{"id":678,"date":"2026-02-19T17:01:36","date_gmt":"2026-02-19T23:01:36","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=678"},"modified":"2026-03-06T11:32:43","modified_gmt":"2026-03-06T17:32:43","slug":"2026-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/schedule\/2026-schedule\/","title":{"rendered":"2026 Schedule"},"content":{"rendered":"
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\"Music<\/figure>\n<\/div>\n\n\n

Schedule – March 5-7, 2026<\/h2>\n\n\n\n

Watch Concerts Live<\/a><\/p>\n\n\n\n

Jump to:<\/strong><\/p>\n\n\n\n

Thursday Morning <\/a> Thursday Afternoon <\/a> Thursday Evening <\/a><\/p>\n\n\n\n

Friday Morning <\/a> Friday Afternoon <\/a> Friday Evening<\/a><\/p>\n\n\n\n

Saturday Morning <\/a> Saturday Afternoon<\/a> Saturday Evening<\/a><\/p>\n\n\n\n

Participant Biographies<\/a><\/p>\n\n\n\n

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THURSDAY, MARCH 5TH<\/h2>\n\n\n\n

10:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 1<\/h3>\n\n\n\n
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Welcome<\/p>\n\n\n\n

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Julia Mortyakova, Artistic Director, Music by Women Festival<\/p>\n<\/div>\n\n\n\n

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Impresii din Muzeul Satului (Impressions for the Village Museum), Op. 15 \u2014 Carmen Petra-Besacapol (1926-2023)<\/p>\n\n\n\n

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1. Balauri de pe poarta mare \u2014 Dragons of the Great Gate | 2. Bordeiul \u2014 The Hut | 3. Turla s\u0103geat\u0103 \u2014 The Spire of the Church | 4. Vatra din C\u00e2mpu lui Neag \u2013 Jocul fl\u0103c\u0103rilor \u2014 Hearth in C\u00e2mpu lui Neag \u2013 Dance of the Flames | 5. F\u00e2nt\u00e2na \u2014 The Fountain | Masca din Nereju \u2014 The Mask from Nereju<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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Valentin Bogdan, piano (Mississippi University for Women) <\/p>\n<\/div>\n<\/div>\n\n\n\n

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All Good Things \u2014 Kristen Denny-Chambers (b. 1978)<\/p>\n\n\n\n

I. Running Start | II. Stuck | III. Sparkle | IV. Depart | V. Anything Can Happen<\/p>\n\n\n\n

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The Milano Duo<\/em><\/p>\n\n\n\n

Amanda Morrison, clarinet (Slippery Rock University)<\/p>\n\n\n\n

Lynda Dembowski, clarinet (Anne Arundel Community College)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Philadelphia Suite \u2014 Amanda Harberg (b. 1973)<\/p>\n\n\n\n

Close Call | Kingfisher | Urban Hootenanny <\/p>\n\n\n\n

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Jacquelyn Schwandt, viola (Northern Arizona University)<\/p>\n\n\n\n

Aimee Fincher, piano (Northern Arizona University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Untitled (ca. 1966) & Uganda Martyrs (1964) \u2014 Philippa Schuyler (1931-1967)<\/p>\n\n\n\n

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Sarah Masterson, piano (Newberry College)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Trio Opus 45 for Oboe, Bassoon, and Piano \u2014 Louise Farrenc (1804\u20131875), transcribed by Theresa Delaplain<\/p>\n\n\n\n

Allegro deciso | Andante | Scherzo | Presto<\/p>\n\n\n\n

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Pablo Hernandez, oboe (The University of Southern Mississippi)<\/p>\n\n\n\n

Kim Woolly, bassoon (The University of Southern Mississippi)<\/p>\n\n\n\n

Michael Bunchman, piano (The University of Southern Mississippi)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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11:30-11:55 AM<\/strong><\/p>\n\n\n\n

Room 307   <\/strong><\/p>\n\n\n\n

Lecture Recital: Vocal Works by Whitney George . . . and All that Jazz<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
<\/strong><\/strong>Gretchen Windt, mezzo soprano (University of North Alabama)
Natalie Sherer, piano (Florida State University)
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Room 408   <\/strong><\/p>\n\n\n\n

Lecture Recital: Jennifer Thomas: Artist, Composer: Pushing the Boundaries<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
<\/strong><\/strong>Adrienne Wiley, piano (Central Michigan University)<\/p>\n\n\n\n

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12:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 2<\/h3>\n\n\n\n
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Levee Dance \u2014 Florence Price (1887-1953), arr. Kristin Leitterman<\/p>\n\n\n\n

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The Goblin and the Mosquito \u2014 Florence Price, arr. Stephanie Hoeckley<\/p>\n\n\n\n

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Three Little Negro Dances \u2014 Florence Price, arr. Kristin Leitterman<\/p>\n\n\n\n

Hoe Cake | Rabbit Foot | Ticklin’ Toes<\/p>\n<\/div>\n\n\n\n

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Bantam Winds<\/em><\/p>\n\n\n\n

Stephanie Hoeckley, flute (Arkansas State University)<\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)<\/p>\n\n\n\n

Elissa Kana, saxophone (Arkansas State University)<\/p>\n\n\n\n

Erin Cameron, bass clarinet (Arkansas State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Homeage \u2014 Zenobia Powell Perry<\/p>\n\n\n\n

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American City: Portrait of New York \u2014 Judith Lang Zaimont<\/p>\n\n\n\n

I. Rush Hour | II. Harbor Fog | III. Coffee House | IV. Central Park | V. ‘Scrapers | VI. Garment Factory<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Jooyoung Kim, piano (Campbellsville University) <\/p>\n<\/div>\n<\/div>\n\n\n\n

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A Beautiful Soul \u2014 Catherine McMichael<\/p>\n\n\n\n

I. Soul Man | II. Waltz | III. Pure Heart<\/p>\n\n\n\n

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Amy Humberd, clarinet (Lee University)<\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Cape Cod Suite \u2014 Kristen Stoner<\/p>\n\n\n\n

I. Free Spirit | II. Mr. Mental | III. Lighthouse | IV. Snoopy | V. The Unbearable Darkness of Being | VI. Samba Queen<\/p>\n<\/div>\n\n\n\n

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Sydney Burton, flute<\/p>\n\n\n\n

