{"id":51,"date":"2020-02-16T10:38:40","date_gmt":"2020-02-16T16:38:40","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=51"},"modified":"2023-02-28T16:45:25","modified_gmt":"2023-02-28T22:45:25","slug":"2020-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/previous\/2020-schedule\/","title":{"rendered":"2020 Schedule"},"content":{"rendered":"
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\"Music<\/figure>\n<\/div>\n\n\n

Schedule – March 5-7, 2020<\/h2>\n\n\n\n

Thursday, March 5th <\/h2>\n\n\n\n

9:00-10:00 AM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201cIntersections of Timbre, Harmony, and Melody in the Liminal Compositions of Kaija Saariaho for Flute and Cello\u201d <\/strong>(25 minutes)
Jackson Harmeyer (University of Louisville)<\/p>\n\n\n\n

Paper: \u201cNadia Boulanger: Contributions to Music Education\u201d (25 minutes)<\/strong>
Brandon Robinson (Mississippi University for Women)<\/p>\n\n\n\n

Poindexter 307 (begins at 9:30 AM)<\/h4>\n\n\n\n

Lecture Recital: “Ripples: the Collaborative process between composer and performers” <\/strong>(25 minutes)
Karen Sunabacka, composer
Ames Asbell, viola (Texas State University)
Karla Hamelin, cello (Texas State University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: “Exploring Music Written for Piano and Electronics by Two Female Composers\u201d<\/strong> (25 minutes)
Nanyi Qiang, piano (Central State University)

Lecture Recital: \u201cPiano & Video Game Music: Piano Solo Music of Yoko Shimomura\u201d<\/strong> (25 minutes)
Leslie Spotz, piano (Tarleton State University)<\/p>\n\n\n\n

\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 1<\/em><\/h2>\n\n\n\n

Post-Lightened………………………………………………………………………………………………… Alexis Lamb
Broken Mirrors…………………………………………………………………………………………… Vera Stanojevic<\/strong><\/p>\n\n\n\n

Danielle Moreau, percussion<\/p>\n\n\n\n

Deux Pieces for clarinet and piano (1885)……………………………….. Marie de Grandval (1828-1907)<\/strong>
I. Invocation
II. Air Slave<\/p>\n\n\n\n

Molto Lento……………………………………………………………………………. Augusta Holm\u00e8s (1847-1903)<\/strong>
Fantasie pour clarinette et piano<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)
Martha Saywell, piano (Texas A & M University – San Antonio)<\/p>\n\n\n\n

…and the stars shall withdraw their shining………………… Cherise Leiter (Metropolitan State University of Colorado)<\/strong><\/p>\n\n\n\n

Jeffrey Gleason, guitar<\/p>\n\n\n\n

Folium 2 and Folium Squared for Flute and Cello (2015)……………………………………………… Mara Gibson
Insomnia for Solo Cello (2013)……………………………………………………………………………… Nilofaur Iravani
Converse with Rain (Yu Yu Yu) for Flute and Cello (2019)…………………………………………………….. Tao Li<\/strong><\/p>\n\n\n\n

Paul Christopher, cello (Northwestern State University of Louisiana)
Zendra J. White de Velazquez, flute<\/p>\n\n\n\n

Neumes (2007)………………………………………………………………………………………. Anna Hakobjanyan<\/strong>
Equalitor I
Equalitor II
Cito I
Punctum
Epiphonous
Cito II
Altius
Equalitor III<\/p>\n\n\n\n

Shadows (1985)………………………………………………………………………………………….. Jane Brockman<\/strong><\/p>\n\n\n\n

Michelle Kiec, clarient (Kutztown University)
Carol Shansky, flute (New Jersey City University)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 2<\/em><\/h2>\n\n\n\n

Nachtwanderer Op. 7 no. 1 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Fanny Mendelsohn Hensel
Morgenst\u00e4ndchen Op. 1 no. 5                                                                                                 (1805-1847)
Warum sind denn die Rosen so blass Op. 1 no. 3<\/strong><\/p>\n\n\n\n

Jordan Dark, soprano (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

My Name is Belle Starr \u2013 Six Etude Variations ………………. Cherise Leiter (Metropolitan State University of Denver)<\/strong>
I. \u2026and they named me Myra Maybelle
II. \u2026and I am a lover
III. \u2026and I am a widow, and a widow, and a wife
V. \u2026and they call me the Bandit Queen
VI. \u2026and this is my epitaph<\/p>\n\n\n\n

Jooeun Pak, piano (Metropolitan State University of Denver)<\/p>\n\n\n\n

Full Range: Works for Solo Flutes (Piccolo, C Flute, Alto Flute, Bass Flute)
Diaphonic Suite, No. 1 (1930)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Ruth Crawford Seeger<\/strong>
I.
II.
III.
IV.<\/p>\n\n\n\n

Velour (1998)…………………………………………………………………………………………………….. Jocelyn Morlock
She Cried (2001)…………………………………………………………………………………………………..Shiva Feshareki
Nightsong (2016)………………………………………………………………………………………………………… Carla Rees<\/strong><\/p>\n\n\n\n

Carol Shansky, flutes (New Jersey City University)<\/p>\n\n\n\n

This Space Available…………………………………………………………………………………..Lori Laitman (b. 1955)<\/strong><\/p>\n\n\n\n

