{"id":45,"date":"2019-02-16T10:28:00","date_gmt":"2019-02-16T16:28:00","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=45"},"modified":"2023-02-28T16:45:38","modified_gmt":"2023-02-28T22:45:38","slug":"2019-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/previous\/2019-schedule\/","title":{"rendered":"2019 Schedule"},"content":{"rendered":"
\n
\"Music<\/figure>\n<\/div>\n\n\n

Schedule – March 7-9, 2019<\/h1>\n\n\n\n

Thursday, March 7th<\/h2>\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 1<\/strong><\/h2>\n\n\n\n

Passacaglia on an Old English Tune \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rebecca Clarke (1886-1979)<\/strong><\/p>\n\n\n\n

Christina Placilla, viola (Winston-Salem State University)
Gregory Thompson, piano (Winston-Salem State University)<\/p>\n\n\n\n

Yellow Jersey for Two Bb Clarinet …………………………………………………………………….<\/strong> Libby Larsen<\/strong><\/p>\n\n\n\n

Christy Banks, clarinet (Millersville University of Pennsylvania)
Soo Goh, clarinet (Kutztown University of Pennsylvania)<\/p>\n\n\n\n

Scissors Fantasia Toccata for Solo Piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Jiyoun Chung (UMKC)<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

American Folk Suite \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Cherise Leiter<\/strong>
Johnny Has Gone for a Soldier
The Housewife’s Lament\/Single Girl
Changing Light \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Kaija Saariaho<\/strong>
Only the Words Themselves Mean What They Say \u2026.\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Kate Soper<\/strong><\/p>\n\n\n\n

Duo Rossignol
Mary Matthews, flute (Tennessee Tech University)
Hillary LaBonte, soprano (Bowling Green State University)<\/p>\n\n\n\n

The Mariner\u2019s Tale – Theme & Variations (based on Samuel Taylor Coleridge\u2019s \u201cThe Rime of the Ancient Mariner) \u2026\u2026\u2026\u2026\u2026\u2026Ashley M. Lucero<\/strong><\/p>\n\n\n\n

Ashley Lucero, guitar<\/p>\n\n\n\n

Miss Wheatley\u2019s Garden \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Rosephanye Powell (b. 1962)<\/strong>
I. A Winter Twilight
II. I Want to Die While You Love Me
III. Songs for the People<\/p>\n\n\n\n

Matthew Hoch, baritone (Auburn University)
Ben Harris, piano<\/p>\n\n\n\n

\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 2<\/em><\/h2>\n\n\n\n

Three Browning Songs\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Amy Beach (1867\u20131944)<\/strong>
I. The Year’s at the Spring
II. Ah, Love, but a Day!
III. I Send My Heart up to Thee<\/p>\n\n\n\n

Claudia Affan, soprano (Auburn University)
Ben Harris, piano<\/p>\n\n\n\n

Chatter \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Nicole Chamberlain<\/strong><\/p>\n\n\n\n

Mary Matthews, flute (Tennessee Tech University)
Nicole Chamberlain, flute<\/p>\n\n\n\n

“Transfuse” and “Spark” <\/strong>………………………<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>..<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026Kala Pierson (b. 1977)<\/strong>
As Big As Mill-Wheels\u201d<\/strong> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Julia Seeholzer (b. 1990)<\/strong>
Glistenality<\/strong>……………………………………………….<\/strong>………………………………………………….<\/strong> Rasa Daukus (b. 1970)<\/strong><\/p>\n\n\n\n

Holly Roadfeldt, piano (Lafayette College)<\/p>\n\n\n\n

Ankl\u00e4nge …………………………………………………………………………………<\/strong> Fanny Hensel (1809\u20131847)<\/strong>
I. V\u00f6glein in den sonn\u2019gen Tagen
II. Ach! wie ist es doch gekommen
III. K\u00f6nnt ich zu den W\u00e4ldern fl\u00fcchten

Philip McCown, baritone (Auburn University)
Ben Harris, piano<\/p>\n\n\n\n


Sonorous Body\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Liza Lim (b.<\/strong> 1966)<\/strong>
ONI\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026Ania Sundstrom (b.<\/strong> 1987)<\/strong><\/p>\n\n\n\n

Kyle Rowan, clarinet<\/p>\n\n\n\n

Ch \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Bahar Taheri<\/strong><\/p>\n\n\n\n

Cheryl Coker, soprano (Millsaps College)
Janette Sudderth, piano (Millsaps College)<\/p>\n\n\n\n

Pirin – suite for solo viola \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Dobrinka Tabakova<\/strong><\/p>\n\n\n\n

Elitsa Atanasova, viola (University of Georgia)<\/p>\n\n\n\n

Youth Gardens<\/strong>………………………………………………………<\/strong> Lynnsey Lambrecht (Bradley University)<\/strong>
I. Sow and Reap
II. African Violets and Jades
II. Seeds<\/p>\n\n\n\n

Matthew Hoch, baritone (Auburn University)
Ben Harris, piano<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n
\n\n\n\n

3:00-4:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Advocating for Music by Women Online: A Workshop for Identifying Best Strategies”<\/strong> (25 minutes)
Kathryn Woodard<\/p>\n\n\n\n