Corey Burton, trombone (University of Florida)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Wanting Her More from “The Game” the Dangerous Liaisons musical & Pepita \u2014 Megan Cavallari<\/p>\n\n\n\n

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Angelique Alexander, mezzo-soprano<\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Serenade Espagnole – Cecile Chaminade (1857-1944), transcribed by Timothy Bonenfant<\/p>\n\n\n\n

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Two Pieces for violin and piano – Lili Boulanger (1893-1918), transcribed by Timothy Bonenfant<\/p>\n\n\n\n

I. Nocturne (Bb) | II. Cortege (A)<\/p>\n<\/div>\n\n\n\n

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Prayer (A) & Tango (bass) – Amanda Harberg<\/p>\n\n\n\n

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Dos Gatos<\/em><\/p>\n\n\n\n

Timothy Bonenfant, clarinet and bass clarinet (Angelo State University)<\/p>\n\n\n\n

Martha Saywell, piano (Texas A&M University-San Antonio)<\/p>\n<\/div>\n\n\n\n

Break<\/strong><\/em><\/h3>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 3<\/h3>\n\n\n\n
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Merrie English Love Songs \u2014 Sharon Davis (b. 1937)<\/p>\n\n\n\n

I. A Maiden’s Ideal of a Husband (Henry Carey) | II. To the Ladies (Lady Mary Chudleigh) | III. An Expostulation (Issac Bickerstaff) | IV. Roger and Dolly (Henry Carey)<\/p>\n\n\n\n

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Susan Hurley, soprano (Mississippi University for Women)<\/p>\n\n\n\n

Douglas Mark, trombone (Mississippi University for Women)<\/p>\n\n\n\n

Larry Bradford, percussion (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Ko’u Inoa \u2014 Leilehua Lanzilotti<\/p>\n\n\n\n

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Romina Monsanto, cello (University of Northern Colorado)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Te Tangi a te Matui \u2014 Helen Fisher<\/p>\n\n\n\n

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To Greet the Sun \u2014 Katherine Hoover<\/p>\n\n\n\n

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Alanna Bradley Graham, flute (The University of Alabama)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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angelus novus \u2014 Elizabeth Goode (b. 1960)<\/p>\n\n\n\n

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Kelly Langenberg, horn (Troy University)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

Ben Crook, piano (Troy University)<\/p>\n<\/div>\n\n\n\n

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4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 211 <\/strong><\/p>\n\n\n\n

Paper: Women Composers and the Hybrid Identity of Brazilian Romanticism<\/em><\/strong><\/em><\/strong><\/strong>
<\/strong>\u00cdsis Cardoso (University of South Carolina)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Defining the Defiant: a guide to the art song and opera of E. Adaiewsky (1846-1926) for performers, teachers, and scholars<\/em><\/strong>
Courtney Kalbacker, soprano (Augusta University)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

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Lecture Recital: From Modinha to Protest Song: Text Setting, Rhythm, and Accompaniment in Four Brazilian Art Songs<\/em><\/strong>
\u00cdsis Jarnicki de Carvalho, soprano (Ithaca College)<\/p>\n\n\n\n

Peter Douglas, piano (University of Tennessee Southern)<\/p>\n<\/div>\n\n\n\n

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4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 211   <\/strong><\/p>\n\n\n\n

Lecture Recital: A New Voice for Boulanger: The Oboe Transcription of Trois Pi\u00e8ces<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
<\/strong>Alec Black, oboe (University of Kansas)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Valencian Voices: Matilde Salvador\u2019s Art Songs for Voice and Guitar<\/em><\/strong><\/em><\/strong><\/em><\/strong>
Elisa Ramon, soprano (Fort Hays State University)
Alessio Olivieri, guitar (University of Nebraska \u2013 Lincoln)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

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Lecture Recital: Between Introspection and Lyricism: The First Piano Sonata of Jean<\/em><\/strong> Coulthard<\/em><\/strong>
Asher Ian Armstrong, piano (University of Toronto, York University)<\/p>\n<\/div>\n\n\n\n

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5:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

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Concert No. 4<\/h3>\n\n\n\n
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Sonata for Trumpet and Piano (2010) \u2014 Judith Cloud (1954-2023)<\/p>\n\n\n\n

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  1. Moderato | 2. Andante Espressivo | 3. Allegro Giocoso<\/li>\n<\/ol>\n<\/div>\n<\/div>\n\n\n\n
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    Soliloquy (2013) \u2014 Judith Cloud<\/p>\n\n\n\n

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    Kevin Tague, trumpet (Northern Arizona University)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

    Aimee Fincher, piano (Northern Arizona University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Alone Together \u2014 Katherine Bergman<\/p>\n\n\n\n

    I. IRL | II. #blessed | III. FOMO | IV. Unplugged | V. Infomania<\/p>\n\n\n\n

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    Erin Cameron, clarinet (Arkansas State University)<\/p>\n\n\n\n

    Elissa Kana, saxophone (Arkansas State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Blue-eyed Stare \u2014 Dayton Kinney<\/p>\n\n\n\n

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    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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    Deux Morceaux \u2014 Lili Boulanger (1893\u20131918)<\/p>\n\n\n\n

    I. Nocturne | II. Cort\u00e8ge <\/p>\n<\/div>\n<\/div>\n\n\n\n

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    D’un matin de printemps \u2014 Lili Boulanger<\/p>\n\n\n\n

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    Anne-Ga\u00eblle Ravetto, violin (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

    Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Living With My Donkeys for Horn & Donkey Bray \u2014 Jewel Dirks<\/p>\n\n\n\n

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    1. Donkeysauris and the Farrier Have a Quiet Conversation | 2. Donkeys Have Such Soft Noses | 3. Donkeys Love Their Peanuts | 4. They Graze as the Magpie Rides Along | 5. Mother and Son, They Share the Same Dream | 6. The Cat Naps on the Donkey’s Back | 7. They Stand Guard Over Their Friend Nook as He Waits to Die | 8. Donkeys Are Slowly Eating Their Barn | 9. Donkeys Protect Their Goat Friends<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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    James Boldin, horn (University of Louisiana Monroe)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Piano Lessons \u2014 Juliana Hall (b. 1958)<\/p>\n\n\n\n

