{"id":214,"date":"2023-12-12T15:50:27","date_gmt":"2023-12-12T21:50:27","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=214"},"modified":"2025-09-15T15:56:11","modified_gmt":"2025-09-15T20:56:11","slug":"2024-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/previous\/2024-schedule\/","title":{"rendered":"2024 Schedule"},"content":{"rendered":"
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\"Music<\/figure>\n<\/div>\n\n\n

Schedule – March 7-9, 2024<\/h2>\n\n\n\n

Watch Concerts Live<\/a><\/p>\n\n\n\n

Jump to:<\/strong><\/p>\n\n\n\n

Thursday Morning <\/a> Thursday Afternoon <\/a> Thursday Evening <\/a><\/p>\n\n\n\n

Friday Morning <\/a> Friday Afternoon <\/a> Friday Evening<\/a><\/p>\n\n\n\n

Saturday Morning <\/a> Saturday Afternoon<\/a> Saturday Evening<\/a><\/p>\n\n\n\n

Participant Biographies<\/a><\/p>\n\n\n\n

Music by Women Festival 2024 Program Book<\/a>Download<\/a><\/div>\n\n\n\n
<\/div>\n\n\n\n

THURSDAY, MARCH 7TH<\/h2>\n\n\n\n

10:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 1<\/h3>\n\n\n\n

Piano Quintet in B minor, Op. 40 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026…………………………………… Dora Peja\u010devi\u0107 (1885-1923)<\/p>\n\n\n\n

II. poco sostenuto<\/p>\n\n\n\n

\n
\n

Felipe Mathias Romagnoli, first violin (Valdosta State University) Xin-Yu Chang, second violin (Valdosta State University) Laurel Yu, viola (Valdosta State University) Lidia S\u00e1nchez, violoncello (Valdosta State University) Joshua K. Pifer, piano (Valdosta State University)<\/p>\n<\/div><\/div>\n<\/div>\n\n\n\n

Sonata for clarinet and piano, op. 45 \u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026…………………………………….\u2026\u2026. Ruth Gipps (1921-1999) <\/p>\n\n\n\n

I. Maestoso Allegro ma non troppo <\/p>\n\n\n\n

II. Andante con moto <\/p>\n\n\n\n

III. Scherzando <\/p>\n\n\n\n

IV. Maestoso Allegro molto<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University) Martha Saywell, piano (Texas A&M University San Antonio)<\/p>\n\n\n\n

Song without Words in G Major, “Pleading”…………………………………………………………….. Florence Price (1887\u20131953) <\/p>\n\n\n\n

Song without Words in A Major <\/p>\n\n\n\n

Fantasie n\u00e8gre No. 4 in B Minor<\/p>\n\n\n\n

Tiantian Liang, piano (Northern Arizona University)<\/p>\n\n\n\n

Transformations, Suite No. 1 for Flute and Bassoon …………………………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Jessica Rudman <\/p>\n\n\n\n

I. Rapunzel <\/p>\n\n\n\n

II. Rumpelstiltskin <\/p>\n\n\n\n

III. Snow White\u2026 <\/p>\n\n\n\n

IV. The Twelve Dancing Princesses <\/p>\n\n\n\n

V. The Gold Key<\/p>\n\n\n\n

Marta Plominska, flute (University of Nevada, Las Vegas) Liz Valvano, bassoon (University of Nevada, Las Vegas)<\/p>\n\n\n\n

Three Dream Portraits ………………………………………………………………………………………………. Margaret Bonds (1913-1972) <\/p>\n\n\n\n

Minstrel Man <\/p>\n\n\n\n

Dream Variation <\/p>\n\n\n\n

I, Too  <\/p>\n\n\n\n

<\/p>\n\n\n\n

Jerry Brown, tenor
William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n

Lava \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………………………………………….. Melissa D\u2019Albora
Socially Distant \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………..\u2026\u2026\u2026 Katrina Penman<\/p>\n\n\n\n

Carol Shansky, flute<\/p>\n\n\n\n

Destiny for oboe, alto saxophone, and bass clarinet \u2026\u2026\u2026\u2026\u2026……………………………………………………. Theresa Martin<\/p>\n\n\n\n

Heather Killmeyer, oboe (East Tennessee State University) Lisa Perry, bass clarinet (East Tennessee State University) Brian Rodesch, alto saxophone (East Tennessee State University)<\/p>\n\n\n\n

12:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 2<\/h3>\n\n\n\n

Fantasia of Warabe-uta, Japanese Nursery Rhymes \u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026…………………………….. Sumiko Minemura <\/p>\n\n\n\n

I. Where are you from?<\/p>\n\n\n\n

III. Numbers song <\/p>\n\n\n\n

IV. Slip, Slip, Slippery Bridge<\/p>\n\n\n\n

Floral Chess for Two Pianos \u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026…………………………………………………………………………… Heeyoung Yang <\/p>\n\n\n\n

I. Seen my flower? Seen my friends? <\/p>\n\n\n\n

II. Friends Picker Song <\/p>\n\n\n\n

III. The Lost Flower<\/p>\n\n\n\n

Kumiko Shimizu, piano (Delta State University) Jung-Won Shin, piano (Delta State University)<\/p>\n\n\n\n

Cr\u00e9puscule du Kol Nidr\u00e9, th\u00e8me et variations for solo cello \u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026………………………. Graciane Finzi<\/p>\n\n\n\n

Marie-\u00c9laine Gagnon, cello (Crane School of Music, SUNY-Potsdam)<\/p>\n\n\n\n

take you all the way (2023) \u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026………………………………………………………………………… Susanna Hancock<\/p>\n\n\n\n

