{"id":131,"date":"2023-02-17T10:38:51","date_gmt":"2023-02-17T16:38:51","guid":{"rendered":"https:\/\/www.muw.edu\/musicbywomen\/?p=131"},"modified":"2023-12-12T15:48:29","modified_gmt":"2023-12-12T21:48:29","slug":"2023-schedule","status":"publish","type":"post","link":"https:\/\/www.muw.edu\/musicbywomen\/previous\/2023-schedule\/","title":{"rendered":"2023 Schedule"},"content":{"rendered":"
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\"Music<\/figure>\n<\/div>\n\n\n

Schedule – March 2-4, 2023<\/h2>\n\n\n\n

Watch Concerts Live <\/i><\/a><\/p>\n\n\n\n

Jump to:<\/strong><\/p>\n\n\n\n

Thursday Morning <\/a> Thursday Afternoon <\/a> Thursday Evening<\/a><\/p>\n\n\n\n

Friday Morning <\/a> Friday Afternoon <\/a> Friday Evening<\/a><\/p>\n\n\n\n

Saturday Morning <\/a> Saturday Afternoon<\/a> Saturday Evening<\/a><\/p>\n\n\n\n

Participant Biographies<\/a><\/p>\n\n\n\n

<\/div>\n\n\n\n

THURSDAY, MARCH 2ND<\/h2>\n\n\n\n

9:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 1<\/h3>\n\n\n\n

Piano Trio in G minor, Op. 17\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026Clara Schumann (1819-1896)<\/p>\n\n\n\n

I.  Allegro moderato
IV. Allegretto<\/p>\n\n\n\n

Yunjung Lee, violin (Indiana State University)
Dong Yeol Hong, cello (Cincinnati College-Conservatory of Music)
Jung-Won Shin, piano (Delta State University)<\/p>\n\n\n\n

ARI 2019…………………………………………………………………………………………………….SinYoung Park<\/p>\n\n\n\n

Dedicated to Pianist Chan Mi Jean<\/em><\/p>\n\n\n\n

Chan Mi Jean, piano (University of Tennessee at Martin)<\/p>\n\n\n\n

Anam Cara……………………………………………………………………………………………………… Kari Medina<\/p>\n\n\n\n

Rose Johnson, flute
Nicole Marriott-Fulmer, oboe
Lori Wakely Shepherd, clarinet
Cassandra Bendickson, bassoon
Kari Medina, piano<\/p>\n\n\n\n

L’Age M\u00fbr\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Jessica Rudman (University of Utah)<\/p>\n\n\n\n

Carol Shansky, flute (New Jersey City University)<\/p>\n\n\n\n

Mathematics – Sonata for Bassoon and Piano……………………………………… Alyssa Morris (b. 1984)<\/p>\n\n\n\n

I. Geometry
II. Trigonometry
III. Integral Calculus<\/p>\n\n\n\n

Rosalie Avery, bassoon (Wisconsin Conservatory of Music)
Grace Betry, piano<\/p>\n\n\n\n

Siciliano and Cortano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026… Mary Chandler (1911-1996)
Bagatelle (1950)<\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)
Jonathan Levin, piano<\/p>\n\n\n\n

11:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 2<\/h3>\n\n\n\n

elasticspastic\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026.\u2026\u2026…Victoria Malawey (Macalester College)<\/p>\n\n\n\n

Michelle Kiec, bass clarinet (Oklahoma City University)<\/p>\n\n\n\n

From “Das Jahr” (“The Year”)<\/em> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Fanny Mendelssohn (1805-1847)<\/p>\n\n\n\n

VII. July: Serenade
VIII. August
XI. November<\/p>\n\n\n\n

Tiantian Liang, piano (Tennessee State University)<\/p>\n\n\n\n

The Edge of Great Quiet: Songs from Alaska……………………………………………Sally Reid (b. 1948)<\/p>\n\n\n\n

I.    On a Day of White Trees
II.   Two Stones
III.  April
IV.  Lonely
V.   Midnight Sun<\/p>\n\n\n\n

Kirsten Gunlogson, mezzo soprano (Butler University)
Elizabeth Gunlogson, clarinet (University of New Hampshire)<\/p>\n\n\n\n

Dissolve, O My Heart (for violin) (2010)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026Missy Mazzoli (b. 1980)<\/p>\n\n\n\n

Martha Muehleisen, violin (University of Colorado, Colorado Springs)<\/p>\n\n\n\n

Fowl Play (2020)……………………………………………………………………………………… Kimberly Osberg<\/p>\n\n\n\n

I. Disckopeckque (Polish Chickens)
II. Chasing Tail (Golden Duckwing Phoenix Chickens)
III. Featherbrained (Silkie Chickens)
IV. Cock Flight (Sumatra Chickens)<\/p>\n\n\n\n

