![\"Music](\"https:\/\/www.muw.edu\/images\/colleges\/as\/music\/musicbywomen.jpg\")
March 3-4, 2017<\/h2>\n\n\n\n
Poindexter 211<\/strong><\/p>\n\n\n\n Paper: “The Creation of a Festival Orchestra: The Performer’s Field Guide to Music Festival Foundation” Poindexter 408<\/strong><\/p>\n\n\n\n Paper: “Salom\u00e9: The Fetishization of the Veil and the Power of the Gaze.” Poindexter<\/strong> 211<\/strong> Paper: “A Model of Triadic Post-tonality for a Neoconservative Postmodern String Quartet by Sky Macklay” Poindexter 408<\/strong> Kossen Auditorium<\/strong> Poindexter <\/strong>211<\/strong> Poindexter 408<\/strong> Kossen Auditorium<\/strong> Poindexter 211<\/strong> Poindexter<\/strong> 408<\/strong> Kossen Auditorium<\/strong><\/p>\n\n\n\n “A Mother’s Voice”. . . . . . . . . . . . . . . Gail Steward, piano (Jacksonville State University, AL)<\/strong><\/p>\n\n\n\n I. August 28, 1963 Teresa Stricklin, soprano “Works for Unaccompanied Clarinet” . . . . . . . . . . . . . Shulamit Ran, Alexandra Gardner and Kaija Saariaho<\/strong><\/p>\n\n\n\n Timothy Bonenfant, clarinet (Angelo State University)<\/p>\n\n\n\n \u201cAgitato”. . . . . . . . . . . . . . . Shelby Rawlings Blalock<\/strong><\/p>\n\n\n\n Shelby Rawlings Blalock, piano (Belmont University, Student)<\/p>\n\n\n\n “Living in the Body”. . . . . . . . . . . . . . . Lori Laitman (b. 1955)<\/strong><\/p>\n\n\n\n 1. Burning the Woods of my Childhood Dorea Cook, mezzo soprano (Valdosta State University) “Music for Woodwind Trio by American Women Composers”<\/strong><\/p>\n\n\n\n Douglas Owens, oboe (University of Tennessee \u2013 Martin) Poindexter 211<\/strong> Poindexter 408<\/strong> Kossen Auditorium<\/strong> Poindexter 211<\/strong> Poindexter 408<\/strong> Kossen Auditorium<\/strong> Poindexter 211<\/strong> Poindexter<\/strong> 408<\/strong> Kossen Auditorium Kossen Auditorium<\/strong><\/p>\n\n\n\n “Burning Bush Variations”. . . . . . . . . . . . . . . Krystal Folkestad Grant<\/strong><\/p>\n\n\n\n Krystal Folkestad Grant, piano (Lancaster Bible College)<\/p>\n\n\n\n “Enter Ghost”. . . . . . . . . . . . . . . Judith Bingham<\/strong><\/p>\n\n\n\n Brittany Hendricks, trumpet (Ball State University)<\/p>\n\n\n\n “Sonatina”. . . . . . . . . . . . . . . Eurydice Osterman<\/strong><\/p>\n\n\n\n Leslie Spotz, piano (Tarleton State University)<\/p>\n\n\n\n “Quiet Heart: A Kaddish, written for saxophone”. . . . . . . . . . . . . . . Marilyn Shrude<\/strong><\/p>\n\n\n\n Gail Levinsky, saxophone (Susquehanna University)<\/p>\n\n\n\n “Virgie Rainey-Two Narratives for Soprano, Mezzo Soprano, and Piano”. . . . . . . . . . . . . Judith Lang Zaimont<\/strong><\/p>\n\n\n\n Cheryl Coker, soprano (Millsaps College) “Three Colors: Chamber Music for Oboe”. . . . . . . . . . . . . . . Deena Grossman<\/strong><\/p>\n\n\n\n Heather Killmeyer, oboe (East Tennessee State University)<\/p>\n\n\n\n “Two Halves of a Whole”. . . . . . . . . . . . . . . Robin McLaughlin (University of North Carolina, Greensboro)<\/strong><\/p>\n\n\n\n Amy Hardison Tully, flute (Coastal Carolina University) Kossen Auditorium<\/strong><\/p>\n\n\n\n “Hoff nunc”. . . . . . . . . . . . . . . Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n Hoff nunc<\/em> Janet Hopkins, mezzo soprano (University of South Carolina) “The Law of Floating Objects”. . . . . . . . . . . . . . . Elena Ruehr (M.I.T.)<\/strong><\/p>\n\n\n\n Wendy Bergin & Flute Ensemble (Praire View A&M University) “Pieces Romantiques Op. 55”. . . . . . . . . . . . . . . C\u00e9cile Chaminade<\/strong><\/p>\n\n\n\n 1. Primavera (Spring)<\/em> Julia Mortyakova & Valentin Bogdan, piano duet (Mississippi University for Women)<\/p>\n\n\n\n “Veni Redemptor Gentium”. . . . . . . . . . . . . . . Donna Wickham (University of Denver)<\/strong><\/p>\n\n\n\n Chuck Chandler, tenor (Florida State University) “Rain Waves for Clarinet, Violin, and Piano”. . . . . . . . . . . . . . . Joan Tower<\/strong><\/p>\n\n\n\n Kathryn Nevin, clarinet (University of Redlands) “Through the Ages: Music for Women by Women”<\/strong><\/p>\n\n\n\n Feminine Musique<\/em>, Tammy Hensrud (Hofstra University) and Korliss Uecker<\/p>\n\n\n\n “Quintet for Winds”. . . . . . . . . . . . . . . Rebecca Remley (Birmingham-Southern College)<\/strong><\/p>\n\n\n\n Jessica Banks, flute (Mississippi State University) Poindexter 211<\/strong> Paper: “Women Composers in Choro” Poindexter 408<\/strong> Lecture Recital: “Duft by Kaija Saariaho: Creating Harmony within a Solo Voice” Kossen Auditorium<\/strong> Poindexter <\/strong>211<\/strong> Paper: “Singer, Composer, Pedagogue: The Life and Works of Pauline Viardot” Poindexter 408<\/strong> Lecture Recital: “Jocelyne Binet\u2019s Cycle de M\u00e9<\/em>lodies<\/em>: Unearthing a Forgotten Song Cycle” Kossen Auditorium<\/strong> Poindexter 211<\/strong> Kossen Auditorium<\/strong><\/p>\n\n\n\n “Try Me, Good King: Last Words of the Wives of Henry VIII”. . . . . . . . . . . . . . . Libby Larsen<\/strong><\/p>\n\n\n\n Heather Hawk, soprano (Tarleton State University) “Playground Suite”. . . . . . . . . . . . . . . Annette Kruisbrink<\/strong><\/p>\n\n\n\n Amy Donaldson, guitar (Mississippi University for Women, Student) “No Longer Very Clear for Solo Piano”. . . . . . . . . . . . . . . Joan Tower<\/strong><\/p>\n\n\n\n Holly Roadfeldt, piano (Lafayette College)<\/p>\n\n\n\n “For My People”. . . . . . . . . . . . . . . Eurydice Osterman<\/strong><\/p>\n\n\n\n April Golliver-Mohiuddin, mezzo soprano (Oklahoma State University) As Biddeth Thy Tongue . . . . . . . . . . . . . . . <\/strong><\/em>Kati Ag\u00f3cs (2006) Jonathan Hulting-Cohen, saxophone (University of Massachusetts) Poindexter 211<\/strong> Paper: “Anne Boleyn in Libby Larsen’s Try Me, Good King: Last Words of the Wives of Henry VIII\u201d Poindexter 408<\/strong> Lecture Recital: \u201cThe Inspiration of Western Canada on Three Distinctive Women Composers” Kossen Auditorium<\/strong> Lecture Recital: “Being Part