Matthew Hoch, bass-baritone (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Ukrainian Songs\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Fantasy (…those harbor lights) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Joan Tower<\/strong><\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)
Martha Saywell, piano (Texas A & M University – San Antonio)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n
\n\n\n\n

2:30 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 3<\/em><\/h2>\n\n\n\n

Remember\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026Jennifer Bellor (UNLV)
Songs of the Seasons\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Mary Lou Prince<\/strong>
1.  Song of Spring
2.  Desert Rain
3.  Harvest Song
4.  We Came to See the Sun<\/p>\n\n\n\n

Delta State Chamber Singers
Julia Brasher Thorn, conductor<\/p>\n\n\n\n

Dyadic Affinities (2013) Solo Tuba and Electroacoustic Accompaniment\u2026\u2026\u2026\u2026\u2026\u2026 Asha Srinivasan<\/strong><\/p>\n\n\n\n

Stephanie Frye-Clark, tuba (East Tennessee State University)<\/p>\n\n\n\n

Divertimento para clarinete solo\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Gabriela Ortiz<\/strong><\/p>\n\n\n\n

Soo Goh, clarinet (Appalachian State University)<\/p>\n\n\n\n

Tarantella\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Collier<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

Etude Number 3\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rushaniya Nizamutdinova (TISBI University)<\/strong><\/p>\n\n\n\n

Acousmatic piece<\/p>\n\n\n\n

Three Desert Fables\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jenni Brandon (b. 1977)<\/strong><\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 206<\/h4>\n\n\n\n

Paper: “Representation in Louise and Aristide Farrenc’s “Le tr\u00e9sor des pianists”<\/strong> (25 minutes)
Elizabeth Clarke (Bradley University)<\/p>\n\n\n\n

Paper: \u201cUnited as One: An Analysis of Music from Women’s Marches\u201d (25 minutes)<\/strong>
Jillian Vogel (University of Tennessee)<\/p>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Music in Disguise: 19th & 20th Century Women Composers and their Pseudonyms”<\/strong> (25 minutes)
Kara Bishop (Florida State University)<\/p>\n\n\n\n

Paper: \u201cAnticlimactic! Challenging the Construction of Alma Mahler’s Lieder as Subversive\u201d<\/strong> (25 minutes)
Rachel Scott (University of Memphis)<\/p>\n\n\n\n

Poindexter 307<\/h4>\n\n\n\n

Lecture Recital: “Para Que Recordar: Preserving the Legacy Of Mar\u00eda Grever Through Selected Vocal Compositions For Study And Performance.”<\/strong> (25 minutes)
Amy Canchola, soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Lecture Recital: \u201cEllen Taaffe Zwilich’s Eisame Nacht: Sonic Depictions of Existential Loneliness\u201d<\/strong> (25 minutes)
Matthew Hoch, baritone (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201cGermaine Tailleferre and Marie Laurencin: an Exploration of the Interrelationships between Music and Painting.”<\/strong> (25 minutes)
Namji Kim (University of Wisconsin-Eau Claire)
Chee Hyeon Choi, piano (Bradley University)<\/p>\n\n\n\n

Lecture Recital: \u201cVillage Party: A Whimsical Musical Journey for Tap Dancing Oboist and String Quartet\u201d <\/strong>(25 minutes)
Kristin Sarvela, oboe (Eastern Illinois University)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 4<\/em><\/h2>\n\n\n\n

The Shadow\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…….. Negin Nazemzomorrodi<\/strong><\/p>\n\n\n\n

Carol Shansky, flute (New Jersey City University)
Ania Sundstrom, piano (Southwestern College)<\/p>\n\n\n\n

Je t’aime (2007)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Isabelle Aboulker (b. 1938)<\/strong><\/p>\n\n\n\n

Claudia Affan, soprano (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Trio for Flute, Oboe and Piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Madeline Dring<\/strong>
I. Allegro con brio
II. Andante semplice
III. Allegro giocoso<\/p>\n\n\n\n

Litanies for Flute, Oboe, and Piano……………………………………………………………………………………..Marilyn Shrude<\/strong>

Rebecca Johnson, flute (Eastern Illinois University)
Elizabeth Sullivan, oboe (University of North Carolina \u2013 Charlotte)
Cara Chowning, piano (Ball State University)<\/p>\n\n\n\n

Ex Tenebris……………………………………………………………………………………………….Olga Amelkina-Vera (b. 1976)<\/strong><\/p>\n\n\n\n

Elizabeth CD Brown, classical guitar (Pacific Lutheran University)<\/p>\n\n\n\n

The Muse is Not Amused……………………………………………………………………………………..Stefania de Kenessey<\/strong>
1. The Muse is Not Amused
2. Pretend He’s in Rio
3. The Quiet One
4. In Bed with Fred
5. Lucy in Love<\/p>\n\n\n\n

Dorea Cook, mezzo soprano (Valdosta State University)
Jonathan Levin, piano<\/p>\n\n\n\n

D(i)agon(als) …………………………………………………………………………………………………….Augusta Read Thomas
This Time Finer…………………………………………………………………………………………………………………Eliza Brown<\/strong><\/p>\n\n\n\n

Kyle Rowan, clarinet (University of San Diego)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n

Reception prepared and hosted by Mississippi University for Women students in the Culinary Arts program for festival participants and special guests.  Meet in the Poindexter lobby immediately following the 5:00 p.m. concert to walk over to Shattuck Hall for the reception.<\/em>
<\/p>\n\n\n\n