Erin Cameron, clarinet (Arkansas State University)<\/p>\n\n\n\n

Four Duets for Oboe and Clarinet …………………………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………\u2026\u2026\u2026.. Gwyneth Walker <\/p>\n\n\n\n

1. Daybreak <\/p>\n\n\n\n

2. Crossing Paths <\/p>\n\n\n\n

3. Especially Eighths <\/p>\n\n\n\n

4. Walk with Grace <\/p>\n\n\n\n

Triple Threat Duo<\/em> Kristin Sarvela, oboe (Sam Houston State University) Patricia Card, clarinet (Sam Houston State University)<\/p>\n\n\n\n

Break<\/em><\/h3>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 3<\/h3>\n\n\n\n

Through the Dark \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………….. Andrea Ramsey<\/p>\n\n\n\n

All Works of Love \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………..\u2026\u2026\u2026 Joan Szymko
There Was a Time \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………………………………….. Elaine Hagenberg<\/p>\n\n\n\n

Mississippi Gulf Coast Community College – Harrison County Campus Choir Zane Lynn, conductor (MGCCC HC Campus) Patience Pierini, collaborative pianist (MGCCC HC Campus)<\/p>\n\n\n\n

The Mountain \u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026…………………………………………………….\u2026.\u2026\u2026\u2026.\u2026 Jenni Brandon<\/p>\n\n\n\n

La HERmandad Clarinet Duo<\/em>
Carrie RavenStem, clarinet (Backun & Silverstein Performing Artist) Adria Sutherland, clarinet (Backun Performing Artist)<\/p>\n\n\n\n

Pi\u00e9ces Romantiques, Op. 55 ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. C\u00e9cile Chaminade (1857-1944) <\/p>\n\n\n\n

I. Primavera <\/p>\n\n\n\n

II. La chaise \u00e0 porteurs<\/p>\n\n\n\n

III. Idylle arabe <\/p>\n\n\n\n

IV. S\u00e9r\u00e9nade d’automne <\/p>\n\n\n\n

V. Danse hindoue <\/p>\n\n\n\n

VI. Rigaudon<\/p>\n\n\n\n

Piano Four Hands Tiantian Liang (Northern Arizona University) Aimee Fincher (Northern Arizona University)<\/p>\n\n\n\n

Fields of Wonder ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………..\u2026\u2026.. B.E. Boykin <\/p>\n\n\n\n

I. Heaven <\/p>\n\n\n\n

II. Snail <\/p>\n\n\n\n

III. Idylle arabe <\/p>\n\n\n\n

IV. Moonlight Night: Carmel <\/p>\n\n\n\n

V. Snake <\/p>\n\n\n\n

VI. The New Moon <\/p>\n\n\n\n

VII. Birth<\/p>\n\n\n\n

Jamie Reimer, soprano (University of Nebraska – Lincoln)
Stacie Haneline, piano (University of Nebraska Omaha)<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 211      <\/strong><\/p>\n\n\n\n

Paper: Micro Acts of Feminism: The Protesting, healing, and Self-expressing Aspects of the Traditional Jewish-Yemenite Women\u2019s Songs<\/em><\/strong>
Naama Perel-Tzadok (University of Pittsburgh)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: The Celtic Revival in Song: An Exploration of Helen Hopekirk and<\/em><\/strong> the Five Poems of Fiona Macleod<\/em><\/strong>
Laura Pritchard, voice (University of Alabama)
Hannah Roberts, piano (University of Alabama)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Reflecting a Path of Democracy in South Korea: Beyond the Line<\/em><\/strong> for Piano by Hojung Yoo.<\/strong><\/em>
Hyeji Seo, piano (Colorado State University)<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 211      <\/strong><\/p>\n\n\n\n

Paper: Finding Marie: A Story of Tubas, Trains, and Tenacity<\/em><\/strong>
Joanna Hersey (UNC Pembroke)<\/p>\n\n\n\n

Room 307      <\/strong><\/p>\n\n\n\n

Lecture Recital: Korean Vocal Tapestry<\/em><\/strong>
Won Cho (University of Alabama at Birmingham) Kyoung Cho (University of South Florida)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Clara Schumann\u2019s Three Romances; Oboe Performance Practices<\/em><\/strong>
Alec Black, oboe (Arkansas State University)<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 4<\/h3>\n\n\n\n

Playground of the Mind for clarinet choir …………………………………………………………………………………………….. Alice Jones <\/p>\n\n\n\n

Clarinets: Franklin Acosta, Khristiyana Adams, Hunter Bishop, Kate Boundy, Will Carter, Anna Bullock, Jacob Foster, Riley Keene, Alyson Newsom, Sarah Smith, Paige Statzer
Bass Clarinets: Landon Hensley, Dayton Sheffield Lisa Perry, conductor (East Tennessee State University)<\/p>\n\n\n\n

Esitanza ……………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………..\u2026……\u2026.. Joanna Bruzdowicz (1943-2021) <\/p>\n\n\n\n

Cinderella: 7 Aphorisms (selection) …………………..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………………….. Katarzyna Kwiecie\u0144-D\u0142ugosz <\/p>\n\n\n\n

Sonatina, mvts. 1 & 3 <\/p>\n\n\n\n

Piano Four Hands
Piotr R\u00f3\u017ca\u0144ski (The Krzysztof Penderecki Academy of Music in Krakow, Poland) Grzegorz Mania (The Feliks Nowowiejski Academy of Music in Bydgoszcz, Poland)<\/p>\n\n\n\n

Vous m’avez regard\u00e9 avec toute votre \u00e2me ……………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026……\u2026.. Lili Boulanger (1893-1918) <\/p>\n\n\n\n

Si tout ceci n’est qu’un pauvre r\u00eave from Clairi\u00e8res dans le ciel<\/em> <\/p>\n\n\n\n