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    I. My Teacher Lies on The Floor | II. Every Scale Has a Shape | III. Mother of the Chords | IV. Doing My Scales | V. Learning To Play | VI. I Think About the Piano<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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    Zane Lynn, tenor (Mississippi University for Women)<\/p>\n\n\n\n

    Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter Lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

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    8:00 PM<\/strong>
    Kossen Auditorium  <\/strong><\/p>\n\n\n\n

    Concert No. 5<\/h3>\n\n\n\n
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    Aerialisms \u2014 Cheyenne Cruz<\/p>\n\n\n\n

    1. As the Leaf Falls | 2. Flight of the Sprites | 3. Astral Projection | 4. Yonder!<\/p>\n\n\n\n

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    Amy Guffey, clarinet (Kansas State University & Backun Artist)<\/p>\n\n\n\n

    Amanda Morrison, clarinet (Slippery Rock University & Rice Clarinet Works Artist)<\/p>\n\n\n\n

    Carrie RavenStem, clarinet (Backun Artist & Silverstein Artist)<\/p>\n\n\n\n

    Adria Sutherland, clarinet (Eastern Kentucky University & Backun Artist)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Desdemona \u2014 Mel Bonis (1858-1937)<\/p>\n\n\n\n

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    Suite for Piano \u2014 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

    1. Prelude | 2. Toccata | 3. Basso Ostinato<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    The Privilege of Being \u2014 Elaine Ross<\/p>\n\n\n\n

    Moonlight | Fire | Picture Perfect<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    Lead Me in the Way Everlasting \u2014 Elaine Ross<\/p>\n\n\n\n

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    Teri Bickham, soprano (The University of Maryland College Park)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

    Jennifer Luiken, mezzo soprano (Charleston Southern University)<\/p>\n\n\n\n

    Elaine Ross, piano (Charleston Southern University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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    “By the Still Waters” Op 114 & “Out of the Depth” (Psalm 130), Op 130 \u2014 Amy Marcy Cheney Beach (1867-1944)<\/p>\n\n\n\n

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    Joshua Pifer, piano (Valdosta State University)<\/p>\n\n\n\n

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    Of Peace \u2014 Jane Kozhevnikova (University of Florida)<\/p>\n\n\n\n

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    Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)<\/p>\n\n\n\n

    Jonathan Levin, piano
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    Kokopeli \u2014 Katherine Hoover (1937-2018)<\/p>\n\n\n\n

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    Jessica Piso, flute (Lee University)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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    Sonata for Clarinet and Piano \u2014 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

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    Carrie RavenStem, clarinet (Backun Artist & Silverstein Artist)<\/p>\n\n\n\n

    Jonathan Levin, piano
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    Bird Songs (1907) \u2014 Liza Lehmann (1862-1918), Words by A.S.<\/p>\n\n\n\n

    The Woodpigeon | The Yellowhammer | The Wren<\/p>\n\n\n\n

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    Five Little Love Songs (1910) \u2014 Liza Lehmann (1862-1918), Words by Cora Fabbri (1871-1892)<\/p>\n\n\n\n

    I. There’s a Bird Beneath Your Window | III. Just A Multitude of Curls | V. Clasp Mine Closer, Little Dear White Hand<\/p>\n\n\n\n

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    Kate Sawyer, soprano (Mississippi Gulf Coast Community College)<\/p>\n\n\n\n

    Patience Pierini, piano (Carey Music Academy)<\/p>\n<\/div>\n\n\n\n

    FRIDAY, MARCH 6TH<\/h2>\n\n\n\n

    9:00\u20139:25 AM<\/strong><\/p>\n\n\n\n

    Room 211<\/strong><\/p>\n\n\n\n

    Paper: I SHALL BUT LOVE THEE BETTER AFTER DEATH: A REDISCOVERY<\/em><\/strong><\/em><\/strong><\/em><\/strong> OF ELEANOR EVEREST FREER\u2019S SONNETS FROM THE PORTUGUESE, OP.<\/em><\/strong> 22 (1910)<\/em><\/strong>
    Courtney Kalbacker (Augusta University)<\/p>\n\n\n\n

    Video Recording**<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Teaching Artistry to Adults New to Formal Piano Lessons Through<\/em><\/strong><\/em><\/strong><\/em><\/strong> the Repertoire of Living Women Composers<\/em><\/strong>
    Kasandra Keeling, piano (University of Texas at San Antonio)<\/p>\n\n\n\n

    Click Here to Watch Lecture Recital: Teaching Artistry to Adults New to Formal Piano Lessons Through the Repertoire of Living Women Composers<\/a><\/p>\n\n\n\n

    Room 408<\/strong><\/p>\n\n\n\n

    Lecture Recital: Portraits of Love: Three Roses by Florence Price<\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Elias Blake, piano (University of South Carolina)<\/p>\n\n\n\n

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    9:30\u20139:55 AM<\/strong><\/p>\n\n\n\n

    Room 211<\/strong><\/p>\n\n\n\n

    Paper: Emma Diruf Seiler: Navigating the Power of Social Capital to Facilitate<\/em><\/strong> Female Agency  <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
    <\/strong>Kristen Sullivan (Arkansas State University)<\/p>\n\n\n\n

    Room 307<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Brazilian Miniatures: Etudes of Cacilda Borges Barbosa<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Justin Badgerow, piano (Elizabethtown College)<\/p>\n\n\n\n

    Room 408<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Hanna Kulenty \u2013 Piano Portrait<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Grzegorz Mania, piano (Music Academy in Bydgoszcz, Poland)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    10:00 AM<\/strong>
    Kossen Auditorium<\/strong><\/strong><\/p>\n\n\n\n

    Concert No. 6<\/h3>\n\n\n\n
    \n
    \n

    Figure and Form \u2014 Molly Joyce<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Ryan M. Smith, vibraphone (Valdosta State University)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Silent Moon \u2014 Augusta Read Thomas (b. 1964)<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Borislava Iltcheva, violin (The University of Southern Mississippi)<\/p>\n\n\n\n

    Hsiaopei Lee, viola (The University of Southern Mississippi)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Rose marred to amethyst in the knife fall. \u2014 Melika M. Fitzhugh<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Soo Goh, clarinet (Appalachian State University)<\/p>\n\n\n\n

    Christy Banks, clarinet (Millersville University of Pennsylvania)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Riptide \u2014 Theresa Martin (b. 1979)<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Robyn Jones, clarinet (University of Memphis)<\/p>\n\n\n\n