\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium  <\/h4>\n\n\n\n

Concert No. 5<\/h2>\n\n\n\n

He Said She Said Drawing Game\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olivia Kieffer
Amazonia Dreaming\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Annea Lockwood
Ojibwe Song\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026Alexis Bacon<\/strong><\/p>\n\n\n\n

Nathaniel Gworek, percussion (Georgia College and State University)<\/p>\n\n\n\n

Impromptu, Concert Etudes Op. 35, No.5\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026C\u00e9cile Chaminade
Scherzo Op. 14\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Clara Schumann
Nocturne\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Fanny Mendelsohn Hensel
Autumn, Concert Etudes Op. 35 No. 2\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026C\u00e9cile Chaminade<\/strong><\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Moral Dilemmas\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Barbara York (b. 1949)<\/strong>
1. Laws
2. Self-Interest
3. Fear
4. Compassion
5. Outrage
6. Denial<\/p>\n\n\n\n

Danielle VanTuinen, euphonium & tuba (University of Florida)
Danielle Moreau, percussion<\/p>\n\n\n\n

Invention No. 1\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Gay Kahkonen<\/strong><\/p>\n\n\n\n

Lynda Dembowski, clarinet (Towson University)
Amanda Morrison, clarinet (Slippery Rock University)<\/p>\n\n\n\n

Settings of Poems by Robert Frost (1874-1963) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Margaret A. Bonds (1913-1972)
<\/strong>Ed. John Michael Cooper
Stopping by Woods on a Snowy EveningThe Pasture
Stopping by Woods on a Snowy Evening (Version B)<\/p>\n\n\n\n

Settings of Sonnets by Edna St. Vincent Millay (1892-1950)
What Lips My Lips Have Kissed
I Know My Mind<\/p>\n\n\n\n

Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

Nature Scenes \u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Eurydice Osterman<\/strong>
1. Sunrise
2. Bird Song
3. Gentle Breeze
4. Summer Rain
5. Pastorale<\/p>\n\n\n\n

Carol Shansky, flute (New Jersey City University)
Deborah Saidel, flute (Virginia Commonwealth University)<\/p>\n\n\n\n

Winter Branches…Then and Now\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Helena Michelson<\/strong><\/p>\n\n\n\n

April Golliver-Mohiuddin, mezzo soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Quartet for 4 Clarinets\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/strong>
1. Waltz
2. Welcome Waltz
3. Tango
4. Largo
5. One-Minute Waltz
6. Tarantella<\/p>\n\n\n\n

Christy Banks, clarinet (Millersville University of Pennsylvania)
Soo Goh, clarinet (Appalachian State University)
Michelle Kiec, clarinet (Kutztown University)
Timothy Bonenfant, bass clarinet (Angelo State University)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

Friday, March 6th<\/h2>\n\n\n\n

9:00\u201310:00 AM<\/h3>\n\n\n\n

Poindexter 206<\/h4>\n\n\n\n

Paper: \u201cBreaking Boundaries: Female Composers in the Drawing Room\u201d<\/strong> (25 minutes)
Patrick Collins (Stony Brook University)<\/p>\n\n\n\n

Paper: \u201cLost and Found: A Discussion of Germaine Tailleferre’s Concertino for Flute, Piano, and Strings\u201d<\/strong> (25 minutes)
Brittney Patterson (University of Montevallo)<\/p>\n\n\n\n

Poindexter 211     <\/h4>\n\n\n\n

Paper: \u201cMonuments to Indiscretion: How Men Discuss Women Composers Who Succeed\u201d<\/strong> (25 minutes)
Alexis Lowder (University of Memphis)<\/p>\n\n\n\n

Paper: \u201cGender Trends in Regional Music Composition Faculty\u201d<\/strong> (25 minutes)
Margaret McGinity-Termuhlen (Central Michigan University)<\/p>\n\n\n\n

Poindexter 307 (begins at 8:45 AM)<\/h4>\n\n\n\n

Performance: \u201cAmy Beach Summer Dreams, Op.47 and C\u00e9cile Chaminade -6 Pi\u00e8ces Romantiques, Op.55\u201d<\/strong> (25 minutes)
Students from BAK Middle School of the Arts<\/p>\n\n\n\n

Lecture Recital: \u201cThe Violin and Piano Music of Lili Boulanger\u201d<\/strong> (25 minutes)
Serena Scibelli, violin (University of North Georgia)
Vivian Doublesteing, piano (University of North Georgia)
<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201c”Duck and Cover” by Annie Leeth, a composition for violin and electronics (and video)\u201d <\/strong>(25 minutes)
Serena Scibelli, violin (University of North Georgia)<\/p>\n\n\n\n

Lecture Recital: “Capturing Mel Bonis\u2019 Musical Portrait”<\/strong>(25 minutes)
Chee Hyeon Choi, piano (Bradley University) <\/p>\n\n\n\n

\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium  <\/h4>\n\n\n\n

Concert No. 6<\/em><\/h2>\n\n\n\n

McKenzie River Ferns\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Shandy Phillips<\/strong><\/p>\n\n\n\n

Jason Baker, marimba (Mississippi State University)<\/p>\n\n\n\n

La Passaggieta for bass clarinet and bassoon\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Chan Ji Kim (b. 1974)<\/strong>
I. Lento, “a wondering on foot”
II. Minuet, “walking dance”
III. Andante, “a gentle stroll (lullaby)”<\/p>\n\n\n\n