Cantique ……………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………………………………………………..\u2026……\u2026.. Nadia Boulanger (1997-1979)<\/p>\n\n\n\n

Cheryl Coker, soprano (Emerita Millsaps College)
Sandra Polanski, piano<\/p>\n\n\n\n

Lift: Solos for Horn by Black Composers<\/em><\/p>\n\n\n\n

9. Old St. John ………………………………………………\u2026\u2026\u2026\u2026…………………………………………………………………….\u2026 Mary D. Watkins <\/p>\n\n\n\n

14. When I’m Older ……………………………………………………………………………………………………………………… Shanyse Strickland <\/p>\n\n\n\n

13. Pantones ………………………………………………\u2026\u2026\u2026\u2026………………………………………………………………………..\u2026 Mattea Williams I. Living Coral Pink II. Skydiver Blue <\/p>\n\n\n\n

17. Dahomey Passacaglia ………………………………………………\u2026\u2026\u2026\u2026………………………………………..\u2026 Althes Talbot-Howard<\/p>\n\n\n\n

Brenda Luchsinger, horn (Alabama State University)
Kristofer Sanchack, piano (Alabama State University) <\/p>\n\n\n\n

<\/p>\n\n\n\n

Shiver ……………………………………………….\u2026\u2026\u2026………………………\u2026\u2026……………………………………………………………….. Jenni Watson <\/p>\n\n\n\n

Venture <\/p>\n\n\n\n

Deconstruct <\/p>\n\n\n\n

Leanna Simpkins Hamburg, soprano saxophone<\/p>\n\n\n\n

Guitar Constellation ………………………………………………………………………………………………………………………… Gloria Villanueva<\/p>\n\n\n\n

JT Gleason, guitar<\/p>\n\n\n\n

Beneath a Canopy of Wings …………. Ellen Harrison (University of Cincinnati College-Conservatory of Music)<\/p>\n\n\n\n

Colleen White, flute (Kansas State University) Amy Guffey, clarinet (Kansas State University)<\/p>\n\n\n\n

Three songs from The AIDS Quilt Songbook<\/em><\/em><\/p>\n\n\n\n

Hold On ………………………………………………………\u2026\u2026\u2026\u2026………………………………………………………………………………..\u2026 Gilda Lyons <\/p>\n\n\n\n

Because You Were Here …………………………………………………………………………………………………………………. Hannah Adhikari <\/p>\n\n\n\n

Hold My Hand from Still We Dance<\/em> ………………………………………………\u2026\u2026\u2026\u2026…………………………\u2026 Mary Carol Warwick<\/p>\n\n\n\n

Susan Hurley, soprano (Mississippi University for Women) William Reber, piano (Mississippi University for Women) <\/p>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 5<\/h3>\n\n\n\n

Arabesque Op. 61……………………………………………………………………………………………………. C\u00e9cile Chaminade (1857-1944) <\/p>\n\n\n\n

Interlude Op. 152 <\/p>\n\n\n\n

Theme and Variations Op. 89<\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Emily! (from New England) ……………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………..\u2026\u2026.. Gwyneth Walker <\/p>\n\n\n\n

1. My Letter to the World <\/p>\n\n\n\n

2. The Moon and the Sea <\/p>\n\n\n\n

3. The Frog in the Bog <\/p>\n\n\n\n

4. Hope (with Feathers) <\/p>\n\n\n\n

5. Passion <\/p>\n\n\n\n

6. Joy <\/p>\n\n\n\n

7. All I Have to Bring<\/p>\n\n\n\n

Rachel Sweeney Green, soprano (UNL)
Emily Rose, clarinet (A, Bb) & bass clarinet (UNL) Stacie Haneline, piano (University of Nebraska Omaha) <\/p>\n\n\n\n

Four Personalities ……………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………………………………………………………..\u2026\u2026.. Alyssa Morris <\/p>\n\n\n\n

1. Yellow <\/p>\n\n\n\n

2. White <\/p>\n\n\n\n

3. Blue <\/p>\n\n\n\n

4. Red <\/p>\n\n\n\n

Michael Adduci, oboe (Tennessee Tech University)
Jonathan Levin, piano<\/p>\n\n\n\n

Surrender <\/em>Vocal Cycle for Voice and Piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026. Olga Harris (Tennessee State University)<\/p>\n\n\n\n

Julia Jaffe, mezzo-soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Songs of the Opera Diva ……………………………………………….\u2026\u2026\u2026………………………\u2026\u2026. Marietta Brambilla (1807-1875) <\/p>\n\n\n\n

La Capanna (Duet) <\/p>\n\n\n\n

Salve o sterile pianura <\/p>\n\n\n\n

L’Ora d’amore <\/p>\n\n\n\n

Feminine Musique<\/em>
Korliss Uecker, soprano (Westchester Conservatory Preparatory Division)
Tammy Hensrud, mezzo soprano (Hofstra University) Jonathan Levin, piano<\/p>\n\n\n\n

That Time of Year Thou Mayst in Me Behold ………………………………………………….. Jane K (Evgeniya Kozhevnikova)
<\/p>\n\n\n\n

Departure
<\/p>\n\n\n\n

Of Peace<\/p>\n\n\n\n

Benjamin Schoening, baritone (University of North Georgia)
 Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

<\/div>\n\n\n\n

FRIDAY, MARCH 8TH<\/h2>\n\n\n\n

9:00\u20139:25 AM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Paper: Betty Olivero’s piano music in terms of style and performance<\/em><\/strong>
Piotr R\u00f3\u017ca\u0144ski (The Krzysztof Penderecki Academy of Music in Krakow)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Expanding the Repertoire: The Solo and Collaborative Piano and Violin Works of Gwenyth Walker<\/em><\/strong>
Serena Scibelli, violin (Mississippi State University) Jenna Klein, piano (Mississippi State University)<\/p>\n\n\n\n