of the Solution: A Guide to Commissioning New Music” Poindexter 211<\/strong> Poindexter<\/strong> 408<\/strong> Kossen Auditorium<\/strong><\/p>\n\n\n\n “Love Songs for Soprano and Oboe”. . . . . . . . . . . . . . . Jenni Brandon<\/strong><\/p>\n\n\n\n Amy Yeung, soprano (University of Tennessee at Martin) “Three Invocations”. . . . . . . . . . . . . . . Sun Mi Ro (University of Central Florida)<\/strong><\/p>\n\n\n\n Olivia Boatman, flute (Florida State University)<\/p>\n\n\n\n “On Wings of Hope”. . . . . . . . . . . . . . . Diane Tuiofu<\/strong><\/p>\n\n\n\n I. Bird of Hope<\/em> Heather Hawk, soprano (Tarleton State University) “Monterey Letters”. . . . . . . . . . . . . . . Nicole Piunno<\/strong><\/p>\n\n\n\n I. Seeking<\/em> James Zingara, trumpet (University of Alabama at Birmingham)<\/p>\n\n\n\n “The Lord’s Prayer”. . . . . . . . . . . . . . . Rebecca Remley (Birmingham-Southern College)<\/strong><\/p>\n\n\n\n Anne-Marie Condacse, soprano (Oklahoma State University) “Han No. 3”. . . . . . . . . . . . . . . Marie Pelletier Janice Jackson, soprano<\/p>\n\n\n\n “Two Duets from the opera Wading Home”<\/em> – Mary Alice Rich (Texas Winds Musical Outreach)<\/strong><\/p>\n\n\n\n Matthew Hoch, baritone (Auburn University) Kossen Auditorium<\/strong><\/p>\n\n\n\n “Transition”. . . . . . . . . . . . . . . Haley Woodrow (Texas Christian University)<\/strong><\/p>\n\n\n\n Bonnie Oppenheimer, oboe (Mississippi University for Women) “Sonata for Clarinet and Piano”. . . . . . . . . . . . . . . Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n Olga Harris, piano (Tennessee State University) Margaret Songs. . . . . . . . . . . . . . . Libby Larsen (b. 1950)<\/strong><\/p>\n\n\n\n Bright Rails<\/em> Elizabeth Ducey Moss, soprano (McMurry University)<\/p>\n\n\n\n
Larkin Sanders (Taneycomo Festival Orchestra)<\/em><\/p>\n\n\n\n
Kaitlin Zardetto (Florida State University)<\/em><\/p>\n\n\n\n
\n\n\n\n9:30-10:30 AM<\/h3>\n\n\n\n
Paper: “Secular Monophony in the Middle Ages: Women Composers in the North and South of France.”
Victoria Choin (Central Michigan University)<\/em><\/p>\n\n\n\n
Zane Gillespie (A New Contemporary Endeavor)<\/em><\/p>\n\n\n\n
Lecture Recital: \u201cNew Music for Viola by Victoria Bond and Chih-Chen Wei”
Hsiaopei Lee (The University of Southern Mississippi)<\/em><\/p>\n\n\n\n
Lecture Recital: “You Score Like a Girl! The Current Plight of Female Film Composers”
Ross Smith (Centenary College of Louisiana); Assisted by Michaela Brantley, Gabriela Giamalva, Chelsea Glaspie, Brittany Wagner.<\/em>
Lecture Recital: “Libby Larsen’s ‘Me: Brenda Ueland'”
Dorothy Maddison (James Madison University)<\/em><\/p>\n\n\n\n
\n\n\n\n10:30-11:00 AM<\/h3>\n\n\n\n
Paper: “The Choral Works of Queen Lili\u2019uokalani: Indigenous Feminism, and Performance Practice”
Jace Saplan (University of Miami)<\/em><\/p>\n\n\n\n
Lecture Recital: “The Art Songs of Rachel DeVore Fogarty: An Analytical Approach to Performance Practice and Prosody.”