Peter Geldrich, bass clarinet (Valdosta State University)
Shannon Lowe, bassoon (University of Florida)<\/p>\n\n\n\n

Ariadne’s Crown\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Terry Owens (1936-2007)<\/strong><\/p>\n\n\n\n

Piano Duo Gastesi-Bezerra<\/em><\/strong>
Estibaliz Gastesi (BAK Middle School of the Arts)
Marcio Bezerra (School District of Palm Beach County)<\/p>\n\n\n\n

Sonatina\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Brittany Green
Bright Curves\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Kala Pierson
The Unquestioned Answer\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Laurie Speigel<\/strong><\/p>\n\n\n\n

Daria Binkowski, flute<\/p>\n\n\n\n

“To Unformed” for Solo Piano and Electronics (2009)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Kyong Mee Choi<\/strong><\/p>\n\n\n\n

Nanyi Qiang, piano (Central State University)<\/p>\n\n\n\n

Fantasy (…those harbor lights) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Joan Tower<\/strong><\/p>\n\n\n\n

Abby Lloyd, clarinet (Texas A&M International University)
Tatiana Gorbunova, piano (Texas A&M International University)<\/p>\n\n\n\n

Three Studies for Trumpet, Trombone, and Piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Orianna Webb<\/strong><\/p>\n\n\n\n

Nicole Gillotti, trumpet (Texas A&M International University)
Morgan Fite, trombone (Hint of Lime Brass)
Jonathan Levin, piano<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 7<\/em><\/h2>\n\n\n\n

Out of Reach…………………………………………………………….Hannah Heaton (Mississippi University for Women)<\/strong><\/p>\n\n\n\n

Serena Scibelli, violin (University of North Georgia)
Jonathan Levin, piano<\/p>\n\n\n\n

Pi\u00e8ce, Op. 189\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026M\u00e9lanie Bonis (1858 – 1937)<\/strong>
Scherzo, Op. 187
Of Water and Clouds\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elena Ruehr (b. 1963)
D’un matin de printemps\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Lili Boulanger (1893-1918)<\/strong><\/p>\n\n\n\n

Maria Gabriela Alvarado, flute (University of North Texas)
Ilana Cady, piano<\/p>\n\n\n\n


Reverberations from the Invisible Universe\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Terry Winter Owens (1941-2007)<\/strong><\/p>\n\n\n\n

Piano Duo Gastesi-Bezerra<\/em><\/strong>
Estibaliz Gastesi (Bak Middle School of the Arts)
Marcio Bezerra (School District of Palm Beach County)<\/p>\n\n\n\n

Cinco Danzas de Chambi\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Gabriela Lena Frank (b. 1972)<\/strong>
I. Harawi de Quispe
II. Diablicos Pune\u00f1os
III. P\u2019as\u00f1a Marcha<\/p>\n\n\n\n

Cradle Song ……………………………………………………………………………………………………….Chin-Wen Chao (b. 1973)<\/strong><\/p>\n\n\n\n

Hsiaopei Lee, viola (University of Southern Mississippi)
Chialing Hsieh, piano (Northwestern State University)<\/p>\n\n\n\n

Ship of Death\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Martha Helen Schmidt<\/strong>
I. Bid Farewell
II. Have you built?
III. A strong heart at peace
IV. The longest journey
V. Oblivion
VI. Wait, wait!
VII. The soul steps out
VIII. Voyage of oblivion<\/p>\n\n\n\n

Matthew Hoch, bass-baritone (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n
\n\n\n\n

2:30 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 8<\/em><\/h2>\n\n\n\n

Drei Romanzen, Op. 22\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Clara Schumann (Arr. Bella and Semjon Kalinowsky)<\/strong>
I. Andante molto
II. Allegretto
III. Leidenschaftlich schnell<\/p>\n\n\n\n

Ames Asbell, viola (Texas State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Songs of Love and Death\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Marjorie Rusche<\/strong>
I. Wild Nights
II. An Irish Airman
III. This is Just to Say
IV. After Reading St. John The Divine
V. Love Comes Quietly
World Premiere<\/em><\/p>\n\n\n\n

Kelci Kosin, soprano (Ball State University)
Cara Chowning, piano (Ball State University)<\/p>\n\n\n\n


“RONGBUK” from Chomolungma for bassoon and piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elizabeth Goode (b. 1969)<\/strong><\/p>\n\n\n\n

Shannon Lowe, bassoon (University of Florida)
Elizabeth Goode, piano (Valdosta State University)<\/p>\n\n\n\n

O, Death, Rock Me Asleep\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026Jerry Casey (b. 1933)<\/strong><\/p>\n\n\n\n

Marika Kyriakos, soprano (Arkansas State University)
Guy Harrison, violin (Auburn University)<\/p>\n\n\n\n

Sonatine (1944)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Claude Arrieu (1903-1990)
Allegro Rustico (1963\/1993)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Sofia Gubaidulina (b. 1931)
<\/strong>Sound of the Forest (1978)<\/p>\n\n\n\n

Virginia Broffitt Kunzer, flute (Auburn University)
Minjung Seo, piano (Auburn University)<\/p>\n\n\n\n

Town Light for two flutes and piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Yuko Uebayashi (b. 1975)<\/strong><\/p>\n\n\n\n