Room 408      <\/strong><\/p>\n\n\n\n

Lecture Recital: Between Two Worlds: The Intuitive Drama of Shulamit Ran\u2019s Works for Solo Clarinet<\/em><\/strong>
Erin Cameron, clarinet (Arkansas State University)<\/p>\n\n\n\n

9:30\u20139:55 AM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Paper: Music Better Together: Fostering Creative Justice in the Music Industry<\/em><\/strong>
Lia Uribe (University of Arkansas) <\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Dorothy Rudd Moore’s Eclectic Baroque Suite for Unaccompanied Cello<\/em><\/strong>
Amy Catron, cello (Mississippi State University)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: The Pedagogical Perspective on the Piano Works of living Korean Women Composers<\/em><\/strong>
Chee Hyeon Choi, piano (University of Louisiana at Lafayette)<\/p>\n\n\n\n

10:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 6<\/h3>\n\n\n\n

A Story on Snare Drum and Electronics, Based on 1 Samuel 17 …………………………………………………….. Noemi Sosa<\/p>\n\n\n\n

Noemi Sosa, Snare drum<\/p>\n\n\n\n

Preludes for the Left Hand ……………………………………………….\u2026\u2026\u2026\u2026…………………………………………….\u2026. Hannah Adhikari <\/p>\n\n\n\n

I. Plea to Sing <\/p>\n\n\n\n

II. Finding My Voice <\/p>\n\n\n\n

III. Music Speaks<\/p>\n\n\n\n

Hannah Adhikari, piano<\/p>\n\n\n\n

Chrysalis ……………………………………………….\u2026\u2026\u2026\u2026…………………………………………………………………………………..\u2026. Alyssa Morris <\/p>\n\n\n\n

I. Caterpillar <\/p>\n\n\n\n

II. Within the Chrysalis <\/p>\n\n\n\n

III. Butterfly<\/p>\n\n\n\n

Jessica Haislip, English horn (Mississippi State University) Anne Katherine Ragsdale, piano (Mississippi State University)<\/p>\n\n\n\n

Aeolian Muses ……………………………………………….\u2026\u2026\u2026\u2026…………………………………………………………………..\u2026. Nancy Galbraith <\/p>\n\n\n\n

Peter M Geldrich, clarinet (Valdosta State University)
Shannon Lowe, bassoon (University of Florida)
Joshua K. Pifer, piano, (Valdosta State University)<\/p>\n\n\n\n

Reverie ……………………………………………….\u2026\u2026\u2026\u2026………………………………………………………………… Florence Price (1887-1953) <\/p>\n\n\n\n

from Colour Suite<\/em> ……………………………………………….\u2026\u2026\u2026\u2026…………………………………………. Madeleine Dring (1923-1977) <\/p>\n\n\n\n

IV. Blue Air <\/p>\n\n\n\n

I. Pink Minor<\/p>\n\n\n\n

Miroslava Panayotova, piano (University of Arkansas)<\/p>\n\n\n\n

Framed (select movements) ……………………………………………….\u2026\u2026\u2026\u2026………………………………………….\u2026. Cecilia McDowall <\/p>\n\n\n\n

Ball at the Moulin de la Galette <\/p>\n\n\n\n

Nocturne in Blue and Gold <\/p>\n\n\n\n

Walking Man<\/p>\n\n\n\n

Trumpet Songs ……………………………………………….\u2026\u2026\u2026\u2026………………………………………………………………….\u2026. Jennifer Higdon <\/p>\n\n\n\n

Morning Opens <\/p>\n\n\n\n

To Home <\/p>\n\n\n\n

In Our Quiet <\/p>\n\n\n\n

Hop & Tow Dance <\/p>\n\n\n\n

Threaded<\/p>\n\n\n\n

Bossa Nova from Two Latin Dances<\/em> ……………………………………………….\u2026\u2026\u2026\u2026……………………………….. Lauren Bernofsky <\/p>\n\n\n\n

Oswaldo Zapata, trumpet (The University of Texas at San Antonio)
Kasandra Keeling, piano (The University of Texas at San Antonio)<\/p>\n\n\n\n

Walk in Paris: A Suite for Woodwind Quartet …………………………. Faith Baughman (Mississippi State University)<\/p>\n\n\n\n

Olivia Boatman, flute (Mississippi State University)
Jessica Haislip, oboe (Mississippi State University)
Sheri Falcone, Bb clarinet (Mississippi State University) Denise Rowan, bassoon (Mississippi State University)<\/p>\n\n\n\n

12:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 7<\/h3>\n\n\n\n

When the Sun Sang ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………………. Noemi Sosa<\/p>\n\n\n\n

UTRGV Saxophone Quartet<\/em> Abraham Saldana, soprano saxophone
Anthony Monrreal, alto saxophone
Jonathan Guzman, tenor saxophone Roman Valenciano, baritone saxophone<\/p>\n\n\n\n

Eidolons …………………………………………………………………….\u2026\u2026\u2026Heather Niemi Savage (Appalachian State University)<\/p>\n\n\n\n

Carol Shansky, flute Soo Goh, Bb clarinet (Appalachian State University)<\/p>\n\n\n\n

Sonate pour piano op.6 ……………………………………………….\u2026\u2026\u2026\u2026…………………………………. Charlotte Sohy (1887-1955) <\/p>\n\n\n\n

I. Allegro <\/p>\n\n\n\n

II. Andante con moto <\/p>\n\n\n\n

III. Rondo Vivace<\/p>\n\n\n\n

Jeanne Hourez, piano (University of Texas at Austin)<\/p>\n\n\n\n

Paradigm Shift ……………………………………………….\u2026\u2026\u2026\u2026………………………………………………………………………… Theresa Martin <\/p>\n\n\n\n

