 2022<br>5:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 14\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/zyiT647LVOs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><strong>Four Songs\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Margaret Bonds (1913-1972)<\/strong><br>1. Even in the Moment<br>2. Feast<br>3. I Know My Mind<br>4. What Lips My Lips Have Kissed<\/p>\n\n\n\n<p>Rebecca Coberly, soprano (University of Texas Rio Grande Valley)<br>Stacy Kwak, piano (University of Texas Rio Grande Valley)<\/p>\n\n\n\n<p><strong>Talking Pictures\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Amy Quate<\/strong><br>I. Water Dance<br>II. Monet<br>III. Whirligig<\/p>\n\n\n\n<p>Lisa Perry, clarinet (East Tennessee State University)<br>Brian Rodesch, soprano saxophone (Simpson College)<\/p>\n\n\n\n<p><strong>Three Studies In Uneven Meters (2011)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026&#8230; Vera Ivanova (b. 1977)<\/strong><br>1. Bartokagel: and a little bit of Stravinsky<br>2. Canon \u00e1 la Piazzolla: descending canon with all voices sustained<br>3. Scriabinesque: fleeting cycles<\/p>\n\n\n\n<p><strong>Preludio y Estudio No. 3: Homenaje a Jesusa Palancares (2011)\u2026\u2026\u2026&#8230;Gabriela Ortiz (b. 1964)<\/strong><br>from&nbsp;<em>Estudios entre Preludios<\/em><\/p>\n\n\n\n<p>Kowoon Lee, piano (Cottey College)<\/p>\n\n\n\n<p><em>The Etherial Oboe: Exploring Soulful Colors through the Music of Musgrave, Fine, and Brandon&nbsp;<\/em><\/p>\n\n\n\n<p><strong>Niobe (1987) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Thea Musgrave<\/strong><\/p>\n\n\n\n<p><strong>Solo for Oboe (1929)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026Vivian Fine<\/strong><\/p>\n\n\n\n<p><strong>Wood Song (2019)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Jenni Brandon<\/strong><\/p>\n\n\n\n<p>Andrew W. Parker, oboe (Oklahoma State University)<\/p>\n\n\n\n<p><em>Devoid &#8211; a musical exploration of being without for euphonium, electronics and piano<\/em><\/p>\n\n\n\n<p><strong>Alone Again\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026Florence Anne Maunders (b. 1982)<br>Tundra\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026Cait Nishimura (b.1991)<br>Zero G\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026..Eris DeJarnett (b.1995)<\/strong><\/p>\n\n\n\n<p>Danielle VanTuinen, euphonium (University of Florida)<\/p>\n\n\n\n<p><strong>Jesus Has Come at Last\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.Jerry Casey<\/strong><br>from <em>Seven Signs<\/em> <em>(Song Cycle for Seven Vocalists and Seven Instrumentalists)<\/em><\/p>\n\n\n\n<p>Dana Zenobi, soprano (Butler University)<br>Ellie Jenkins, horn (Dalton State College)<\/p>\n\n\n\n<p><strong>Capricho Montevideano (2008) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026. Beatriz Lockhart (1944\u20132015)<\/strong><\/p>\n\n\n\n<p>Hsiaopei Lee, viola (University of Southern Mississippi)<br>Chialing Hsieh, piano (Northwestern State University of Louisiana)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><em>Break<\/em><\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">8:00 PM<\/h3>\n\n\n\n<h2 class=\"wp-block-heading\">Music by Women Festival 2022 &#8211; Concert 15<\/h2>\n\n\n\n<p>Saturday March 5, 2022<br>8:00 PM<br>Kossen Auditorium<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler wp-embed-aspect-16-9 wp-has-aspect-ratio w-flex\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Music by Women Festival 2022 - Concert 15\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/Vh4miNHbiFI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><em>Russian soul of Pauline Viardot<\/em><br><strong>Why? Tell me! (poem by A. Koltzov)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026. Pauline Viardot<\/strong><br>I cannot sleep (poem by A. Pushkin)<br>I loved him (poem by A. Kotzov)<br>You are leaving for faraway lands (poem by A. Pushkin)<\/p>\n\n\n\n<p>Julia Jaffe, mezzo soprano (First