Virginia Broffitt Kunzer (AU) & Rebecca Johnson (Eastern Illinois University), flutes
Cara Chowning, piano (Ball State University)<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Night Dances’ Bringing Juliana Hall’s Work to Light” <\/strong>(25 minutes)
Deborah Popham (Sam Houston State University)<\/p>\n\n\n\n

Paper: \u201cRediscovering the Songs of Alicia Ad\u00e9laide Needham\u201d<\/strong> (25 minutes)
Elizabeth Momand (University of Arkansas – Fort Smith)<\/p>\n\n\n\n

Poindexter 307<\/h4>\n\n\n\n

Lecture Recital: \u201cExploring Twenty-first Century North American Art Songs by Women Composers for the Young Singer\u201d<\/strong> (25 minutes)
Dorea Cook, mezzo soprano (Valdosta State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Lecture Recital: \u201cReacting to the Landscape: Songs for Soprano and Clarinet\u201d<\/strong> (25 minutes)
Whistling Hens
Jennifer Piazza-Pick, soprano (University of Maryland College Park)
Natalie Groom, clarinet<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201cArt Songs by Women Composers from the Classic Era\u201d<\/strong> (25 minutes)
Susan Hochmiller, soprano (Gettysburg College)
Chuck Chandler, tenor (Florida State University)
Jocelyn Swigger, piano (Gettysburg College)<\/p>\n\n\n\n

Lecture Recital: \u201cUndiscovered Gems of Canadian Pedagogical Piano Literature: The Piano Works of Violet Archer, Jean Coulthard, and Barbara Pentland\u201d<\/strong> (25 minutes)
Adrienne Wiley, piano (Central Michigan University)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 9<\/em><\/h2>\n\n\n\n

Fight or Flyte…………………………………………………………………………………………………………………………….Daria Binkowski
collagemusic\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Lauren Redhead
Ms. Spider\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Fernanda Aoki Navarro<\/strong><\/p>\n\n\n\n

Daria Binkowski, flute and toy piano
Kyle Rowan, clarinet and toy piano (University of San Diego)
Ania Sundstrom, toy piano (Southwestern College)<\/p>\n\n\n\n

Ridge Runner: An Uninterrupted Suite……………………………………………………………………………………………..Libby Larsen<\/strong><\/p>\n\n\n\n

Nicole Gillotti, trumpet (Texas A&M International University)
Jonathan Levin, piano<\/p>\n\n\n\n

Caterina to Camoen\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Valerie Saalbach<\/strong><\/p>\n\n\n\n

I. On the Door
II. But All Changes
III. Oh, My Poet
IV. When Angelus is Ringing
V. When the Palace Ladies
VI. Sweetest Eyes
VII. But the Priest
VIII. I Will Look Out to His Future<\/p>\n\n\n\n

Hayley Zavada Coughlin, soprano (James Madison University)
William Reber, piano (Mississippi University for Women, Arizona State University)<\/p>\n\n\n\n

7F………………………………………………………………………………………………………Cara Haxo (Notre Dame College of Ohio)<\/strong><\/p>\n\n\n\n

Timothy Bonenfant, bass clarinet (Angelo State University)<\/p>\n\n\n\n

Sonatina for two flutes (1961)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Shulamit Ran (b. 1949)<\/strong>
I. Allegretto
II. Adagio
III. Vivo<\/p>\n\n\n\n

Virginia Broffitt Kunzer, flute (Auburn University)
Rebecca Johnson, flute (Eastern Illinois University)<\/p>\n\n\n\n

Birds of Paradise (2014)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Shulamit Ran (b. 1949)<\/strong><\/p>\n\n\n\n

Virginia Broffitt Kunzer, flute (Auburn University)
Minjung Seo, piano (Auburn University)<\/p>\n\n\n\n

Death of the Buddha \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Sherry Woods<\/strong><\/p>\n\n\n\n

Claudia Affan, soprano (Auburn University)
Matthew Hoch, bass-baritone (Auburn University)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception in Shattuck Hall.<\/em><\/p>\n\n\n\n

\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium    <\/h4>\n\n\n\n

Concert No. 10<\/em><\/h2>\n\n\n\n

Three Irish Country Songs for Voice and Violin\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rebecca Clarke (1886-1979)<\/strong>
I. I Know my Love
II. I Know where I’m goin’
III. A Ballynure Ballad (As I was goin’ to Ballynure)<\/p>\n\n\n\n

‘Down By the Sally Gardens’ for Voice and Violin\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rebecca Clarke<\/strong><\/p>\n\n\n\n

Lydia Beasley, soprano
Joseph Kneer, violin<\/p>\n\n\n\n

Prelude No. 1..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rushaniya Nizamudtinova (TISBI University)<\/strong>
Jazz Fugue
Rhapsody for Julia\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Canci\u00f3n de la Infanta\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Pauline Viardot<\/strong>
Morir\u00f2
Les Filles des Cadix<\/p>\n\n\n\n

Elizabeth Jones, soprano (Mississippi University for Women)
Jonathan Levin, piano<\/p>\n\n\n\n

S\u00e9paration \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026..\u2026.Fr\u00e9d\u00e9ric Chopin (1810-1849)<\/strong>
arr. Pauline Viardot (1821-1910)<\/p>\n\n\n\n

Elizabeth Jones, soprano (Mississippi University for Women)
Susan Hurley, soprano (Mississippi University for Women)
Jonathan Levin, piano<\/p>\n\n\n\n