I. Torrent <\/p>\n\n\n\n

II. Equilibrium <\/p>\n\n\n\n

III. Breakaway<\/p>\n\n\n\n

Lynda Dembowski, clarinet (Anne Arundel Community College)
Amanda Morrison, clarinet (Slippery Rock University)<\/p>\n\n\n\n

A Melodic Sacrifice Upon Dawn ………………..\u2026\u2026\u2026\u2026…………………………………………………………………. Felicity Mazur-Park<\/p>\n\n\n\n

Carol Shansky, flute
Felicity Mazur-Park, flute (Texas Christian University)<\/p>\n\n\n\n

The Seal Man ………………..\u2026\u2026\u2026\u2026………………………………………………………………………………….. Rebecca Clarke (1886-1979) <\/p>\n\n\n\n

Binnorie: A Ballad<\/p>\n\n\n\n

Sarah Dailey, mezzo-soprano Stephen Karr, piano<\/p>\n\n\n\n

Break<\/h3>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 8<\/h3>\n\n\n\n

Scherzo (1989) ………………………………………………………………..\u2026 Deborah Yardley Beers (Rivers School Conservatory)<\/p>\n\n\n\n

Jonathan Levin, piano<\/p>\n\n\n\n

Songs Without Words ……………………………………………….\u2026\u2026\u2026\u2026…………….\u2026. Catharina Josepha Pratten (1824-1895) <\/p>\n\n\n\n

No. 91 Sadness <\/p>\n\n\n\n

No. 77 Forgotten <\/p>\n\n\n\n

No. 93 A Lament <\/p>\n\n\n\n

No. 89 Spanish Dance <\/p>\n\n\n\n

JT Gleason, Guitar<\/p>\n\n\n\n

Swan Song for bassoon and crotales ……………………………………………….\u2026\u2026\u2026\u2026…………….\u2026……….. Katherine Murdock<\/p>\n\n\n\n

Lia Uribe, bassoon (University of Arkansas)<\/p>\n\n\n\n

Regiones for bassoon and piano ……………………………………………….\u2026……..\u2026\u2026\u2026…………….\u2026………………… Noelia Escalzo<\/p>\n\n\n\n

Lia Uribe, bassoon (University of Arkansas)
Miroslava Panayotova, piano (University of Arkansas)<\/p>\n\n\n\n

Towers ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………………………… Shelley Washington <\/p>\n\n\n\n

Aghavni [Doves] ……………………………………………….\u2026\u2026…………………\u2026\u2026…………………………………………. Mary Kouyoumdjian<\/p>\n\n\n\n

Holly Roadfeldt, piano (Lafayette College)<\/p>\n\n\n\n

Dos canciones mediterr\u00e1neas ……………………………………………….\u2026\u2026\u2026………………………\u2026…………….\u2026. Mariela Rodr\u00edguez <\/p>\n\n\n\n

1. La nada que se aprieta sobre el alma (The nothingness that is pressed upon the soul) <\/p>\n\n\n\n

2. El tiempo es fiero y nos alcanza (Time is fierce and it reaches us) <\/p>\n\n\n\n

Jennifer D’Agostino, mezzo-soprano (Georgia Southern University)
Eileen Downey, piano (University of Tennessee)<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

 Room 211<\/strong><\/p>\n\n\n\n

Paper:<\/strong> Toshiko Akiyoshi and The Woodwind Doublers of Los Angeles<\/em><\/strong>
Timothy Bonenfant (Angelo State University)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Unveiling Herstory: Sacred Song by Women<\/em><\/strong>
Julissa Ramirez, soprano (Trinity University)
Jacquelyn Matava, mezzo-soprano (Trinity University)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Zenobia Powell Perry: Musical Legacy of a Midwest Trailblazer <\/em><\/strong>
Mimi Zhang, piano<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n


Room 211<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Reimagining Hildegard: Yesterday and Today<\/em><\/strong>
Krista Cornish Scott, presenter<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Fire and Flame: Rhythm and Performance Practice in Selected Works of Gabriela Ortiz<\/em><\/strong>
Erin Cameron, clarinet (Arkansas State University)
Elissa Kana, saxophone (Arkansas State University)
David Mach, piano (Arkansas State University)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Elizabeth Alexander  –  Composer and Entrepreneur<\/em><\/strong>
Cheryl Coker, soprano (Millsaps College)
Sandra Polanski, piano<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 9<\/h3>\n\n\n\n

Suite for Two Pianos Founded Upon Old Irish Melodies, op. 104 ……………………………………………………. Amy Beach <\/p>\n\n\n\n

I. Prelude <\/p>\n\n\n\n

II. Old-time Peasant-Dance <\/p>\n\n\n\n

Deux Femmes Pianistes<\/em>
Angela Miller-Niles, piano (Wayne State College)
Shelly Armstrong, piano (Wayne State College)<\/p>\n\n\n\n

Three Short Pieces ……………………………………………….\u2026\u2026..\u2026. Heather Niemi Savage (Appalachian State University) <\/p>\n\n\n\n

Moderato <\/p>\n\n\n\n

Adagio <\/p>\n\n\n\n

Allegro<\/p>\n\n\n\n

Music for Two ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………….. Judith Lang Zaimont <\/p>\n\n\n\n

I. Fanfare <\/p>\n\n\n\n

II. Slow with a definite pulse <\/p>\n\n\n\n

III. Very, slow, still <\/p>\n\n\n\n

IV. Gavotte <\/p>\n\n\n\n

V. As fast as possible<\/p>\n\n\n\n

Cynthia Cripps, saxophone (UTRGV)
Bill O’Neil, clarinet (UTRGV)<\/p>\n\n\n\n

Ruminations ……………………………………………….\u2026\u2026\u2026\u2026………………………………………………………………………………. Alyssa Morris <\/p>\n\n\n\n