    Daryn Zubke, bassoon (University of Memphis)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Voix du Printemps \u2014 Marie Ja\u00ebll (1846-1925)<\/p>\n\n\n\n

    I. Sur la grande route | II. Dans le Sentier | III. L\u2019Orage | IV. Idylle | V. Nuit de Mai | VI. Plien Jour <\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Fen-Fang Chen, primo piano (Florida Southern College)<\/p>\n\n\n\n

    Agnieszka Zick, secondo piano (State College of Florida Manatee-Sarasota)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Trio Op. 10 for oboe, clarinet, and piano \u2014 Ruth Gipps (1921-1999)<\/p>\n\n\n\n

    I. Moderato | II. Adagio | III. Allegro ritmico – quasi rumba<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Shane Werts, oboe (Northern Arizona University)<\/p>\n\n\n\n

    Kelsi Doolittle, clarinet (Northern Arizona University)<\/p>\n\n\n\n

    Aimee Fincher, piano (Northern Arizona University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Around the Bend \u2014 Elizabeth Raum (b. 1945)<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Evgenii Mikheev, clarinet (University of Memphis)<\/p>\n\n\n\n

    Sophia Rivera, euphonium (Mississippi Valley State University)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Suite \u201cFyenske Billeder\u201d  \u2014 Hilda Sehested (1858-1936)<\/p>\n\n\n\n

    I. Ellekrattet (Le bosquet d\u2019aulnes)<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Evgenii Mikheev, clarinet (University of Memphis)<\/p>\n\n\n\n

    Sophia Rivera, euphonium (Mississippi Valley State University)<\/p>\n\n\n\n

    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n

    11:30-11:55 AM<\/strong><\/p>\n\n\n\n

    Room 211<\/strong><\/p>\n\n\n\n

    Paper: Hidden Cues and the Musician Parent<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
    <\/strong>Amanda Morrison (Slippery Rock University)<\/p>\n\n\n\n

    Room 307<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Sounding Tenderness: The Voice of Gwyneth Walker\u2019s La Ternura<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Kristen Sullivan, soprano (Arkansas State University)<\/p>\n\n\n\n

    Room 408<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Resounding Voices: Women Composers featured in the November<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> 1918 Women\u2019s Edition of The Etude<\/em><\/strong>
    Sarah VandenBrink, soprano
    Jonathan Levin, piano<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    12:00 PM<\/strong>
    Kossen Auditorium <\/strong><\/p>\n\n\n\n

    Concert No. 7<\/h3>\n\n\n\n
    \n
    \n

    Captured \u2014 Elena Specht<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Joyful Beginnings (Conference Premiere<\/em>) \u2014 Gracie Falls<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    go together \u2014 Cassie Wieland<\/p>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Pathfinders Trio<\/em><\/em><\/p>\n\n\n\n

    Hannah Markun, b-flat trumpet (UNC Greensboro)<\/p>\n\n\n\n

    Lyndsey Dean, alto saxophone and flute (Shenandoah Conservatory)<\/p>\n\n\n\n

    McKinley Baker, e-flat clarinet and b-flat clarinet (University of Oklahoma)<\/p>\n\n\n\n

    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n
    \n

    Mountain Airs \u2014 Judith Weir (b. 1953)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Fixation \u2014 Roshanne Etezady (b. 1973)<\/p>\n\n\n\n

    1. Rumination | 2. Compulsion | 3. Infatuation | 4. Obsession<\/p>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    The Vuorovesi Trio<\/em><\/em><\/p>\n\n\n\n

    Diane Boyd Schultz, flute (University of Alabama)<\/p>\n\n\n\n

    Mary Lindsey Bailey, oboe (University of Alabama)<\/p>\n\n\n\n

    Osiris J. Molina, clarinet (University of Alabama)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Water Dance \u2014 Karen Tanaka (b. 1961)<\/p>\n\n\n\n

    I. Very lightly with flow | III. Very lightly, like a harp<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Hannah Roberts, piano (University of Alabama)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Pilate’s Monologue (from the chamber opera, Pilate’s Wife<\/em>) \u2014 Jerry Casey<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Matthew Hoch, baritone (Auburn University)<\/p>\n\n\n\n

    Jonathan Levin, piano
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n
    \n

    Notturno, Op. 46 for viola and piano \u2014 Emilie Mayer (1821\u20131883)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Three Pieces for Viola and Piano, Op. 26 \u2014 Luise Adolpha Le Beau (1850\u20131927)<\/p>\n\n\n\n

    The Nachtst\u00fcck (Night Piece) | Tr\u00e4umerei (Reverie) | Polonaise<\/p>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Hsiaopei Lee, viola (The University of Southern Mississippi)<\/p>\n\n\n\n

    Michael Bunchman, piano (The University of Southern Mississippi)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Sonata No. 2 \u201cMaking Changes\u201d \u2014 Barbara York (1949-2020)<\/p>\n\n\n\n

    I. Trepidation\/Self-Talk | II. Nostalgia | III. Spring\/New Growth<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Cynthia Cripps, alto saxophone (University of Texas Rio Grande Valley)<\/p>\n\n\n\n

    Martha Saywell, piano (Texas A&M University-San Antonio)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    F\u00fcnf Lieder \u2014 Alma Schindler Mahler (1879-1964)<\/p>\n\n\n\n

    Die stille Nacht | In meines Vaters Garten | In Laue Sommernacht | Bei dir ist es traut | Ich wandle unter Blumen<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Amy Yeung, soprano (The University of Tennessee at Martin)<\/p>\n\n\n\n

    Chan Mi Jean, piano (The University of Tennessee at Martin)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n

    Break<\/h3>\n\n\n\n

    3:00 PM<\/strong>
    Kossen Auditorium<\/strong><\/p>\n\n\n\n

    Concert No. 8<\/h3>\n\n\n\n
    \n
    \n

    Ruckus \u2014 Nicole Chamberlain (b. 1977)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    La Gata \u2014 Carmen Marulanda (b. 1976)<\/p>\n\n\n\n

    <\/div>\n<\/div>\n\n\n\n
    \n

    The University of Alabama Flute Choir<\/em><\/em><\/p>\n\n\n\n

    Diane Boyd Schultz, director (The University of Alabama)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n
    \n