Mill Creek Concerto\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Samantha Hogan<\/strong>
I. The Mysterious Writing on the Trees in the Key of the Waterfall
II. The Geese Duet in the Lilly Pond
III. Lightning Waters Flow Through the Mill<\/p>\n\n\n\n

Bruce Faske, trombone (Arkansas State University)
Emily Trapp Jenkins, piano (Arkansas State University)<\/p>\n\n\n\n

Electroacoustic Etude Number 1\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Victoria Prikhodko (TISBI University)<\/strong><\/p>\n\n\n\n

Acousmatic piece<\/p>\n\n\n\n

S\u00e5nger vid Piano med obligat violin af Lago\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Netzel<\/strong>
1. Hvem styrde hit din v\u00e4g? (J.L. Runeberg)
2. Om min tanke l\u00e5ngt fr\u00e5n gruset (C.D. af Wirs\u00e9n)<\/p>\n\n\n\n

Luis Fernandez, violin (University of Wisconsin Green Bay)
Anna Hersey, soprano (University of Wisconsin Oshkosh)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Berceuse pour Violon avec de accompagnement de Piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Netzel<\/strong>
Andante religioso pour Violon avec accompagnement de Piano
Tarantelle<\/p>\n\n\n\n

Luis Fernandez, violin (University of Wisconsin Green Bay)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Amare (2016) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Stephanie Ann Boyd (b.1990)<\/strong>
I. Mind
II. Body
III. Spirit<\/p>\n\n\n\n

Brilliance (1974)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Ida Gotkovsky (b.1933)<\/strong>
I. Declame
II. Desinvolte
III. Dolcissimo
IV. Final<\/p>\n\n\n\n

Bart Walters, saxophone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

Saturday, March 7th<\/h2>\n\n\n\n

9:00\u201310:00 AM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Reimagining the vocalises of Mathilde Marchesi for Trombone and Euphonium”<\/strong> (25 minutes)
Alexandra Zacharella (University of Arkansas-Fort Smith)<\/p>\n\n\n\n

Paper: \u201cEstelle Philleo: A Modern Woman Writing Songs about the American West\u201d<\/strong> (25 minutes)
Laurie Sampsel (University of Colorado Boulder)<\/p>\n\n\n\n

Poindexter 307 (begins at 9:30 a.m.)<\/h4>\n\n\n\n

Lecture Recital: \u201cAn Undiscovered Gem: Imogen Holsts’s Suite for Solo Viola\u201d<\/strong> (25 minutes)
Ames Asbell, viola (Texas State University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201cMarie Grandval and her Quarte Pieces for English Horn and Piano\u201d <\/strong>(25 minutes)
Kristin Leitterman, English horn (Arkansas State University)
Emily Trapp Jenkins, piano (Arkansas State University)<\/p>\n\n\n\n

Paper: \u201cVirtuosi Women Pianists\u201d <\/strong>(25 minutes)
Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 11<\/em><\/h2>\n\n\n\n

Wrought Iron for Flute and Percussion\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Andrea Reinkemeyer (Linfield College)<\/strong><\/p>\n\n\n\n

Rebecca Johnson, flute (Eastern Illinois University)
Danielle Moreau, percussion<\/p>\n\n\n\n

Variations on a Laundry Song\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Deborah Yardley Beers (Rivers School Conservatory)<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

Vicious Cycle\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Melissa Dalbora<\/strong>
I. Every Sixty Hours
II. Trauma
III. How Many More?
IV. “The New Normal”
V. Breakdown
VI. Not Enough
VII. Take Action<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)<\/p>\n\n\n\n

Sonata for Horn and Piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Gina Gillie<\/strong>
I. Allegro moderato
II. Melodie
III. Rondo<\/p>\n\n\n\n

Gina Gillie, horn (Pacific Lutheran University)
Jonathan Levin, piano<\/p>\n\n\n\n

Doremi Variations (2015)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Juri Seo<\/strong>
Var. I. Allegro vivace – Largo espressivo
Var. II. Allegro agitato – Largo espressivo
Var. III. Largo semplice – Presto – Allegro – Andante grazioso<\/p>\n\n\n\n

Eun-Hee Park, piano (University of Montevallo)<\/p>\n\n\n\n

Three Violin Duets\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rain Worthington<\/strong>
A Dance of Two
In Tandem
Relays<\/p>\n\n\n\n

Anna Cromwell, violin (University of Wisconsin-Stevens Point)
Lisa Nelson, violin (Illinois Wesleyan University)<\/p>\n\n\n\n

Connection and Imagination: Trees Dream of Dancing\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Katherine Ann Murdock<\/strong><\/p>\n\n\n\n

Lisa Perry, clarinet (East Tennessee State University)
Heather Killmeyer, English horn (East Tennessee State University)
Yi-Yang Chen, piano (East Tennessee State University)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 12<\/em><\/h2>\n\n\n\n

The Green Child (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Ashi Day (b. 1982)<\/strong>
World Premiere<\/em>
Eve’s Diary (2019)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Cherise D. Leiter (b.1972)<\/strong><\/p>\n\n\n\n

Whistling Hens<\/strong><\/em>
Jennifer Piazza-Pick, soprano (University of Maryland College Park)
Natalie Groom, clarinet (University of Maryland)<\/p>\n\n\n\n