I. Woulda, Coulda, Shoulda <\/p>\n\n\n\n

II. Emotions: Masked and Unmasked <\/p>\n\n\n\n

III. Enough’s Enough <\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)<\/p>\n\n\n\n

Sonate, Op. 1 ……………………………………………….\u2026\u2026\u2026\u2026…………………….. Marie Ki\u00e9n\u00e9 Bigot de Morogues (1786-1820) <\/p>\n\n\n\n

I. Adagio <\/p>\n\n\n\n

II. Allegro espressivo <\/p>\n\n\n\n

III. Andantino <\/p>\n\n\n\n

IV. Rondo: Allegro<\/p>\n\n\n\n

Aimee Fincher, piano (Northern Arizona University)<\/p>\n\n\n\n

At the end of the world we learn to dance ……………………..\u2026……………………………………………………………….. Diana Blom<\/p>\n\n\n\n

Kevin Hanrahan, tenor (University of Nebraska-Lincoln)
William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n

Poem for Oboe and Piano ……………………..\u2026…………………………………………………… Marina Dranishnikova (1929-1994)<\/p>\n\n\n\n

Michael Adduci, oboe (Tennessee Tech University)
Jonathan Levin, piano<\/p>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 10<\/h3>\n\n\n\n

Scene from Opera The Chair<\/em> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………………..\u2026\u2026 Olga Harris (Tennessee State University)<\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
Tammy Hensrud, mezzo soprano (Hofstra University)
Matthew Hoch, baritone (Auburn University) Jonathan Levin, piano<\/p>\n\n\n\n

Dance Suite for solo bassoon ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026………….\u2026.. Jacqueline Wilson (Yakama) <\/p>\n\n\n\n

I. Prelude: Grand Entry <\/p>\n\n\n\n

II. Grass <\/p>\n\n\n\n

III. Traditional Bustle <\/p>\n\n\n\n

IV. Fancy Shawl <\/p>\n\n\n\n

V. Traditional Shawl <\/p>\n\n\n\n

VI. Fancy Feather <\/p>\n\n\n\n

Shannon Lowe, bassoon (University of Florida)<\/p>\n\n\n\n

Carnival in Languedoc ……………………………………………….\u2026\u2026\u2026\u2026\u2026…………………………\u2026.. Philippa Schuyler (1931-1967)<\/p>\n\n\n\n

Sarah Masterson, piano (Newberry College)<\/p>\n\n\n\n

Nuova Tarantella ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………………. Maria Malibran <\/p>\n\n\n\n

Cana Espagnola ……………………………………………….\u2026\u2026…………………\u2026\u2026…………………………………………………… Pauline Viardot<\/p>\n\n\n\n

Les Filles de Cadix<\/p>\n\n\n\n

Madrid<\/p>\n\n\n\n

Julia Jaffe, mezzo-soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Sciabordio ……………………………………………….\u2026\u2026\u2026\u2026…………………………………………………………………………………. Rosita Piritore

Carol Shansky, flute
Serena Scibelli, violin (Mississippi State University)
Amy Catron, cello (Mississippi State University) Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Sonate pour Clarinette solo ……………………………………………….\u2026\u2026\u2026\u2026.\u2026\u2026\u2026…………………………………….\u2026.. Ida Gotkovsky <\/p>\n\n\n\n

I. Lyrique <\/p>\n\n\n\n

II. Scherzo capriccios <\/p>\n\n\n\n

III. Dolcissimo <\/p>\n\n\n\n

IV. Final<\/p>\n\n\n\n

Zachery Pavlicek, clarinet (University of Oklahoma)<\/p>\n\n\n\n

Eastern Hymn \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………….\u2026\u2026\u2026\u2026\u2026……………………………………\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………. Adrienne Albert<\/p>\n\n\n\n

UTRGV Saxophone Quartet<\/em>
Abraham Saldana, soprano saxophone
Anthony Monrreal, alto saxophone Jonathan Guzman, tenor saxophone Roman Valenciano, baritone saxophone<\/p>\n\n\n\n

<\/div>\n\n\n\n

SATURDAY, MARCH 9TH<\/h2>\n\n\n\n

9:00\u20139:25 AM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Lecture Recital: Duet for Flute and Video Game<\/em><\/strong>
Rebecca Larkin, flute (UC Irvine)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: A Captivating String Chamber Narrative<\/em><\/strong>: Mazzoli’s “Lies You Can Believe In”<\/em><\/strong>
Serena Scibelli, violin (Mississippi State University)
Daniel Stevens, viola (Mississippi State University)
Amy Catron, cello (Mississippi State University)<\/p>\n\n\n\n

Room 408      <\/strong><\/p>\n\n\n\n

Demonstration: Class Piano: Equity in Piano Pedagogy<\/em><\/strong>
Julia Mortyakova (Mississippi University for Women)<\/p>\n\n\n\n

9:30\u20139:55 AM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Paper: Classical Piano Works by Indigenous Women Composers<\/em><\/strong>
Angela Miller-Niles (Wayne State College)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Representation in Saxophone Repertoire<\/em><\/strong>
Gary Paulo, saxophone (Berry College)
Kris Carlisle, piano (Berry College)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Unveiling the Voices of Latin American Women Composers<\/em><\/strong> Rodrigo Zafani Quintana, violin (Great Lakes Center for the Arts)
Gonzalo Aguilar, piano (The New School for Music Study)<\/p>\n\n\n\n

10:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 11<\/h3>\n\n\n\n

Legends of Emerald Hall ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………. Patricia Islas<\/p>\n\n\n\n