Paper: \u201cJulia Klumpke: Overview of her Works and Life\u201d<\/strong> (25 minutes)
Christina Placilla (Winston-Salem State University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: “Claude Arrieu, The Forgotten Genius.”<\/strong> (25 minutes)
Malinda Haslett, soprano (University of Southern Maine)
Chuck Dillard, piano (Portland State University)<\/p>\n\n\n\n

Lecture Recital: \u201cRomanian Dances (in the style of Bart\u00f3k) for Violin and Piano by Hilda Jerea\u201d<\/strong> (25 minutes)
Susan Keith Gray, piano (University of South Dakota)
Laura Kobayashi, violin (Main Street Music Studios, Fairfax)<\/p>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Lecture Recital: “Violin and Piano Performance: The Romances of Amy Beach and Clara Schuman\u201d<\/strong> (25 minutes)
Greg Hankins, piano
Serena Scibelli, violin

Lecture Recital: \u201c\uac00\uc704 (“Scissors”): Fantasia Toccata by Jiyoun Chung\u201d<\/strong> (25 minutes)
April Kim (St. Olaf College)<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201c21st Century North American Art Songs for Younger Singers: An Overview”<\/strong> (25 minutes)
Dorea Cook (Valdosta State University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: “The Lost Romantic: Metastasio Songs of Louise Reichardt”<\/strong> (25 minutes)
Amy Pfrimmer, soprano (Tulane University, New Orleans)
Dreux Montegut, piano (Loyola University, New Orleans)<\/p>\n\n\n\n

Lecture Recital: \u201cRiparian: relating to or living or located on the bank of a natural watercourse (such as a river)\u201d<\/strong> (25 minutes)
Shawna Pennock, saxophone
Serena Scibelli, violin<\/p>\n\n\n\n

\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 3<\/em><\/h2>\n\n\n\n

Komorebi: tree escape light\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<\/strong> Miho Sasaki<\/strong> 
I. Filter 
II. Earth bed 
III. Scatter<\/p>\n\n\n\n

Gail Levinsky, alto saxophone (Susquehanna University)<\/p>\n\n\n\n

Visions – Piano Suite No. 2 Op. 152 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Carmen Petra-Basacopol<\/strong>
I. Nocturnal vision – Dance of the Stars
II. Shepherd’s vision – Sunset in the Hillside Village
III. Sacred Vision – Wooden Crosses
IV. Meditation – The Graves of Ancestors
V. Vision of a Treasure – Icons Painted on Glass
VI. Cosmic Vision – Dance of Sun Rays in the Golden Waves of the River<\/p>\n\n\n\n

Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Asphyxia……………………………………………………………………………………………………………………Nicole Chamberlain<\/strong>

Mary Matthews, flute (Tennessee Tech University)<\/p>\n\n\n\n

Toward the Other Shore for solo violin\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Suzanne Sorkin (Saint Joseph’s University)<\/strong><\/p>\n\n\n\n

Megan Lee Karls, violin (Enid Trio)<\/p>\n\n\n\n

Passionate Tango\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n

Bonnie Oppenheimer, oboe (Mississippi University for Women)
Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Chanson et Passepied, Op. 16 (1951) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026 Jeanine Rueff (1922-1999)<\/strong>
Tableaux de Provence (1955) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026 Paule Maurice (1910-1967)<\/strong><\/p>\n\n\n\n

Bart Walters, saxophone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Sonata in A major for Clarinet & Piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Alice Mary Smith (1839-1884)<\/strong>
I. Allegro
II. Andante
III. Allegro pastorale<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)
Martha Saywell, piano (Texas A&M University, San Antonio)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h3>\n\n\n\n

Reception prepared and hosted by Mississippi University for Women students in the Culinary Arts program for festival participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to Shattuck Hall for the reception.<\/em><\/p>\n\n\n\n

\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 4<\/h2>\n\n\n\n

Concertst\u00fcck in C sharp minor, Op 40 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026C\u00e9cile Chaminade<\/strong>
Pivot \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Eurydice Osterman<\/strong><\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)
Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Impromptu No. 1 for Flute and Oboe (<\/strong>1967)<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>..<\/strong> Thea Musgrave (b. 1928)<\/strong>
Trio for Flute, Oboe and Piano (<\/strong>1968) <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Madeleine Dring (1923-1977)<\/strong><\/p>\n\n\n\n

Mary Matthews, flute (Tennessee Technological University)
Michael Adduci, oboe (Tennessee Technological University)
Jonathan Levin, piano<\/p>\n\n\n\n

Contes de F\u00e9es……………………………………………….\u2026\u2026\u2026\u2026\u2026……………………….Augusta Holmes (1847-1903)<\/strong>
1. La Chanson de L’Oiseau Bleu 
2. La Lampe Merveilleuse
3. La Belle du Roi
9. La Belle aux Cheveux D’Or
10. Les Voix du R\u00eave<\/p>\n\n\n\n

Kristen Sullivan, soprano (University of North Texas)
Sarah England, piano (University of North Texas)<\/p>\n\n\n\n

Long Distance\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>Dayton Kinney (Duke University)<\/strong><\/p>\n\n\n\n

Serena Scibelli, violin
Christy Banks, clarinet (Millersville University of Pennsylvania)
Kathryn Woodard, piano<\/p>\n\n\n\n