            Drei Clavierstucke\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Melika M. Fitzhugh<\/strong>
Clavierstucke I: Elementar
Clavierstucke II: Erleuchtenden
Clavierstucke III: Ertragend
Jonathan Levin, piano<\/p>\n\n\n\n

Running Amok\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Victoria Malawey (Macalester College)<\/strong><\/p>\n\n\n\n

Elizabeth Sullivan, oboe (University of North Carolina \u2013 Charlotte)
Cara Chowning, piano (Ball State University)<\/p>\n\n\n\n

Play-date with Robert (2016)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Alondra Vega-Zaldivar<\/strong>
1. Hopscotch
2. Tag and Fugue
3. Hide and Seek<\/p>\n\n\n\n

Caprice for Violin and Piano (2015)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Amanda Nesvig<\/strong><\/p>\n\n\n\n

Tricia Bonner, violin
Caitlin Frasure, piano<\/p>\n\n\n\n

Impromptu No. 2\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Thea Musgrave (b. 1928)
A Little Drama for Woodwind Trio (2018)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elaine Fine (b. 1959)
<\/strong>I. Allegro
II. Maestoso
III. Moderato<\/p>\n\n\n\n

Erin Murphy, flute (Oklahoma State University)
Andrew Parker, oboe (Oklahoma State University)
Babette Belter, clarinet (Oklahoma State University)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n
\n\n\n\n

2:30 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/strong><\/h4>\n\n\n\n

Concert No. 13<\/em><\/h2>\n\n\n\n

Dividend\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Beth Wiemann (University of Maine)<\/strong><\/p>\n\n\n\n

Jamie Reimer, soprano (University of Nebraska-Lincoln)
Deborah Saidel, flute (Virginia Commonwealth University)
Timothy Bonenfant, clarinet (Angelo State University)
Stacie Haneline, piano (University of Nebraska at Omaha)<\/p>\n\n\n\n

Bird Raptures\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jerry Casey (b. 1933)<\/strong><\/p>\n\n\n\n

Cheryl Coker, soprano (Millsaps College)
Tara Schwab, flute<\/p>\n\n\n\n

R\u00fcckblick\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Edie Hill (b. 1962)<\/strong>
I.  A Look Ahead
II. Memento: After Clara\u2019s \u2018Gray Pearl\u2019
III. Here, Now
IV. A Backward Glance<\/p>\n\n\n\n

Variations on a Theme by Brahms\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Jocelyn Hagen (b. 1980)<\/strong><\/p>\n\n\n\n

Ann DuHamel, piano (University of Minnesota Morris)<\/p>\n\n\n\n

Multitudinous Stars and Spring Waters\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Jenni Brandon (b. 1977)<\/strong>
I. Spring Song
II. Thinking of Someone
III. Married Love<\/p>\n\n\n\n

Amy Yeung, soprano (University of Tennessee at Martin)
Douglas Owens, oboe (University of Tennessee at Martin)<\/p>\n\n\n\n

Orange Sunset\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Mariana Gomez Akolt<\/strong><\/p>\n\n\n\n

Luis Fernandez, violin (University of Wisconsin Green Bay)
Ania Sundstrom, piano (Southwestern College)<\/p>\n\n\n\n

Three Moods (Horn and Piano)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jerry Casey (b. 1933)<\/strong>
I.    Playful
II.   Thoughtful
III.   Joyful.<\/p>\n\n\n\n

Ellie Jenkins, horn (Berry College\/Dalton State College)
Ania Sundstrom, piano (Southwestern College)<\/p>\n\n\n\n

Romans des Rois\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Margaret Griebling-Haigh<\/strong>
I. Rites
II. Reves…
III. Rondes<\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)
Juli Buxbaum, horn (Arkansas State University)
Emily Trapp Jenkins, piano (Arkansas State University)<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201cAmy Beach and Florence B. Price: Race, Gender, and Privilege in Music\u201d <\/strong>(25 minutes)
Alexis Lowder (University of Memphis)<\/p>\n\n\n\n

Paper: ” The Instrumental Works of Madeleine Dring\u201d <\/strong>(25 minutes)
Wanda Brister (Florida State University)<\/p>\n\n\n\n

Poindexter 307<\/h4>\n\n\n\n

Lecture Recital: \u201cCompendium – a flute catalogue by women composers and Music from the world\u201d<\/strong> (25 minutes)
Vilma Campitelli
Quartetto di Flauti <\/strong><\/em>Image<\/em><\/strong>
Beatrice Petrocchi & Agnese Cingolani, C flute
Lavinia Straniero, alto flute
Vilma Campitelli, bass flute<\/p>\n\n\n\n

Lecture Recital: \u201cClara Schumann as Song Composer: Ein echtes Frauenliebe und-leben\u201d<\/strong> (25 minutes)
Rachel E. Scott, soprano (University of Memphis)
Anna B. Neal, piano (University of Memphis)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: “Three Cycles by Melissa Dunphy” <\/strong>(25 minutes)
Carol Lines, soprano (McNeese State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Lecture Recital: \u201cAsian Influences in Alexina Louie’s Piano Music\u201d <\/strong>(25 minutes)
Olivia Adams, piano (University of Ottawa)<\/p>\n\n\n\n

\n\n\n\n

<\/a><\/p>\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 14<\/em><\/h2>\n\n\n\n