Jason Baker, marimba<\/p>\n\n\n\n

New England Sketches ……………………………………………….\u2026\u2026……………………………………………………………..\u2026. Irina Kirilenko <\/p>\n\n\n\n

Autumn in New Hampshire <\/p>\n\n\n\n

Kites Over Cape Cod <\/p>\n\n\n\n

Masts in Portsmouth Harbor<\/p>\n\n\n\n

Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Uncertainty ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………… Krista V\u00e1zquez-Connelly <\/p>\n\n\n\n

Gryphon ……………………………………………….\u2026\u2026…………………\u2026\u2026………………………………………………………………… Theresa Martin<\/p>\n\n\n\n

Michelle Jaluvka, clarinet (Oklahoma Baptist University)<\/p>\n\n\n\n

Suite in Jazz Style ……………………………………………….\u2026\u2026\u2026\u2026.\u2026\u2026\u2026……………………………………………..\u2026.. Dobrinka Tabakova <\/p>\n\n\n\n

I. Confident <\/p>\n\n\n\n

II. Nocturnal <\/p>\n\n\n\n

III. Rhythmic <\/p>\n\n\n\n

Jacquelyn Schwandt, viola (Northern Arizona University)
Aimee Fincher, piano (Northern Arizona University)<\/p>\n\n\n\n

a voice silenced…a voice sings …………………………….\u2026.. Cherise Leiter (Metropolitan State University of Denver)<\/p>\n\n\n\n

Elizabeth Robinson, flute (South Dakota State University)<\/p>\n\n\n\n

Shady Grove ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026………….\u2026…………………………………………………. Gwyneth Walker <\/p>\n\n\n\n

I. Shady Grove <\/p>\n\n\n\n

II. Come All Ye Fair and Tender Ladies <\/p>\n\n\n\n

III. Three Ravens <\/p>\n\n\n\n

Interlude <\/p>\n\n\n\n

V. House Carpenter <\/p>\n\n\n\n

Creighton Holder, piano<\/p>\n\n\n\n

Re:pair for Oboe and English horn \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Alex Shapiro <\/p>\n\n\n\n

Sh\u00f4ji for Oboe and English horn \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Hilary Tann<\/p>\n\n\n\n

Alexandra Gordon, oboe (University of Southern Mississippi)
Rebecca Chadwick, clarinet (University of Southern Mississippi)<\/p>\n\n\n\n

12:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 12<\/h3>\n\n\n\n

Selected Songs and Duets ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026………….\u2026………………………………… Lori Laitman <\/p>\n\n\n\n

I Am In Need of Music (Duet) <\/p>\n\n\n\n

from Four Dickinson Songs<\/strong> <\/p>\n\n\n\n

Will There Really Be A Morning?  <\/p>\n\n\n\n

I’m Nobody <\/p>\n\n\n\n

If I…<\/p>\n\n\n\n

Dreaming (Duet)<\/p>\n\n\n\n

Feminine Musique<\/em>
Korliss Uecker, soprano (Westchester Conservatory Preparatory Division)
Tammy Hensrud, mezzo soprano (Hofstra University) Jonathan Levin, piano<\/p>\n\n\n\n

8 Variations for Piano, based on the theme ‘Oh mother and sister’ …………………………………………….. Young Ja Lee<\/p>\n\n\n\n

Hyeji Seo, piano (Colorado State University)<\/p>\n\n\n\n

To Gather Lilies ………………………………………………………………………………………………………….. Traci Mendel (Troy University)<\/p>\n\n\n\n

Sarah Wee, soprano (Troy University)
Ben Crook, piano (Troy University)<\/p>\n\n\n\n

The Cat and the Bird …………………………………………………………………………………………………………………… Eurydice Osterman<\/p>\n\n\n\n

Carol Shansky, flute
Jonathan Levin, piano<\/p>\n\n\n\n

Para vivir ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026………….\u2026…………………………………………………………. Patricia Caicedo <\/p>\n\n\n\n

Tras tus huellas <\/p>\n\n\n\n

Vos nunca te fuiste de mi coraz\u00f3n<\/p>\n\n\n\n

Emily Howes Heilman, mezzo-soprano (Sam Houston State University)
Valerie Trujillo, piano (Florida State University)<\/p>\n\n\n\n

Trio for Trombone, Violin and Piano ……………………………….\u2026……………… Olga Harris  (Tennessee State University) <\/p>\n\n\n\n

I. Waltz: Andante <\/p>\n\n\n\n

II. Adagio <\/p>\n\n\n\n

III. Allegro <\/p>\n\n\n\n

Anne-Ga\u00eblle Ravetto, violin (Delta State University)
Douglas Mark, trombone (Delta State University) Jung-Won Shin, piano (Delta State University)<\/p>\n\n\n\n

The Weft and Weave Between Us ……………………………………………….\u2026\u2026\u2026\u2026\u2026. Cara Haxo (The College of Wooster) <\/p>\n\n\n\n

I. The best thing we can do is talk about it <\/p>\n\n\n\n

II. Just one blade of grass <\/p>\n\n\n\n

III. Love is an action verb<\/p>\n\n\n\n

Ripple<\/p>\n\n\n\n

Synergy 78<\/em>
Carol Shansky, flute
Michelle Kiec, clarinet (Oklahoma City University)<\/p>\n\n\n\n

Break<\/h3>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 13<\/h3>\n\n\n\n

Aria ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………………………………………………….. Amanda Harberg <\/p>\n\n\n\n

Making Angels ……………………………………………….\u2026\u2026…………………\u2026\u2026………………………………………………………….. Katy Abbott<\/p>\n\n\n\n

Colleen White, flute (Kansas State University)
Amy Guffey, clarinet (Kansas State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Sketches<\/em> Suite for Cello and Piano ……………………………….\u2026…………………. Olga Harris  (Tennessee State University) <\/p>\n\n\n\n