    With My Head In the Clouds \u2014 Sharneisha Joyner<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Virality (World Premiere<\/em>) \u2014 Julianna Pierdomenico<\/p>\n\n\n\n

    <\/div>\n<\/div>\n\n\n\n
    \n

    McKinley Baker, B-flat and bass clarinet (University of Oklahoma)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n
    \n

    I Give You Back \u2014 Annea Lockwood<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Psalm \u2014 Iris Szeghy<\/p>\n\n\n\n

    <\/div>\n<\/div>\n\n\n\n
    \n

    Natalia Merlano G\u00f3mez, voice (University of California, San Diego)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Lullaby \u2014 Nasim Khorassani<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Natalia Merlano G\u00f3mez, voice (University of California, San Diego)<\/p>\n\n\n\n

    Jonathan Levin, piano
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Blush III \u2014 Jean Ahn<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Jessica Piso, flute (Lee University)<\/p>\n\n\n\n

    Amy Humberd, clarinet (Lee University)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    4:00-4:25 PM<\/strong><\/p>\n\n\n\n

    Room 211<\/strong><\/p>\n\n\n\n

    Paper: Reframing Euphonium Repertoire: Representation, Accessibility, and Stylistic<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Pathways<\/em><\/strong>
    <\/strong>Sophia Rivera (Mississippi Valley State University)<\/p>\n\n\n\n

    Room 408<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Pauline Viardot-Garcia The Extraordinary Life of an Extraordinary<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Woman<\/em><\/strong> – Two of Chopin’s Mazurkas which she arranged for voice\/piano will be among songs presented.<\/em>
    Cheryl Coker, soprano (Emerita Associate Professor of Millsaps College)
    Tim Coker, piano (Emerita Associate Professor of Millsaps College)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    4:30-4:55 PM<\/strong><\/p>\n\n\n\n

    Room 211<\/strong><\/p>\n\n\n\n

    Paper: Inside the Score: Performer-Centered Insights into Higdon\u2019s Saxophon<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>e Sonata<\/em><\/strong>
    <\/strong>Courtney Long (Wichita State University)<\/p>\n\n\n\n

    Room 307<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Whimsy and Wisdom in Aboulker’s \u00catre heureux ou ne pas l\u2019\u00eatre<\/em><\/strong><\/em><\/strong> <\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Eric Laine, tenor (Texas Christian University)
    Jonathan Levin, piano<\/p>\n\n\n\n

    Room 408<\/strong><\/p>\n\n\n\n

    Lecture Recital:<\/strong> Sacred Concert Songs by American Women, 1900-1920<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
    Marlayna Maynard, soprano
    Perry Mears, piano (Missouri State University)<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    5:00 PM<\/strong>
    Kossen Auditorium <\/strong><\/p>\n\n\n\n

    Concert No. 9<\/h3>\n\n\n\n
    \n

    Wild Fire<\/em><\/p>\n\n\n\n

    \n

    The Stove, from The Muse, The Stove, and The Willow Plate \u2014 Zae Munn<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Wild Embers \u2014 Melissa Dunphy<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Fire, from Elements \u2014 Katerina Gimon<\/p>\n<\/div><\/div>\n\n\n\n

    <\/div>\n\n\n\n

    Skin \u2014 Mari Esabel Valverde <\/p>\n\n\n\n

    <\/div>\n\n\n\n

    Moon Goddess \u2014 Jocelyn Hagen <\/p>\n\n\n\n

    <\/div>\n<\/div>\n\n\n\n
    \n

    Hollins University Talmadge Singers<\/em> (Roanoke, Virginia)<\/p>\n\n\n\n

    \n
    \n
    \n
    \n

    Emma Boling<\/p>\n\n\n\n

    Natalia Chapel<\/p>\n\n\n\n

    Kezia Deighton<\/p>\n\n\n\n

    Sami Dempster<\/p>\n\n\n\n

    Lyr Edwards<\/p>\n\n\n\n

    Lee Flores-Hernandez<\/p>\n\n\n\n

    Courtney Foster<\/p>\n\n\n\n

    Annika Gulling<\/p>\n\n\n\n

    Emma Grossheim<\/p>\n\n\n\n

    Gillian Lionberger<\/p>\n\n\n\n

    Zora Lipschultz<\/p>\n\n\n\n

    Kenlee Motley<\/p>\n\n\n\n

    Chelsea Reyes-Velasquez<\/p>\n\n\n\n

    Lynn-Lee Williamson<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n

    \n

    Hannah Raine, piano<\/p>\n\n\n\n

    Karson Miltsch, percussion<\/p>\n\n\n\n

    Shelbie Wahl-Fouts, conductor<\/p>\n<\/div>\n<\/div><\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Love Songs \u2014 Jenni Brandon<\/p>\n\n\n\n

    I. Lullaby | III. Song of the Blue-Corn Dance | IV. Love Song (Chippewa) | V. Love Song from the Andes | VII. Lullaby (Reprise) <\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Emily Heilman, mezzo soprano (Sam Houston State University)<\/p>\n\n\n\n

    Kristin Sarvela, oboe (Sam Houston State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Modern Folksong \u2013 four songs for unaccompanied voice \u2014 Diana Blom<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Kevin Hanrahan, tenor (University of Nebraska-Lincoln)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    6 Japanese Songs for soprano, clarinet and piano \u2014 Margaret Garwood (1927-2015)<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Amy Rosine, soprano (Kansas State University)<\/p>\n\n\n\n

    Amy Guffey, clarinet (Kansas State University & Backun Artist)<\/p>\n\n\n\n

    Jonathan Levin, piano
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Bells and Grass \u2014 Juliana Hall<\/p>\n\n\n\n

    Echo | Gone | Why? | Coals | Rain<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Susan Boddie, soprano (Valdosta State University)<\/p>\n\n\n\n

    Sherwood Wise, oboe (Valdosta State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Play \u2014 Emma Lippert<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Hannah Markun, piccolo trumpet in A (UNC Greensboro)<\/p>\n\n\n\n

    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Singing in the Northland: A Celebration of Canadian Poetry in Song \u2014 Martha Hill Duncan<\/p>\n\n\n\n

    Grey Rocks and Greyer Seas | Severance<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Susan Boddie, soprano (Valdosta State University)<\/p>\n\n\n\n

    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    In The Gold Room<\/p>\n\n\n\n