Lilac<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026Stephanie Ann Boyd (b. 1990)<\/strong>
D\u00f9bhlacht :\u201c Darkness\u201d and Faoilleach: \u201c Wolf \u201d<\/strong> \u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026….Siobh\u00e1n Cleary (b. 1970)<\/strong>
Reflection and Mechanical Angels<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<\/strong>Cristina Spinei (b. 1984)<\/strong>
Widening Circles<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026<\/strong>Andrea Clearfield (b. 1960)<\/strong><\/p>\n\n\n\n

Holly Roadfeldt, piano (Lafayette College)<\/p>\n\n\n\n

Deep Within, Far Without \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Melika M. Fitzhugh<\/strong><\/p>\n\n\n\n

Serena Scibelli, violin
Soo Goh, clarinet (Kutztown University of Pennsylvania)
Jonathan Levin, piano<\/p>\n\n\n\n

A Stitch in Time \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Cherise Leiter (Metropolitan State University of Denver)<\/strong>
I. k2, p2
II. slip1, k1, psso
III. work cable
IV. yon
V. p2, k2<\/p>\n\n\n\n

Megan Gray, viola<\/p>\n\n\n\n

Legacy \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Lynnsey Lambrecht (Bradley University)<\/strong>
I. I Am
II. Storm-Racked
III. Forgotten<\/p>\n\n\n\n

Iwao Asakura, baritone (Tarleton State University)
Cheryl Lindquist, piano<\/p>\n\n\n\n

Images of Sae-ya sae-ya \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026Gui Sook Lee <\/strong>(Korea National University of Arts)<\/strong><\/p>\n\n\n\n

Serena Scibelli, violin
Megan Gray, viola
Daria Binkowski, flute
Christy Banks, clarinet (Millersville University of Pennsylvania)
Jonathan Levin, piano<\/p>\n\n\n\n

\n\n\n\n

Friday, March 8th<\/strong><\/h2>\n\n\n\n

9:00\u201310:00 AM<\/strong><\/h3>\n\n\n\n

Poindexter 211        <\/h4>\n\n\n\n

Paper: \u201cClara Schumann\u2014The Female Voice of the Romantic Generation\u201d <\/strong>(25 minutes)
Deborah Popham (Sam Houston State University)<\/p>\n\n\n\n

Paper: \u201cInternal Conflict in Vivian Fine\u2019s \u201cThe Lover in Winter Plaineth for the Spring\u201d from Four Songs<\/strong> (25 minutes)
Alexandrea Jonker (McGill University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

9:00 Paper: \u201cRecently Published Vocal Works of Madeleine Dring\u201d<\/strong> (25 minutes)
Wanda Brister (Florida State University)<\/p>\n\n\n\n

9:30 Lecture Recital: “The Mystery of A. Giffels”<\/strong> (25 minutes)
Michael Underwood (University of Arkansas at Little Rock)
Naoki Hakutani, piano<\/p>\n\n\n\n

\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium <\/h4>\n\n\n\n

Concert No. 5<\/h2>\n\n\n\n

Apparitions, Mvmts I & II \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Rain Nox<\/strong><\/p>\n\n\n\n

Stephanie Patterson, bassoon
Jonathan Levin, piano<\/p>\n\n\n\n

Four Paintings by Grant Wood \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Barbara York<\/strong>
I. Stone City, Iowa<\/em>
II. Young Corn<\/em>
III. American Gothic<\/em>
IV. Parson Weem’s Fable<\/em><\/p>\n\n\n\n

Jeremy Crawford, tuba (University of Alabama)
Kevin Chance, piano (University of Alabama)<\/p>\n\n\n\n

Sintra for alto flute and violoncello\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Ursula Mamlok (1923-2016)<\/strong>
I. With intensity
II. Very fast
III. Calmly<\/p>\n\n\n\n

Rotations for cello and piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Ursula Mamlok (1923-2016)<\/strong>
I. Andante con moto
II. As from afar, wie von Ferne
III. Sehr ruhig<\/p>\n\n\n\n

Kelsey Wright McDonald, flute (Northwestern State University of Louisiana)
Paul Christopher, cello (Northwestern State University of Louisiana)
Chialing Hsieh, piano (Northwestern State University of Louisiana)<\/p>\n\n\n\n

Infinite<\/em><\/strong> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026 Niloufar Iravani<\/strong>
everyone…everything<\/em><\/strong>……………………………………………………………………………………<\/strong> Kari Besharse
<\/strong>Another to echo<\/em><\/strong> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Ania Sundstrom<\/strong>
I.
II.
III.<\/p>\n\n\n\n

Figmentum
Daria Binkowski, flute, voice, and toy piano
Kyle Rowan, clarinet, voice, and toy piano
Ania Sundstrom, voice, toy piano, and percussion<\/p>\n\n\n\n

\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 6<\/h2>\n\n\n\n

Selections from “Singing in the Northland”………………………………………………<\/strong> Martha Hill Duncan<\/strong>
The Star 
Life (After the French) 
Grey Rocks and Greyer Seas 
Daisy Time 
Rainfall<\/p>\n\n\n\n

Dorea Cook, mezzo soprano (Valdosta State University)
Jonathan Levin, piano<\/p>\n\n\n\n

An Adventure for Two Clarinets <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 <\/strong>Karen Amrhein<\/strong>
I. The Journey
II. A Prayer
III. Then, a Game<\/p>\n\n\n\n