Suite for Brass Quintet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Lauren Bernofsky (b. 1967)<\/strong>
I. Fanfare
II.   Melancholy Waltz
III.  Totentanz
Dance of the Marionettes<\/p>\n\n\n\n

Carly Johnson, trumpet (Alabama State University)
Dennis Herrick, trumpet
Brenda Luchsinger, horn (Alabama State University)
Matthew Wood, trombone (Auburn University)
Stephen Kunzer, tuba (Auburn University)<\/p>\n\n\n\n

Russian Alphabet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>\u2026<\/strong>\u2026<\/strong>\u2026<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Olga Harris (Tennessee State University)<\/strong>
Three Songs from Songs of the Spirit: \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Gwythen Walker
<\/strong>Five Contemporary Adaptations of American SpiritualsI. Standin\u2019 in the Need of Prayer
IV. Steal Away
V. Sit Down, Sister!<\/p>\n\n\n\n

   Dorothy Maddison, soprano (James Madison University)
William Reber, piano (Mississippi University for Women, Arizona State University)<\/p>\n\n\n\n

How Do I  Love Thee…………………………………………………………………………………………..Maude Valerie White (1855-1937)
<\/strong>Mon petit lin
Povero cor tu palpiti\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Isabella Colbran (1785-1845)<\/strong><\/p>\n\n\n\n

Alexandra Zacharella, trombone & euphonium (University of Arkansas-Fort Smith)
Elizabeth Momand, piano (University of Arkansas-Fort Smith)<\/p>\n\n\n\n

The Human Heart\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elaine Ross (b. 1966)<\/strong>
Evening Solace (Charlotte Bront\u00eb)
Verses to a Child (Anne Bront\u00eb)
Life (Charlotte Bront\u00eb)
Love and Friendship (Emily Bront\u00eb)
Past Present Future (Emily Bront\u00eb)<\/p>\n\n\n\n

Teri Bickham, soprano (University of North Carolina Greensboro)
Elaine Ross, piano (Morgan State University)<\/p>\n\n\n\n

Be Still My Soul\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Rhonda Larson (b. 1962)<\/strong><\/p>\n\n\n\n

Virginia Hudson, flute (University of Arkansas-Fort Smith)<\/p>\n\n\n\n

Trzy Miniatury (1957) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Krystyna Moszuma\u0144ska-Nazar
Fragments (2010)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Martyna Kosecka
Shreds of Matter” (2019)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Ania Sundstrom<\/strong>
World Premiere<\/em><\/p>\n\n\n\n

Kyle Rowan, clarinet (University of San Diego)
Ania Sundstrom, piano (Southwestern College)<\/p>\n\n\n\n

\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 15<\/h2>\n\n\n\n

Tarantelle\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Madeleine Dring
Variations on Balkan Themes Op. 60\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Amy Beach<\/strong><\/p>\n\n\n\n

(First Set)
Valentin M. Bogdan, piano (Mississippi University for Women)
Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Question\u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Emily Joy Sullivan (UC Davis)<\/strong><\/p>\n\n\n\n

Luis Fernandez, violin (University of Wisconsin Green Bay)<\/p>\n\n\n\n

Selections from 12 Mazurkas de Fr\u00e9d\u00e9ric Chopin\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Pauline Viardot (1821-1910)<\/strong>
1. Aime-moi
2. Seize ans
3. Plainte d’amour
4. Coquette<\/p>\n\n\n\n

Lydia Beasley, soprano
Eun-Hee Park, piano (University of Montevallo)<\/p>\n\n\n\n

Cat’s Night Time\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Wei Chia Wu (Peabody Institute-Johns Hopkins University)<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

Immersion\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rushaniya Nizamutdinova (TISBI University)<\/strong><\/p>\n\n\n\n

Acousmatic piece<\/p>\n\n\n\n

Svanen (The Swan)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elfrida Andr\u00e9e (1841-1929)<\/strong><\/p>\n\n\n\n

Anna Hersey, soprano (University of Wisconsin Oshkosh)
Luis Fernandez, violin (University of Wisconsin Green Bay)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

Tv\u00e5 romanser (Two romances)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elfrida Andr\u00e9e (1841-1929)<\/strong>
1. Larghetto
2. Allegro giocoso<\/p>\n\n\n\n

Luis Fernandez, violin (University of Wisconsin Green Bay)
Ben Harris, piano (Vanderbilt University)<\/p>\n\n\n\n

definition of an idiom \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Daria Binkowski<\/strong>
I. prelude (to the afternoon?)
II. (ben)
III. snap\/hiss
IV. cloud fracture
V. tilt <\/p>\n\n\n\n

Figmentum<\/em><\/strong>
Daria Binkowski, flute
Kyle Rowan, melodica (University of San Diego)
Ania Sundstrom, toy psaltery (Southwestern College)<\/p>\n\n\n\n

Arirang\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Gui Sook Lee (Korea National University of Arts)<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n","protected":false},"excerpt":{"rendered":"

Schedule – March 5-7, 2020 Thursday, March 5th  9:00-10:00 AM Poindexter 211 Paper: \u201cIntersections of Timbre, Harmony, and Melody in the Liminal Compositions of Kaija Saariaho for Flute and Cello\u201d […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-51","post","type-post","status-publish","format-standard","hentry","category-previous"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":2,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/51\/revisions"}],"predecessor-version":[{"id":57,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/51\/revisions\/57"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=51"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=51"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}