    A Bird in a Gilded Cage<\/p>\n\n\n\n

    Asleep in the Deep<\/p>\n\n\n\n

    \u2014 Elaine Fine<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Lydia Beasley Kneer, soprano (The University of Texas at San Antonio)<\/p>\n\n\n\n

    Brittney Patterson, flute (The University of Montevallo)<\/p>\n\n\n\n

    Laurie Middaugh, piano (The University of Montevallo)
    <\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n

    Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter Lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

    <\/div>\n\n\n\n

    8:00 PM<\/strong>
    Kossen Auditorium<\/strong><\/p>\n\n\n\n

    Concert No. 10<\/h3>\n\n\n\n
    \n

    Cwmdonkin Songs \u2014 Rhian Samuel (b. 1944)<\/p>\n\n\n\n

    I. For as Long as Forever Is | II. Clown in the Moon | III. Mr. Waldo’s Song<\/p>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Matthew Hoch, baritone (Auburn University)<\/p>\n\n\n\n

    Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

    <\/div>\n\n\n\n
    \n

    Trio for Trombone, Violin, and Piano \u2014 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

      \n
    1. Waltz Andante | 2. Adagio | 3. Allegro<\/li>\n<\/ol>\n\n\n\n
      <\/div>\n\n\n\n
      \n

      Douglas Mark, trombone (Mississippi University for Women)<\/p>\n\n\n\n

      Anne-Ga\u00eblle Ravetto, violin (Mississippi University for Women)<\/p>\n\n\n\n

      Julia Mortyakova, piano (Mississippi University for Women)
      <\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Selections from Cobalt, Jade, Amethyst \u2640 \u2014 Sarah Hutchings<\/p>\n\n\n\n

      1. A Song of Dragons | 2. Out of Darkness Into Light | 3. Child<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Rachel Copeland, soprano (Penn State University)<\/p>\n\n\n\n

      Ann Deighton, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Gryphon \u2014 Theresa Martin (b. 1979)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Evgenii Mikheev, clarinet (University of Memphis)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Spring Comes at Last \u2014 Deborah Yardley Beers (Rivers School Conservatory)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)<\/p>\n\n\n\n

      Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Trumpet Concerto in Eb Minor \u2014 Aleksandra Pakhmutova<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Sam Jones, trumpet (Vadosta State University)<\/p>\n\n\n\n

      Kevin Juarez, piano (Vadosta State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Images for Piano \u2014 Jihyun Kim (Washington State University)<\/p>\n\n\n\n

      No 1. A Leaf Falls, the Water Ripples\u2026 | No 2. Effervescent | No. 3 Chamber of Mirrors | No 4. Pulsar Glitch<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Yoon-Wha Roh, piano (Washington State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      (Not So) Well-Mannered Women<\/em><\/p>\n\n\n\n

      \n
      \n

      “Laue Sommernacht,” from F\u00fcnf Lieder<\/em> \u2014 Alma Mahler (1879-1964)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      A Modern Witch \u2014 Nancy William (b. 1971)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      My Dearest Ruth \u2014 Stacy Garrop (b. 1969)<\/p>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n

      Lorelai \u2014 Clara Schumann (1819-1896)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      \u00cdsis Jarnicki de Carvalho, soprano (Ithaca College)<\/p>\n\n\n\n

      Peter Douglas, piano (University of Tennessee Southern)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n

      SATURDAY, MARCH 7TH<\/h2>\n\n\n\n

      9:00\u20139:25 AM<\/strong><\/p>\n\n\n\n

      Room 211<\/strong><\/p>\n\n\n\n

      Paper: Julia Riv\u00e9-King as Composer: Rethinking the Narrative<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
      <\/strong>Perry Mears (Missouri State University)<\/p>\n\n\n\n

      Room 307<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> Zapomniane Kompozytorki: 20th Clarinet Works by Polish Women<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
      Charlotte MacDonald, clarinet (Florida State University)
      Jonathan Levin, piano<\/p>\n\n\n\n

      Room 408<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> Tracing a Voice: Ethel Smyth\u2019s Early Variations on an Original<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Theme<\/em><\/strong>
      Sophie Wang, piano (Mississippi State University)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      9:30\u20139:55 AM<\/strong><\/p>\n\n\n\n

      Room 211<\/strong><\/p>\n\n\n\n

      Paper: The General\u2019s Daughter and the Wreckers: Ethel Smyth\u2019s Music of Resistance<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
      <\/strong>Yunn-Shan Ma (Rochester Institute of Technology)<\/p>\n\n\n\n

      Room 307<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> An Analysis of Selected Flute Works by Sofia Gubaidulina<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
      Heather Small, flute (Troy University)
      Ben Crook, piano (Troy University)<\/p>\n\n\n\n

      Room 408<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> For the Left Hand Alone: Piano Works by Women Composers<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
      Piotr R\u00f3\u017ca\u0144ski, piano (The Krzysztof Penderecki Academy of Music in Krakow)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      10:00 AM<\/strong>
      Kossen Auditorium<\/strong><\/strong><\/p>\n\n\n\n

      Concert No. 11<\/h3>\n\n\n\n
      <\/div>\n\n\n\n
      \n

      Unfolding Transitions \u2014 Dayton Kinney<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

      Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Blush \u2014 Jean Ahn<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Madelyne Brenseke, clarinet (Appalachian State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Imaginings \u2014 Dorothy Gates<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Vincent Morreale, horn (University of Mississippi)<\/p>\n\n\n\n

      Yoojung Kim, piano (University of Mississippi)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Norwegian Miniatures \u2014 Maria Linnemann (b. 1947)<\/p>\n\n\n\n

      1. The Mermaid and the Fisher | 2. The Sheep on the Mountain | 3. The Fossegrim<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Jeffrey Gleason, guitar<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Wariacje na Temat Pewnego Odrodzenia (Variations on a Theme of a Certain Renaissance \u2014 Paula Ptach (b. 1974)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Charlotte MacDonald, clarinet (Florida State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      My Dearest Ruth \u2014 Stacy Garrop<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Lyndsey Dean, alto saxophone (Shenandoah Conservatory)<\/p>\n\n\n\n

      Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Quiet Grief \u2014 Traci Mendel (Troy University)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Jason Sulliman, bass trombone (Troy University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Hall of Ghosts \u2014 Amanda Harberg<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Nicholas Reid, Bb clarinet (Appalachian State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n