Parish Unitarian Universalist Church of Lexington, MA)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Divertimento for Solo Clarinet \u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026&#8230;\u2026Gabriela Ortiz (b.1964)<\/strong><\/p>\n\n\n\n<p>Sadie McNair, clarinet (UNC Charlotte)<\/p>\n\n\n\n<p><strong>Romance in C for horn and piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Fiona Bennett (b. 1962)<\/strong><br>from <em>The New Lady Radnor Suite<\/em><\/p>\n\n\n\n<p>Matthew Haislip, horn (Mississippi State University)<br>Sophie Wang, piano (Mississippi State University)<\/p>\n\n\n\n<p><strong>Shoe Jazz (four songs by Nikki Giovanni)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Gwyneth Walker<\/strong><br>1. First Chair<br>2. No Heaven<br>3. Shoe Jazz Blue Jazz<br>4. I Know the Song the Moon Sings<\/p>\n\n\n\n<p>Jamie Reimer, soprano (University of Nebraska-Lincoln)<br>Stacie Haneline, piano (University of Nebraska at Omaha)<\/p>\n\n\n\n<p><strong>Suite I for clarinet \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026&#8230;\u2026\u2026..\u2026 Johanna Beyer<\/strong><br>I. Presto<br>II. Largo<br>III. Moderato<br>IV. Rallentando<\/p>\n\n\n\n<p>Kyle Rowan, clarinet<\/p>\n\n\n\n<p><strong>All Your Love For Me\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026Jane Kozhevnikova<\/strong> (University of Florida)<br>I. Did You Never Know<br>II. I Would Live In Your Love<br>III. When They See My Songs<br>IV. To Be Free of Myself<\/p>\n\n\n\n<p>Benjamin Schoening, baritone<br>Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n<p><strong>Rondo Vittorioso\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Collier<\/strong><\/p>\n\n\n\n<p>Ellie Jenkins, horn (Dalton State College)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>&#8220;Breathing &#8221; Vocal cycle\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Olga Harris<\/strong><br>Poems by Osip Mandelshtam<\/p>\n\n\n\n<p>1. Only children&#8217;s books to read<br>2. Your tender face<br>3. My body is given to me &#8212; what for?<br>4. Your slender shoulders<br>5. The horn of Soviet cities<br>6.Life fell like dawn<\/p>\n\n\n\n<p>Julia Jaffe, mezzo soprano (First Parish Unitarian Universalist Church of Lexington, MA)<br>Jonathan Levin, piano<\/p>\n\n\n\n<p><strong>Umoja: The First Day of Kwanzaa (2003)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Valerie Coleman (b. 1970)<\/strong><\/p>\n\n\n\n<p><strong>Selections from Album des Enfants (1906-1907)..\u2026\u2026\u2026\u2026\u2026\u2026 Cecile Chaminade (1857-1944)<\/strong><br>arr. Erin Cameron\/Stephanie Hoeckley\/Kristin Leitterman<br>Rondeau<br>Rigaudon<br>Scherzo-Valse<br>Canzonetta<br>Air de Ballet<\/p>\n\n\n\n<p><em>Perian Winds<\/em><br>Stephanie Hoeckley, flute &amp; alto flute (Arkansas State University)<br>Kristin Leitterman, oboe &amp; English horn (Arkansas State University)<br>Erin Cameron, clarinet &amp; bass clarinet (Arkansas State University)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Schedule &#8211; March 3-5, 2022 Thursday, March 3, 2022 10:00 AM Music by Women Festival 2022 &#8211; Concert 1 Thursday March 3, 202210:00 AMKossen Auditorium Three Romances\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026Clara Schumann (1819-1896) 1. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":8,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-97","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/97","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=97"}],"version-history":[{"count":5,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/97\/revisions"}],"predecessor-version":[{"id":118,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/97\/revisions\/118"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media\/8"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=97"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=97"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=97"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}