Deidre Emerson, cello
Jonathan Levin, piano<\/p>\n\n\n\n

Sixth Fanfare for the Uncommon Woman …………………………………………………………………………………………….. Joan Tower<\/p>\n\n\n\n

Silvan Negrutiu, piano (Northern Arizona University)<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Paper:<\/strong> But That’s How It’s Always Been Done! A Cautionary Tale<\/em><\/strong>
Taryn Carvajal Harding (University of Utah)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> \u201cTranscarpathian Novelettes\u201d by Bohdana Filts: Bringing Ukrainian Music into the Spotlight<\/em><\/strong>
Alona Khoptynets, piano (University of Houston)<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Paper: Evolving the Traditional Choral Field: a public musicology perspective on the commissioning of three major works by women composers<\/em><\/strong>
Jennifer Kelly (Lafayette College)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Flowers and Family – “Lily of the Valley” from Flower Catalog: 12 Preludes for Solo Piano by Stephanie Ann Boyd<\/em><\/strong>
Adrienne Park, piano (University of Mississippi)<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 14<\/h3>\n\n\n\n

Sonata for Flute, Clarinet, and Piano (1944) ………………………………………….\u2026\u2026……………… Violet Archer (1913-2000) <\/p>\n\n\n\n

I. Allegro commodo <\/p>\n\n\n\n

II. Largo tranquillo <\/p>\n\n\n\n

III. Larghetto <\/p>\n\n\n\n

IV. Allegretto grazioso <\/p>\n\n\n\n

Alicia Kosack, flute (York College of Pennsylvania)
Laura Armstrong, clarinet (Mount St. Mary\u2019s University)
Jonathan Levin, piano<\/p>\n\n\n\n

I Cry Out & Salt (Diptych) ………………………………………….\u2026\u2026…………. Evgeniya Kozhevnikova (University of Florida)<\/p>\n\n\n\n

Emily Heilman, mezzo-soprano (Sam Houston State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Troubled Water ……………………………………………….\u2026\u2026\u2026\u2026……………………………………………… Margaret Bonds (1913-1972) <\/p>\n\n\n\n

Fantasie n\u00e8gre ……………………………………………….\u2026\u2026…………………\u2026\u2026………………………………… Florence Price (1887-1953)<\/p>\n\n\n\n

Holly Roadfeldt, piano (Lafayette College)<\/p>\n\n\n\n

Art Song Collaborations \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. Jerry Casey <\/p>\n\n\n\n

A Fancy (poetry of Frances Leah Reed) <\/p>\n\n\n\n

De Profundis (poetry of Christina Georgina Rossetti) <\/p>\n\n\n\n

The Key-Note (poetry of Christina Georgina Rossetti) <\/p>\n\n\n\n

Sarah Wee, soprano (Troy University)
Jonathan Levin, piano<\/p>\n\n\n\n

Ma\u010dji Pir ……………………………………………….\u2026\u2026\u2026\u2026\u2026\u2026\u2026………….\u2026\u2026………….\u2026\u2026………….\u2026\u2026….\u2026.. Ivana Lang (1912-1982) <\/p>\n\n\n\n

Nokturno<\/p>\n\n\n\n

Amy Yeung, soprano (The University of Tennessee at Martin)
Chan Mi Jean, piano (The University of Tennessee at Martin)<\/p>\n\n\n\n

Break<\/em><\/h3>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 15<\/h3>\n\n\n\n

Acadian Dreams (2016) \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026…………………………… Adrienne Albert <\/p>\n\n\n\n

Prayer (2011) \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…. Amanda Harberg <\/p>\n\n\n\n

Legends (2013) \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026….. Valerie Coleman <\/p>\n\n\n\n

I. Lin-Fa (The Lotus Lily) <\/p>\n\n\n\n

II. Dagda\u2019s Harp <\/p>\n\n\n\n

III. Gaia <\/p>\n\n\n\n

IV. El Encierro (The Running of the Bulls)<\/p>\n\n\n\n

Alicia Kosack, flute (York College of Pennsylvania)
Jonathan Levin, piano<\/p>\n\n\n\n

Raga \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026………………………………………………. Jennifer Jolley (b. 1983) <\/p>\n\n\n\n

Jhula-Jhule\u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026…. Reena Esmail (b. 1983)<\/p>\n\n\n\n

Timothy Bonenfant, clarinet (Angelo State University)
Martha Saywell, piano (Texas A&M University San Antonio)<\/p>\n\n\n\n

The Wildflower Trio for oboe, bassoon, and piano \u2026\u2026\u2026\u2026\u2026…\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026..\u2026\u2026.\u2026\u2026….. Jenni Brandon <\/p>\n\n\n\n

1. Wildflowers <\/p>\n\n\n\n

2. Wild Rose and Butterfly <\/p>\n\n\n\n

3. The Hummingbird <\/p>\n\n\n\n

4. Indian Paintbrush <\/p>\n\n\n\n

5. Summer Garden<\/p>\n\n\n\n

Dione Chandler, oboe (University of Florida)
Shannon Lowe, bassoon (University of Florida)
Joshua Pifer, piano (Valdosta State University)
<\/p>\n\n\n\n

\n
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Schedule – March 7-9, 2024 Watch Concerts Live Jump to: Thursday Morning Thursday Afternoon Thursday Evening Friday Morning Friday Afternoon Friday Evening Saturday Morning Saturday Afternoon Saturday Evening Participant Biographies […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-214","post","type-post","status-publish","format-standard","hentry","category-previous"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=214"}],"version-history":[{"count":88,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/214\/revisions"}],"predecessor-version":[{"id":641,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/214\/revisions\/641"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=214"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=214"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}