Sabrina Laney Warren (The University of Memphis\/Union University)<\/em><\/p>\n\n\n\n
Lecture Recital: “The Flute Music of Anna Bon di Venezia: A Lecture-Recital”
Mary Matthews, Flute; Nicole Chamberlain, Flute; Edith Widayani, Piano<\/em><\/p>\n\n\n\n
\n\n\n\n11:00-12:00 PM<\/h3>\n\n\n\n
Panel: “The Emotional and Intellectual Impact of Singing Art Songs by Women Composers: A Pedagogical Perspective”
Anne Wick (Mary Baldwin College)<\/em><\/p>\n\n\n\n
Lecture Recital: \u201cFor Lisa: Finding Answers to Challenging Questions\u201d
Holly Roadfeldt (Lafayette College)<\/em><\/p>\n\n\n\n
\n\n\n\n12:00 PM (Noon)<\/h3>\n\n\n\n
Concert No. 1<\/h1>\n\n\n\n
II. 1966
III. July 20, 1969<\/em><\/p>\n\n\n\n
Gail Steward, piano (Jacksonville State University, AL)<\/p>\n\n\n\n
2. Living in the Body
3. Not for Burning
4. Lost at Table
5. Bring on the Rain
6. Crossroads<\/em><\/p>\n\n\n\n
Matthew Roehrich, saxophone (Valdosta State University)<\/p>\n\n\n\n
Charles Lewis, flute
Elizabeth Aleksander, clarinet<\/p>\n\n\n\n
\n\n\n\nBreak<\/em><\/h3>\n\n\n\n
\n\n\n\n2:30-3:00 PM<\/h3>\n\n\n\n
Paper: “Gendered Nationalism and Female Agency in Amy Beach\u2019s Eskimos”
Sabrina Clarke (University of Delaware)<\/em><\/p>\n\n\n\n
Lecture Recital: ” Forgotten Voices: An examination of Black Louisiana Creole Folk Songs through the Works of Maud Cuney-Hare and Camille Nickerson”
Jessica Long (Shenandoah University)<\/em><\/p>\n\n\n\n
Lecture Recital: “The Legacy of Harpist and Composer Henriette Reni\u00e9 (1875-1956)”
Sarah Crocker (Middle Tennessee State University and Lipscomb University)<\/em><\/p>\n\n\n\n
\n\n\n\n3:00-3:30 PM<\/h3>\n\n\n\n
Paper: \u201cThe Black Swan: The Life and Career of Singer Elizabeth Taylor Greenfield”
Elizabeth Momand (University of Arkansas – Fort Smith)<\/em><\/p>\n\n\n\n
Lecture Recital: “Clairi\u00e8res dans le ciel<\/em> by Lili Boulanger: An historical and analytical study”
Marika Kyriakos (Arkansas State University)<\/em><\/p>\n\n\n\n
Lecture Recital: “Four-Handed Literature by Women Composers”
Joann Marie Kirchner (Temple University), Carla Mariani<\/em><\/p>\n\n\n\n
\n\n\n\n3:30-4:30 PM<\/h3>\n\n\n\n
Paper: “From Piano to Percussion: Vivian Fine, Zita Carno, and Gitta Steiner Compose for Paul Price and the Newly Emerging Percussion Ensemble”
Haley Nutt (The Florida State University)<\/em><\/p>\n\n\n\n
Lecture Recital: “Songs of the Boulanger Sisters”
Dana Zenobi (Southwestern University)
Chuck Dillard, piano (Portland State University)<\/em><\/p>\n\n\n\n
<\/strong> Lecture Recital: \u201cThea Musgrave’s Auxiliary Woodwind works: Piccolo Play and Threnody for English Horn\u201d
Elizabeth Sullivan (University of North Carolina at Charlotte);
Rebecca Johnson (Eastern Illinois University)<\/em><\/p>\n\n\n\n
\n\n\n\n5:00 PM<\/h3>\n\n\n\n
Concert No. 2<\/h1>\n\n\n\n