      11:30-11:55 AM<\/strong><\/p>\n\n\n\n

      Room 211<\/strong><\/p>\n\n\n\n

      Paper: (Re-)Discovering an obscure female piano pedagogue: Marie Ja\u00ebll and her<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> scientific Touch method<\/em><\/strong><\/strong>
      <\/strong>Fen-Fang Chen (Florida Southern College)<\/p>\n\n\n\n

      Room 307<\/strong><\/p>\n\n\n\n

      Lecture Recital: \u201cWild Fire\u201d: Five Fierce and Fiery Works for SSAA Choir<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/strong>
      <\/strong>Shelbie Wahl-Fouts (Hollins University)
      Hollins University Talmadge Singers (Roanoke, Virginia)
      Hannah Raine, piano
      Karson Miltsch, percussion <\/p>\n\n\n\n

      <\/div>\n\n\n\n

      12:00 PM<\/strong>
      Kossen Auditorium<\/strong><\/p>\n\n\n\n

      Concert No. 12<\/h3>\n\n\n\n
      <\/div>\n\n\n\n
      \n

      Sextet in C Minor, Op. 40 \u2014 Louise Farrenc (1804-1875)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Olivia Boatman, flute (Mississippi State University)<\/p>\n\n\n\n

      Jessica Haislip, oboe (Mississippi State University)<\/p>\n\n\n\n

      Matthew Haislip, French horn (Mississippi State University)<\/p>\n\n\n\n

      Bret Pimentel, clarinet (Mississippi State University)<\/p>\n\n\n\n

      Denise Rowan, bassoon (Mississippi State University)<\/p>\n\n\n\n

      Ros\u00e2ngela Sebba, piano (Mississippi State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Silence, Sorrow, & Agony \u2014 Devan Lott-Knipe<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Susan Hurley, soprano (Mississippi University for Women)<\/p>\n\n\n\n

      Valentin Bogdan, piano (Mississippi University for Women)
      <\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Water Voyage \u2014 Alex Shapiro<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Carrie RavenStem, Bb clarinet (Backun Artist & Silverstein Artist)<\/p>\n\n\n\n

      Adria Sutherland, Bb clarinet (Eastern Kentucky University & Backun Artist)<\/p>\n\n\n\n

      With Electronic Playback<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      The Poet’s Pen \u2013 from the Greek of Menecrates \u2014 Judith Cloud (1954-2023)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Ricardo Pereira, tenor (Northern Arizona University)<\/p>\n\n\n\n

      Shane Werts, oboe (Northern Arizona University)<\/p>\n\n\n\n

      Aimee Fincher, piano (Northern Arizona University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      O Quam Suavis<\/p>\n\n\n\n

      Veni dilecte mi<\/p>\n\n\n\n

      Duo Seraphim<\/p>\n\n\n\n

      \u2014 Caterina Assandra (c. 1590 – after 1618)<\/p>\n\n\n\n

      <\/div>\n<\/div>\n\n\n\n
      \n

      Heri et Hodie<\/em><\/p>\n\n\n\n

      Sarah Simko<\/p>\n\n\n\n

      Anna O\u2019Connell<\/p>\n\n\n\n

      Amy Catron<\/p>\n\n\n\n

      Krista Cornish Scott, director<\/p>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Au Lac de C\u00f4me: Barques de Soir \u2014 Ana Maria Bringuet-Idiartborde (1891-1943)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Amy Claire Catron, cello (Mississippi State University)<\/p>\n\n\n\n

      Ros\u00e2ngela Sebba, piano (Mississippi State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n
      \n
      \n

      That Black Reef & Nails \u2014 Dolores White (1932-2023)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Susan Hurley, soprano (Mississippi University for Women)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

      William Reber, piano (Mississippi University for Women)<\/p>\n<\/div>\n\n\n\n

      Break<\/strong><\/h3>\n\n\n\n

      3:00 PM<\/strong>
      Kossen Auditorium<\/strong><\/p>\n\n\n\n

      Concert No. 13<\/h3>\n\n\n\n
      <\/div>\n\n\n\n
      \n

      Everest \u2014 Elizabeth Goode<\/p>\n\n\n\n


      I. Rongbuk | III. The Death Zone<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Sherwood Wise, bassoon (Valdosta State University)<\/p>\n\n\n\n

      Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Contemporary Duos Featuring the Western Flute Family<\/em><\/em><\/p>\n\n\n\n

      \n
      \n

      Mimic \u2014 Nicole Chamberlain<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      Life Lines \u2014 Nathalie Joachim)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      Lunette \u2014 Elizabeth Brown<\/p>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Lauren Zwonik, flute & piccolo (Virginia Wesleyan University)<\/p>\n\n\n\n

      Brittany Trotter, flute & piccolo (University of the Pacific, Conservatory of Music)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Nav\u017edy, op. 12 & Sbohem a \u0161ate\u010dek, op. 14 \u2014 Vit\u011bzslava Kapr\u00e1lov\u00e1 (1915-1940)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Eric Laine, tenor (Texas Christian University)<\/p>\n\n\n\n

      Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n

      4:00-4:25 PM<\/strong><\/p>\n\n\n\n

      Room 307<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> \u201cA little bee inspired by God\u201d: the Hortus Deliciarum of Herrad von<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Landsberg<\/em><\/strong>
      Krista Cornish Scott, soprano<\/p>\n\n\n\n

      Room 408<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> Searching for Sappho and Finding Bliss<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong>
      Sarah Wee, soprano and lecturer (Troy University)
      Traci Mendel, lecturer (Troy University)
      Benjamin Crook, piano (Troy University)<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      4:30-4:55 PM<\/strong><\/p>\n\n\n\n

      Room 307<\/strong><\/p>\n\n\n\n

      Paper: Training Trebles: Building Sound through Celebration of the Female<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Voice<\/strong>
      <\/strong>Hannah Duff, lecturer
      Sofiya Chvojka
      Sam Pape
      Sarah Simko
      Jessica Steuver
      Anna O\u2019Connell
      \u00d6mer Kayhan, piano (Cornell)
      <\/strong><\/p>\n\n\n\n