See Me for Two Clarinets \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 <\/strong>Tara Islas<\/strong>
I. Inspiring
II. Passionate
III. Fearless<\/p>\n\n\n\n

Lynda Dembowski, clarinet (United States Naval Academy Band, Towson University, Anne Arundel Community College)
Amanda Morrison, clarinet (Fairmont University, West Liberty University)<\/p>\n\n\n\n

The Windrush Madrigals \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026 Margaret Griebling-Haigh (b. 1960)<\/strong>
I. The Queen Was Seen Bedeck’d in Green
II. Swans and Willows
III. Sir William’s Frolic<\/p>\n\n\n\n

Lisa Perry, clarinet (East Tennessee State University)
Heather Killmeyer, oboe (East Tennessee State University)
Esther Park, piano (East Tennessee State University)<\/p>\n\n\n\n

At Break of Day Nothing the Clover Blossoms \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Clara Kathleen Rogers (1844-1931)<\/strong>
At Break of Day
Confession
Nothing
The Clover Blossoms<\/p>\n\n\n\n

Alexandra Zacharella, trombone & euphonium (University of Arkansas-Fort Smith)
Elizabeth Momand, piano (University of Arkansas – Fort Smith)<\/p>\n\n\n\n

Niobe <\/strong>……………………………………………………………………………………………………….<\/strong> Thea Musgrave<\/strong>
Pibroch <\/strong>………………………………………………………………………………………………….<\/strong> Melinda Maxwell<\/strong><\/p>\n\n\n\n

Mary Lindsey Bailey, oboe (University of Alabama)<\/p>\n\n\n\n

The Mariko Suite \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Catherine McMichael (b. 1954)<\/strong>
I. Pearls
II. In the Rain
III. Winter Doves
IV. A Fisherman<\/p>\n\n\n\n

Jessica Spafford, soprano (Judson College)
Brianne Little, flute (Fairmont State University)
Cindy St. Clair, piano (Judson College)<\/p>\n\n\n\n

\n\n\n\n

Break<\/strong><\/h3>\n\n\n\n
\n\n\n\n

3:00-4:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Unwritten Rules for Performing Women Musicians: Gender Discrimination and Sexism on the stage” <\/strong>(25 minutes)
Kimberly Beasley (Jacksonville University)<\/p>\n\n\n\n

Paper: \u201cMaking the Case for Clara Schumann\u2019s Choruses: Drei gemischte Ch\u00f6re (1848)\u201d <\/strong>(25 minutes)
Elizabeth Lehmann (College of Saint Rose)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: Five Betjemen Songs: The Life and Influences of Madeleine Dring<\/strong> (25 minutes)
Orit Amy Eylon (University of the Incarnate Word) 
Blythe Cates (University of the Incarnate Word & Texas State University)
Cheryl Cellon Lindquist, piano<\/p>\n\n\n\n

Lecture-Recital: \u201cRebecca Clarke\u2019s Viola Sonata: The Centenary of a Masterwork\u201d<\/strong> (25 minutes)
Amanda Wilton, viola (Creighton University)
Evelyn Dias, piano (Divine Word College)<\/p>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Lecture Recital: “A Short Survey into the Piano Repertoire of Present-Day American Women Composers. August Read Thomas Joan Tower, and Jennifer Higdon\u201d<\/strong> (50 minutes)
Part I: Thomas Etude No. 1 and<\/em> Tower No Longer Very Clear Nos. 1 & 2<\/em><\/strong> (25 Minutes)
Part II: Higdon Secret and Glass Gardens<\/em><\/strong> (25 Minutes)
Alison Chiang, piano (Eastman School of Music)<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201cA discussion of selected chamber works by Germaine Tailleferre\u201d (25 minutes)<\/strong>
Brittney Patterson (University of Montevallo)<\/p>\n\n\n\n

Paper: \u201cElectrifying Performances: Discussing Works that Utilize Technology by Female Composers\u201d<\/strong> (25 minutes)
Jennifer Piper (Delta College)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201cTo Russia with Love: Maria Mirzoeva’s Vocalises for Studio Use and Beyond\u201d<\/strong> (25 minutes)
Kristen Sullivan, soprano (University of North Texas)
Sarah England, piano (University of North Texas)<\/p>\n\n\n\n

\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 7<\/h2>\n\n\n\n

The Spirituals of Jacqueline B. Hairston …………..\u2026\u2026\u2026\u2026\u2026\u2026………………….. Arranged by Jacqueline Hairston<\/strong><\/p>\n\n\n\n

Kimberley Davis, soprano (The University of Southern Mississippi)
Joseph Brumbeloe, piano<\/p>\n\n\n\n

A Star Ferry Ride\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Hon Ki Cheung<\/strong> (<\/strong>University of Minnesota)<\/strong><\/p>\n\n\n\n

Jeremy Crawford, tuba (University of Alabama)
Jonathan Levin, piano<\/p>\n\n\n\n

Re:pair \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Alex Shapiro<\/strong><\/p>\n\n\n\n

Rebecca Johnson, flute (Eastern Illinois University)
Elizabeth Sullivan, oboe (University of North Carolina at Charlotte)<\/p>\n\n\n\n