Lester Senter Wilson, mezzo soprano
Janette Sudderth, piano<\/p>\n\n\n\n
Oana Potur, viola
Daniel Hull, guitar (Coastal Carolina University)<\/p>\n\n\n\n
\n\n\n\nBreak<\/em><\/h3>\n\n\n\n
\n\n\n\n8:00 PM<\/h3>\n\n\n\n
Concert No. 3<\/h1>\n\n\n\n
Status Quo<\/em>
Drei Steine<\/em>
Ungl<\/em>\u00fcck und Gl\u00fcck<\/em>
Die Grossen L<\/em>\u00fcgen<\/em>
Bevor Ich Sterbe<\/em>
Status Quo<\/em>
Hoff nunc<\/em><\/p>\n\n\n\n
Armen Shaomian, piano (University of South Carolina)<\/p>\n\n\n\n
Flute 1\/Piccolo – Allan Theodore; Flute 2 – Thaddeus Chatman; Flute 3 – Raven Blaylock
Flute 4 – Steven King II; Flute 5\/Bass & Alto – Dominique Jordan; Alternate \u2013 Anastacia Smoot<\/p>\n\n\n\n
2. La Chaise a Porteurs (The Chair with Porters)<\/em>
3. Idylle Arabe (Arabian Romance)<\/em>
4. Serenade d\u2019 Automne (Autumn Serenade)<\/em>
5. Danse Hindoue (Indian Dance)<\/em>
6. Rigaudon (Rigaudon<\/em>)<\/p>\n\n\n\n
Esther Jane Hardenbergh, soprano (University of Miami)
Hope Thacker, mezzo soprano (Texas A&M University- Corpus Christi)
Matthew Hoch, baritone (Auburn University)<\/p>\n\n\n\n
Jeanne Skrocki, violin
Lara Urrutia, piano<\/p>\n\n\n\n
Jessica Haislip, oboe (Mississippi State University)
Sheri Falcone, clarinet (Mississippi State University)
Denise Rowan, bassoon (Mississippi State University)
Matthew Haislip, horn (Mississippi State University)<\/p>\n\n\n\n
\n\n\n\nSaturday, March 4<\/h2>\n\n\n\n
9:00\u201310:00 AM<\/h3>\n\n\n\n
Paper: “Mastering Atonal Voice Leading as an Undergraduate: Utilizing Standard Curriculum in Learning Atypical Repertoire”
Elizabeth Bemis (University of South Alabama)<\/em><\/p>\n\n\n\n
Pyero Talone<\/em><\/p>\n\n\n\n
Lecture Recital: “Musgrave’s Programmatic Contribution to the Solo Oboist: Niobe\u201d
Jessica Robinson (Ball State University)<\/em><\/p>\n\n\n\n
Kathryn Vetter (University of Oklahoma)<\/em><\/p>\n\n\n\n
Lecture Recital: “The Sonata for Viola & Piano by Marcelle Soulage”
Adam Paul Cordle (Eastman School of Music)<\/em><\/p>\n\n\n\n
\n\n\n\n10:00-11:00 AM<\/h3>\n\n\n\n
Paper: \u201cGisela Hernandez & Olga de Blanck: Pioneers in Cuban Music Education\u201d
Elizabeth Momand (University of Arkansas – Fort Smith)<\/em><\/p>\n\n\n\n
Deborah Popham (Sam Houston State University)<\/em><\/p>\n\n\n\n
Lecture Recital: “Female Poets Featured in Japanese Art Song Anthology Volumes I and II”
Chad Payton (Capital University); Kumiko Shimizu (Delta State University)<\/em><\/p>\n\n\n\n
Matthew Hoch (Auburn University)
Joshua Pifer, piano (Auburn University)<\/em><\/p>\n\n\n\n
Lecture Recital: \u201cThe Clever Artifice of Harriet and Margaret From the Script to the Score: How to Write a Libretto, Score, and Produce a New Opera”
Emily Martin (Bucknell University); Ann Marie Daehn (Missouri State University)<\/em>