      Room 408<\/strong><\/p>\n\n\n\n

      Lecture Recital:<\/strong> Shattering the Glass Slipper: Reclaiming Female Composers of the<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong><\/em><\/strong> Musical Theatre Golden Age<\/em><\/strong>
      Madeline Harts, soprano (Binghamton University)
      Melissa Yanchak, piano (Binghamton University)<\/p>\n\n\n\n

      5:00 PM<\/strong>
      Kossen Auditorium <\/strong><\/p>\n\n\n\n

      <\/div>\n\n\n\n

      Concert No. 14<\/h3>\n\n\n\n
      \n

      Away Ye Merry Lassies \u2014 arr. Jan C. Snow<\/p>\n\n\n\n

      Ever New & Walking Each Other Home \u2014 Jan C. Snow<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      SSAA Choir<\/p>\n\n\n\n

      Jessica Gallagher-Steuver, director (Case Western Reserve University)<\/p>\n\n\n\n

      Jonathan Levin, piano
      <\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Modal Suite \u2014 Kayla Roth (b. 1996)<\/p>\n\n\n\n

      I. Mixolydian: Midsummer Fair | II. Dorian: Voices Echoing in a Cathedral | III. Lydian: Neon Lights | IV. Locrian: Breathing | V. Phrygian: Buleria<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Sophia Rivera, euphonium (Mississippi Valley State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Oboe Concerto in B-flat Major \u2014 Madam Laschanzky<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Jessica Haislip, oboe (Mississippi State University)<\/p>\n\n\n\n

      Anne Katherine Ragsdale, piano (Mississippi State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Song for the Lost \u2014 Gina Gillie (b. 1981)<\/p>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Sophia Rivera, euphonium (Mississippi Valley State University)<\/p>\n\n\n\n

      Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

      <\/div>\n\n\n\n
      \n

      Sonata for Clarinet and Piano \u2014 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

        \n
      1. Andante con moto | 2. Allegro | 3. Tempo di tango, poco rubato | 4. Liberamente<\/li>\n<\/ol>\n\n\n\n
        <\/div>\n\n\n\n
        \n

        Michelle Kiec, clarinet (Commonwealth University)<\/p>\n\n\n\n

        Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        The Hildegard Service \u2014 Sarah Simko<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Krista Cornish Scott, soprano<\/p>\n\n\n\n

        Sarah Simko, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Fantasy Fairy Tale \u2014 Jihyun Kim (Washington State University)<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Armee Hong, violin (University of Mississippi)<\/p>\n\n\n\n

        Yoon-Wha Roh, piano (Washington State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Journey Through A Daydream \u2014 Shreya Jha<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Kenzie Taylor, flute (Valdosta State University)<\/p>\n\n\n\n

        Christian Windish, clarinet (Valdosta State University)<\/p>\n\n\n\n

        Kevin Juarez, piano (Valdosta State University)
        <\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n

        Break<\/em><\/h3>\n\n\n\n

        8:00 PM<\/strong>
        Kossen Auditorium<\/strong><\/p>\n\n\n\n

        Concert No. 15<\/h3>\n\n\n\n
        <\/div>\n\n\n\n

        The Chair<\/em> (Opera in Three Acts) \u2014 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

        Act 3<\/p>\n\n\n\n

        \n

        Deborah Popham, soprano (Arkansas State University)<\/p>\n\n\n\n

        Emily Heilman, mezzo soprano (Sam Houston State University)<\/p>\n\n\n\n

        Zane Lynn, tenor (Mississippi University for Women)<\/p>\n\n\n\n

        Matthew Hoch, baritone (Auburn University)<\/p>\n\n\n\n

        Jonathan Levin, piano<\/p>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Verbs of Perception \u2014 Cara Haxo<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Bruce Faske, trombone (University of Alabama)<\/p>\n\n\n\n

        Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Three Short Pieces\u2014 Heather Niemi Savage (Appalachian State University)<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Soo Goh, clarinet (Appalachian State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Selections from Six Songs on Poems of Paul Laurence Dunbar \u2014 Florence Price (1887-1953)<\/p>\n\n\n\n

        1. Love\u2019s Seasons | 2. Morning<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)<\/p>\n\n\n\n

        Martha Saywell, piano (Texas A&M University-San Antonio)<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Court Dances \u2014 Amanda Harberg<\/p>\n\n\n\n

        I. Courante | II. Air de Cour | III. Tambourin<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Mallory Harrison, flute (University of Alabama)<\/p>\n\n\n\n

        Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Scenes from the Bayou \u2014 Gina Gillie<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Joseph Gray, trumpet (Mississippi State University)<\/p>\n\n\n\n

        Matthew Haislip, horn (Mississippi State University)<\/p>\n\n\n\n

        Cassidy Shiflett, trombone (Mississippi State University)
        <\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Closure \u2014 Kaelynn Lake (Hollins University)<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        BATIK Quartet<\/em><\/p>\n\n\n\n

        Soo Goh, clarinet (Appalachian State University)<\/p>\n\n\n\n

        Christy Banks, clarinet (Millersville University of Pennsylvania)<\/p>\n\n\n\n

        Michelle Kiec, clarinet (Commonwealth University)<\/p>\n\n\n\n

        Timothy Bonenfant, bass clarinet (Angelo State University)<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Who Has Seen the Wind? \u2014 Heather Niemi Savage (Appalachian State University)<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)<\/p>\n\n\n\n

        Jonathan Levin, piano<\/p>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        En dix ans<\/p>\n\n\n\n

        Si vous demeurez<\/p>\n\n\n\n

        \u00c0 peine du matin<\/p>\n\n\n\n

        \u2014 Pauline Viardot-Garc\u00eda (1821-1910)<\/p>\n\n\n\n

        <\/div>\n\n\n\n
        \n

        Sarah VandenBrink, soprano<\/p>\n\n\n\n

        Jonathan Levin, piano
        <\/p>\n<\/div>\n<\/div>\n\n\n\n

        \n
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        Schedule – March 5-7, 2026 Watch Concerts Live Jump to: Thursday Morning Thursday Afternoon Thursday Evening Friday Morning Friday Afternoon Friday Evening Saturday Morning Saturday Afternoon Saturday Evening Participant Biographies […]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-678","post","type-post","status-publish","format-standard","hentry","category-schedule"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=678"}],"version-history":[{"count":99,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/678\/revisions"}],"predecessor-version":[{"id":810,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/678\/revisions\/810"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}