The Sun <\/strong>……………………………………………………\u2026\u2026\u2026…………………………………………………<\/strong> Rushaniya Nizamutdinova<\/strong><\/p>\n\n\n\n

Acousmatic Piece<\/p>\n\n\n\n

Songs of Bronze \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Nicole Russell          <\/strong>
I. When I Rise Up
II. Let Me Not Hate
III. Hope<\/p>\n\n\n\n

Chuck Chandler, tenor
Kathryn  Woodard, piano<\/p>\n\n\n\n

Light Pedals for solo piano<\/strong>…………………………………………………………………………………………..<\/strong> Kelley Sheehan<\/strong><\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

Arabesque ……………………………………………………………………… Germaine Tailleferre (<\/strong>1892-1983)<\/strong>
Sonata for clarinet & piano ……………………………………………………………<\/strong> Jennifer Higdon (b.<\/strong>1962)<\/strong>
I. Calmly
II. Declamatory<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)
Martha Saywell, piano (Texas A&M University)<\/p>\n\n\n\n

Portrait (Valse Chant\u00e9e)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026 C\u00e9cile Chaminade (1857-1944)<\/strong>
Villanelle \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Eva Dell’Acqua (1856-1930) <\/strong>
Tasting Notes \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Kathryn Cernauskas<\/strong><\/p>\n\n\n\n

Jessica Spafford, soprano (Judson College)
Brianne Little, flute (Fairmont State University)
Cindy St. Clair, piano (Judson College)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h2>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/em><\/p>\n\n\n\n

\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium <\/h4>\n\n\n\n

Concert No. 8<\/h2>\n\n\n\n

Water Play \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rushaniya Nizamutdinova<\/strong>
The Games of Dionysus \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Lilia Rodionova<\/strong>
Toccata \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Tatiana Chudova<\/strong><\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)
Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

\u201cDual Lives\u201d Botanical Obsessions \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Elizabeth Brown<\/strong>
I.  Milky Bellflower \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Maggie Payne<\/strong>
III. Chaste Tree Reflections \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Maggie Payne<\/strong>
Sometimes the City is Silent \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Janice Misurell-Mitchell<\/strong>
revamper \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026 Anne la Berge<\/strong><\/p>\n\n\n\n

Daria Binkowski, flute<\/p>\n\n\n\n

How Do I Love Thee? \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong> Edna Longoria<\/strong><\/p>\n\n\n\n

Iwao Asakura, baritone (Tarleton State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Magic Sky Fairy \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026. <\/strong>Elizabeth Kennedy Bayer<\/strong><\/p>\n\n\n\n

Megan Karls, violin (Enid Trio)
Megan Gray, viola
Stephanie Patterson, bassoon<\/p>\n\n\n\n

Talisman \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n

Dorea L Cook, mezzo soprano (Valdosta State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Tre Sanger (Three Songs) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elfrida Andr\u00e9e<\/strong>
Op. 8 En vacker h\u00f6stdag (A beautiful autumn day) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elfrida Andr\u00e9e<\/strong>
Vi ses igen (We will see each other again).\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elfrida Andr\u00e9e<\/strong>
Visa en v\u00e5rmorgon (Song on a spring morning) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elfrida Andr\u00e9e<\/strong>
Aftonklockan (Evening clock) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026 Amanda Maier<\/strong>
S\u00e5ngen (The song) \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Amanda Maier<\/strong><\/p>\n\n\n\n

Anna Hersey, soprano (University of Wisconsin, Oshkosh)
Matti Hirvonen, piano<\/p>\n\n\n\n

Midsummer Moon (1924)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Rebecca Clarke
Elfentanz\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Florence Price<\/strong>
Blue Piece for Violin and Piano (2010)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Libby Larsen
Impressions (1977)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Gwyneth Rollin<\/strong><\/p>\n\n\n\n

Laura Kobayashi, violin
Susan Keith Gray, piano<\/p>\n\n\n\n

Reflections: Variations on a Medieval Norwegian Chant \u2026\u2026..\u2026\u2026..\u2026\u2026 <\/strong>Katherine Hoover Kokopeli<\/strong>
Winter Spirits \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026 <\/strong>Katherine Hoover Kokopeli<\/strong><\/p>\n\n\n\n

Brianne Little, flute (Fairmont State University)<\/p>\n\n\n\n

Through the Surface of Still Water \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Dylann Miller (Wilfrid Laurier University)<\/strong><\/p>\n\n\n\n

Megan Karls, violin (Enid Trio)
Timothy Bonenfant, clarinet (Angelo State University)<\/p>\n\n\n\n

Sonate pour flute et piano, Op. 64 <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>Mel Bonis (1858-1937)<\/strong>
III. Adagio
II. Scherzo-Vivace
Forlane <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong> Germaine Tailleferre (1892-1983)<\/strong>
Concertino pour Fl\u00fbte, Op.107 <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>C\u00e9cile Chaminade (1857-1944)<\/strong><\/p>\n\n\n\n

Emily Stumpf, flute (University of South Carolina Aiken)
Yewon Han, piano (University of South Carolina)<\/p>\n\n\n\n

\n\n\n\n

Saturday, March 9rd<\/h2>\n\n\n\n

9:00\u201310:00 AM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: “Blending Styles and Cultures: The Music of Toshiko Akiyoshi”<\/strong> (25 minutes)
Alexandra Zacharella (University of Arkansas – Fort Smith)<\/p>\n\n\n\n