Leanna Kirchoff (composer); with performers from Missouri State University<\/em><\/p>\n\n\n\n
\n\n\n\n11:00-11:30 AM<\/h3>\n\n\n\n
Paper: “‘Tentative and Feminine’: Viola Sonatas by British Women”
Emma Cifrino<\/em><\/p>\n\n\n\n
\n\n\n\n12:00 PM (Noon)<\/h3>\n\n\n\n
Concert No. 4<\/h1>\n\n\n\n
Leslie Spotz, piano (Tarleton State University)<\/p>\n\n\n\n
Laura Claire Moore, guitar (Mississippi University for Women, Student)
Michael Patilla, guitar (Mississippi State University)<\/p>\n\n\n\n
Martha Saywell, piano (Texas A&M University – San Antonio)<\/p>\n\n\n\n
Unrememberd Wings<\/em>. . . . . . . . . . . . . . . Andrea Clearfield (2001\/2008)<\/strong><\/p>\n\n\n\n
Nicholas Shaneyfelt, piano (Luther College)<\/p>\n\n\n\n
\n\n\n\nBreak<\/em><\/h3>\n\n\n\n
\n\n\n\n2:30-4:00 PM<\/h3>\n\n\n\n
Paper: “Amy Beach’s Cabildo: An American Opera”
Nicole Powlison (Florida State University)<\/em><\/p>\n\n\n\n
Emily Milius (Stephen F. Austin State University)<\/em><\/p>\n\n\n\n
Lecture Recital: “Saving Our Own Lives: Art Songs by African-American Women Composers”
Eleanor McClellan (University of North Alabama, Walk With Me Foundation)<\/em><\/p>\n\n\n\n
Carolyn Hart (Wheaton College)<\/em><\/p>\n\n\n\n
Lecture Recital: \u201cThe Music Salon of the 19th Century and its Importance in the Lives of Women Composers”
Feminine Musique, Tammy Hensrud and Korliss Uecker (Hofstra University)<\/em><\/p>\n\n\n\n
Nicole Riner<\/em><\/p>\n\n\n\n
\n\n\n\n4:00-4:30 PM<\/h3>\n\n\n\n
Paper: \u201cHolocaust Representation in Marta Ptaszynska’s Holocaust Memorial Cantata\u201d
Ania Stachurska<\/em><\/p>\n\n\n\n
Lecture Recital: “Women’s Words<\/em>: Selected Songs by Josephine Lang, Amy Beach, and Libby Larsen”
Elizabeth Ducey Moss (McMurry University)<\/em><\/p>\n\n\n\n
\n\n\n\n5:00 PM<\/h3>\n\n\n\n
Concert No. 5<\/h1>\n\n\n\n
Douglas Owens, oboe (University of Tennessee at Martin)<\/p>\n\n\n\n
II. The Darkling Thrush<\/em>
III. What Lips My Lips Have Kissed<\/em>
IV. Hope Is The Thing With Feathers<\/em><\/p>\n\n\n\n
Leslie Spotz, piano (Tarleton State University)<\/p>\n\n\n\n
II. The Voice of One Crying Out<\/em>
III. Grace and Prescott Ave.<\/em><\/p>\n\n\n\n
Valentin M. Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n
“Angst”. . . . . . . . . . . . . . . Alice Ping Yee Ho<\/strong><\/p>\n\n\n\n
Bronwen Forbay, soprano (McLennon Community College)
Joshua Pifer, piano (Auburn University)<\/p>\n\n\n\n
\n\n\n\nBreak<\/em><\/h3>\n\n\n\n
\n\n\n\n8:00 PM<\/h3>\n\n\n\n
Concert No. 6<\/h1>\n\n\n\n
Martha Saywell, piano (Texas A&M University \u2013 San Antonio)<\/p>\n\n\n\n
Tim Bonenfant, clarinet (Angelo State University)<\/p>\n\n\n\n
So Little There<\/em>
Beneath the Hawthorne Tree<\/em><\/p>\n\n\n\n
“Representative Woodwind Chamber Works”. . . . . . . . . . . . . . . Thea Musgrave<\/strong><\/p>\n\n\n\n