Paper: ” An Introduction to an Operetta: Pauline Viardot’s Le dernier sorcier for the Young Opera Studio” <\/strong>(25 minutes)
Lydia Beasley<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: \u201cRebecca Clarke\u2019s Prelude, Allegro, and Pastorale<\/em> for Clarinet and Viola\u201d<\/strong> (25 minutes)
Emily McIvor, clarinet (Creighton University)
Amanda Wilton, viola (Creighton University)<\/p>\n\n\n\n

Lecture Recital:  \u201ctonal composition in contemporary music\u201d<\/strong> (25 minutes)
Irina Kirilenko, piano<\/p>\n\n\n\n

\n\n\n\n

10:00 AM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 9<\/h2>\n\n\n\n

Twelve Waltzes and Finale, Op. 8 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Marie Ja\u00ebll (1846-1925)<\/strong>
I. Allegro con brio
II. Moderato
III. Animato giocoso
IV. Allegro fuocoso
V. Capriccioso
VI. Quasi lento con tenerezza
VII. Tempo giusto
VIII. Allegretto cantabile
IX. Allegretto amoroso
X. Andantino melanconico
XI. Allegro armonioso
XII. Allegro dolce fantastico
XIII. Finale. Vivace fuocoso<\/p>\n\n\n\n

Jacob Clark, piano (Lamar University)
Sujung Cho, piano (Lamar University)<\/p>\n\n\n\n

Among Fireflies ……………………………………………………………………………….<\/strong> Elainie Lillios (b. 1968)<\/strong><\/p>\n\n\n\n

Jennifer Piper, alto flute, interactive electroacoustic (Delta College)<\/p>\n\n\n\n

Four Scenes from the Bike Trail \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Nicole Russell<\/strong>
I. Morning Routine
II. Stop by the Murky Creek
III. Caught in a Storm
IV. Under a Shady Tree<\/p>\n\n\n\n

Cheryl Lindquist, piano<\/p>\n\n\n\n

Silent Illumination \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Chih-Chen Wei<\/strong>
Aeolian Muses \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026… Nancy Galbraith<\/strong><\/p>\n\n\n\n

Lori Baruth, clarinet (Morehead State University)
David Oyen, bassoon (Morehead State University)
Chialing Hsieh, piano (Northwestern State University)<\/p>\n\n\n\n

rhizome \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Jessi Harvey <\/strong><\/p>\n\n\n\n

Cassie Lear, flute
Olivia Valenza, b-flat clarinet
Alexandra Hecker, bass clarinet
Caitlin Frasure, piano<\/p>\n\n\n\n

\n\n\n\n

12:00 PM (Noon)<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 10<\/h2>\n\n\n\n

Children\u2019s Song \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Anonymous<\/strong>
Awaken \u2026<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Rhonda Head<\/strong>
Creator\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Anonymous<\/strong>
From Afar \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Dvorjak\/Rhonda Head <\/strong><\/p>\n\n\n\n

Rhonda Head, mezzo-soprano 
Jonathan Levin, piano<\/p>\n\n\n\n

            Music on a Quiet Song <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026Jean Coulthard (1844-1931)<\/strong><\/p>\n\n\n\n

Laurel Swinden, flute (Wilfrid Laurier and Guelph Universities)
Jonathan Levin, piano<\/p>\n\n\n\n

Love, Honor, Words <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 <\/strong>Charity Lofthouse (Hobart and William Smith Colleges)<\/strong><\/p>\n\n\n\n

Charity Lofthouse, soprano (Hobart & William Smith Colleges)
Jonathan Levin, piano<\/p>\n\n\n\n

Cenzontle \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Andrea Aguirre<\/strong>
I. Nuestra Rutina 
II. Estoy en una Jaula   
III. \u00a1Vuela Lejos!<\/p>\n\n\n\n

Deborah Saidel, flute (Virginia Commonwealth University)
Soo Goh, clarinet (Kutztown University of Pennsylvania)
Jonathan Levin, piano<\/p>\n\n\n\n

\u201cBox of Misfit Toys\u201d  Is a bell…a bell? <\/strong>……………………………………………………………..<\/strong> Vanessa Lann<\/strong>
Clangor<\/strong>………………………………………………………………………………………………………<\/strong> Monica Pearce<\/strong>
Tre Ritratti del Tempo <\/strong>……………………………………………………………………………………..<\/strong> Silvia Corda<\/strong><\/p>\n\n\n\n

Daria Binkowski, toy piano (2), bicycle bells, toy psaltery<\/p>\n\n\n\n

Flights of Fancy \u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Elizabeth Raum (b. 1945)<\/strong>
I. Taking Off
II. Gliding
III. Barnstorming<\/p>\n\n\n\n

Soo Goh, clarinet (Kutztown University of Pennsylvania)
Joanna Hersey, tuba (The University of North Carolina at Pembroke)
Anastasia Bryant, piano (Fayetteville State University)<\/p>\n\n\n\n

\n\n\n\n

Break<\/h2>\n\n\n\n
\n\n\n\n

3:00-4:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201cNadia Boulanger: Composer Interrupted: The Boulanger Influence on 20th Century Choral Music\u201d <\/strong>(25 minutes)
Elizabeth Lehmann (College of Saint Rose)<\/p>\n\n\n\n

Paper: “Blanche W. Walton: An Unofficial Music Agent to Ruth Crawford\u201d<\/strong> (25 minutes)
Emily Eubanks (Florida State University)<\/p>\n\n\n\n

Poindexter 408<\/h4>\n\n\n\n

Lecture Recital: “Capturing Timelessness and Eternity: Libby Larsen’s De Toda la Eternidad”<\/strong> (25 minutes)
Hayley Zavada Coughlin, soprano (James Madison University)
William Reber, piano (Arizona State University)

Lecture Recital: \u201cJean Coulthard’s Music for Flute: A Canadian Arts Pioneer\u201d<\/strong> (25 minutes)
Laurel Swinden, flute (Wilfrid Laurier University\/University of Guelph)
Jonathan Levin, piano<\/p>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Lecture Recital: \u201cSeeking Refuge\u201d \u2013 working title of new music by Barbara York”<\/strong> (25 minutes)
Ruth Morrow, piano (Midwestern State University)<\/p>\n\n\n\n

Lecture Recital: \u201cMusic by Women Composers from the Early 20th Century\u201d<\/strong> (25 minutes)
Joanna Goldstein, piano (Indiana University Southeast)
Susan Reigler<\/p>\n\n\n\n

\n\n\n\n

4:00-5:00 PM<\/h3>\n\n\n\n

Poindexter 211<\/h4>\n\n\n\n

Paper: \u201cMoving Out of the Drawing Room and Into the Voice Studio: The Songs of Maude Valerie White\u201d <\/strong>(25 minutes)
Elizabeth Momand (University of Arkansas \u2013 Fort Smith)<\/p>\n\n\n\n

Paper: \u201cPedagogical Approaches and Analysis to Incorporate Julia Wolfe\u2019s Pulitzer Prize Winning Anthracite Fields into Music Courses\u201d<\/strong> (25 minutes)
Lynnsey Lambrecht (Bradley University)<\/p>\n\n\n\n

Kossen Auditorium<\/h3>\n\n\n\n

Performance<\/strong>\u2013 (25 minutes)<\/p>\n\n\n\n

From All That Dwell Below the Skies<\/em> by Rebecca Remley
Arise, Beloved<\/em> by Rosephanye Powell
Hushaby <\/em>by Ellen Gilson Voth
Sing to the Lord<\/em> arr. Alice Parker
Beside the Still Waters<\/em> by Andrea Ramsey
In Remembrance<\/em> by Eleanor Daley
The Word Was God<\/em> by Rosephanye Powell<\/p>\n\n\n\n

Louisiana Tech University Concert Choir
John M. Petzet, conductor
Guy Twyman, piano<\/p>\n\n\n\n

Louisiana Tech University Concert Choir:
Sopranos: Hailey Bereziuk, Paulina Guerra, Brenna Prewitt, Courtney Cavender, Emma McGee
Altos: Blaise Caldwell, Mariha Beadle, Elizabeth Dighton, Rose Emery, Madison Gay, Brianna Guy, Ashley Henderson, Emily Hahn, Joi McCormick, Kamryn Murphy, Kyndall Roberts, Lauren Theis, Tranchell Watson, Savannah Walters, Annabelle Toups, Lauren Hartt, Hannah Hunter, Remington Myers
Tenors: Will Flowers, Jensen Gates, Leevi Morris, Garrett Brown, ThankGod Okosodo, Briggan Tinker, Sean Camp
Basses: Jacoby Johnson, Patrick Luther, Osiris Turner, Gavin Bordelon, Jason Elie<\/p>\n\n\n\n

\n\n\n\n

5:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 11<\/h2>\n\n\n\n

Living in the Body …………………………………………………………………………………………….Lori Laitman (b. 1955)<\/strong><\/p>\n\n\n\n

1. Burning the Woods of my Childhood
2. Living in the Body
3. Not for Burning
4. Lost at Table
5. Bring on the Rain
6. Crossroads <\/p>\n\n\n\n

Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)
Cynthia Cripps, alto saxophone (The University of Texas Rio Grande Valley)

Forward Looking Back  ……………. Dorothy Hindman (Frost School of Music, University of Miami)<\/strong>
I. Turning Apples, Slicing Screws
II. Concentricity
III. Implicit Wish
IV. Release
V. Wanting – Night Music
VI. Linger<\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

A and Arirang <\/strong>……………………………………………………………………………………………………………….<\/strong> Youngnan Park<\/strong><\/p>\n\n\n\n

Ji Hee Kim, soprano (James Madison University)
Dr. Hyun Kim, piano<\/p>\n\n\n\n

3×2 for flute and clarinet \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Lita Grier<\/strong>
I. Presto
II. Adagio expressivo
III. Vivace <\/p>\n\n\n\n

Steam \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Chelsea Komschlies <\/strong>
I. The Inventor’s Workshop
II. Rusty Cogs and Filigree
III. Clockwork
IIII. Flying Machine<\/p>\n\n\n\n

Erin Murphy, flute (Oklahoma State University)
Babette Belter, clarinet (Oklahoma State University)<\/p>\n\n\n\n

Emily! Musical Settings of the Poems of Emily Dickinson \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.<\/strong> Gwyneth Walker<\/strong>
I. My Letter to the World
II. The Moon and the Sea
III. The Frog in the Bog
IV. Hope (with Feathers)
V. Passion
VI. Joy
VII. All I have to Bring<\/p>\n\n\n\n

Dorothy Maddison, soprano (James Madison University)
William Reber, piano (Arizona State University)<\/p>\n\n\n\n

Sonata for Trumpet………………………………………………… Olga Harris (Tennessee State University)<\/strong>
I. Allegro Brillante
II. Adagio con spirito
III. Allegro con brio
IV. Adagio grazioso
V. Allego con fuoco<\/p>\n\n\n\n

James J. Zingara, trumpet (University of Alabama Birmingham)
Jonathan Levin, piano<\/p>\n\n\n\n

Budapest 1919 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026 Kathryn Woodard<\/strong>
I. Locusts
II. Konditorei
III. Scarlet<\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
Christy Banks, clarinet (Millersville University of Pennsylvania)
Kathryn Woodard, piano<\/p>\n\n\n\n

\n\n\n\n

Break<\/h2>\n\n\n\n
\n\n\n\n

8:00 PM<\/h3>\n\n\n\n

Kossen Auditorium<\/h4>\n\n\n\n

Concert No. 12<\/h2>\n\n\n\n

In This Garden \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. Betty Beath<\/strong>
I. Worm
II. Butterflies
III. Spider
IV. Snail
V. Sparrow<\/p>\n\n\n\n

Cheryl Coker, soprano (Millsaps College)
Janette Sudderth, piano (Millsaps College)<\/p>\n\n\n\n

Effulgence<\/em><\/strong> for piano and electronics<\/strong>\u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rushaniya Nizamutdinova<\/strong><\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

New Stories \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Dorothy Chang (b.1970)<\/strong>
I. Floating Worlds 
II. A Tall Tale Told
Night Bird ………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………………………………..Karen Tanaka (b.1961)<\/strong>
Under the Blue \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Catherine Likhuta (b. 1981)<\/strong><\/p>\n\n\n\n

Bart Walters, saxophone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Breathing \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026 Olga Harris (Tennessee State University)<\/strong><\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
Kathryn Woodard, piano<\/p>\n\n\n\n

Dear Mother…Dear Sister….We Hear You
Our Mothers Celebrated and Unsung Night\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026 Florence Price<\/strong>
To a Brown Girl, Dead\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Margaret Bonds<\/strong>
Be a Little Savage\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Margaret Bonds<\/strong>
O De Angels Don\u2019 Bowed Down\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Zenobia Powell Perry<\/strong>
Our Sisters Here and Now<\/strong>
I want Jesus to walk with me\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Lori C. Hicks<\/strong>
I don\u2019t feel no ways tired\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Jacqueline Hairston<\/strong><\/p>\n\n\n\n

Patrick Dailey, countertenor (Tennessee State University)
Anthony P. McGlaun, tenor
Jeffery Allen Murdock, collaborative pianist (University of Arkansas)<\/p>\n\n\n\n

Sonata for Flute and Piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>..<\/strong> Melanie “Mel” Helene Bonis (1858-1937)<\/strong><\/p>\n\n\n\n

Deborah J. Saidel, flute (Virginia Commonwealth University)
Jonathan Levin, piano<\/p>\n\n\n\n

Found Objects: On the Beach \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong> Jenni Brandon<\/strong>
I. Tumbled Stones
II. Kelly Green Sea Glass
III. Driftwood
IV. Black Feather on the Sand
V. White Sea Glass
VI. Seashells<\/p>\n\n\n\n

Enid Trio<\/em>
Megan Karls, violin
Megan Gray, viola
Stephanie Patterson, bassoon<\/p>\n\n\n\n

Cante Jondo <\/strong>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026<\/strong>…..<\/strong> Elaine Fine (b.1959)<\/strong>
I. Canci\u00f3n de Jiete (Rider’s Song)
II. El Grito (The Cry)
III. La Lola (Lola)
IV. La Solea (Sad Andalusian Song)
V. El Llanto (The Weeping)<\/p>\n\n\n\n

Rebecca Johnson, flute (Eastern Illinois University)
Jonathan Levin, piano<\/p>\n\n\n\n

Out of Darkness \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 <\/strong>Whitney E. George (b.1986)<\/strong>
I. In the beginning
II. fitted into wood, burned
III. O hunger
IV. to hide your own heartbeat
V. if you wake me tonight
VI. so too is my body
VII. before lighting you to fire<\/p>\n\n\n\n

Kristin Leitterman, oboe\/English horn\/soprano (Arkansas State University)
Emily Trapp Jenkins, piano (Arkansas State University)<\/p>\n","protected":false},"excerpt":{"rendered":"

Schedule – March 7-9, 2019 Thursday, March 7th 10:00 AM Kossen Auditorium Concert No. 1 Passacaglia on an Old English Tune \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Rebecca Clarke (1886-1979) Christina Placilla, viola (Winston-Salem State […]<\/p>\n","protected":false},"author":2,"featured_media":20,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-45","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/45","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=45"}],"version-history":[{"count":2,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/45\/revisions"}],"predecessor-version":[{"id":56,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/45\/revisions\/56"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media\/20"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=45"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=45"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=45"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}