Elizabeth Robinson, flute\/piccolo (South Dakota State University)
Nicole Riner, flute\/piccolo (University of Wyoming)
Laura Pillman-Patterson, flute\/alto flute
Mary Matthews, flute\/bass flute (Tennessee Tech University)<\/p>\n\n\n\n

Sentiment…………………………………………………………Juliana Hall (b. 1958), text by Caitlin Vincent<\/p>\n\n\n\n

I. Prologue
II. Joy
III. Sorrow
IV. Anger
V. Remorse
VI. Epilogue<\/p>\n\n\n\n

Jennifer Piazza-Pick, soprano (Queens University of Charlotte)<\/p>\n\n\n\n

Break<\/h3>\n\n\n\n

1:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 3<\/h3>\n\n\n\n

Spider Walk for solo percussion\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………………….. Marta Ptaszynska<\/p>\n\n\n\n

Ryan M. Smith, percussion (Valdosta State University)<\/p>\n\n\n\n

Hidden Gems for flute and piano<\/em><\/p>\n\n\n\n

Sonata No. 1 \u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026.\u2026\u2026 Eugenie Rocherolle<\/p>\n\n\n\n

I. Allegro moderato
II. Andante
III. Allegro moderato<\/p>\n\n\n\n

Bali Moods No. 1 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Anne Boyd<\/p>\n\n\n\n

Stephen Clark, flute
Joseph Fleetwood, piano<\/p>\n\n\n\n

Voodoo Festival          Philippa Schuyler (1931-1967)<\/p>\n\n\n\n

King of France \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026. \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026arr. Schuyler
New Moon \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……. \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026arr. Schuyler
Patagonian Triste \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………… \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Philippa Schuyler
African Suite\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………. \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026 Philippa Schuyler<\/p>\n\n\n\n

I. Sanga
II. Tweyanze
III. Fumitta Embogo<\/p>\n\n\n\n

Sarah Masterson, piano (Newberry College)<\/p>\n\n\n\n

Surprising a Surprise for clarinet duet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……\u2026\u2026\u2026\u2026\u2026\u2026Biljana Bojovi\u0107<\/p>\n\n\n\n

Michelle Kiec, clarinet (Oklahoma City University)
Soo Goh, clarinet (Appalachian State University)<\/p>\n\n\n\n

“Giver of Stars,” Six Poems of Amy Lowell\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………………… Edie Hill<\/p>\n\n\n\n

Shari Eve Feldman, soprano (University of Maryland)
Mackenzie Lyn Marr, piano<\/p>\n\n\n\n

Imogen, Op. 14 for Flute and Piano (2015)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Stephanie Boyd (b. 1990)<\/p>\n\n\n\n

I. Artemis
II. Ilili
III. Imogen<\/p>\n\n\n\n

Daniel Shineberg, flute (Center of Behavioral Medicine)
Kowoon Lee, piano (Cottey College \/ Washburn University)
Duo Confluence<\/p>\n\n\n\n

From Edna, with Love \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026..Lauren Spavelko<\/p>\n\n\n\n

I. Thursday
II. Recuerdo
III. Grown-Up
IV. What Lips My Lips Have Kissed
V. The Dream<\/p>\n\n\n\n

Emily Howes Heilman, mezzo soprano (Sam Houston State University)
Allan Armstrong, piano (Indiana University)<\/p>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 4<\/h3>\n\n\n\n

Trio for Brass…………………………………………………………………………………………………….Gina Gillie<\/p>\n\n\n\n

I. Fanfare and Chorale
II. Lament
III. Tango<\/p>\n\n\n\n

Carly Johnson, trumpet (Alabama State University)
Brenda Luchsinger, horn (Alabama State University)
Jonathan Houghtling, trombone (Alabama State University)<\/p>\n\n\n\n

Just Me………………………………………………………………………………..Hannah Adhikari (Mississippi University for Women)<\/p>\n\n\n\n

Cynthia Cripps, alto saxophone (University of Texas Rio Grande Valley)
Martha Saywell, piano (Texas A&M University-San Antonio)<\/p>\n\n\n\n

Snazzy Sonata for piano duet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Judith Lang Zaimont (1857-1944)<\/p>\n\n\n\n

I. Two-Step
III. Bebop Scherzo
IV. Grand Waltz Brillante<\/p>\n\n\n\n

Yu-Hsuan Liao, piano (Shepherd University)
Erica Rumbley, piano (Shepherd University)<\/p>\n\n\n\n

Viola Sonata (2001)…………………………………………………………………………..Libby Larsen (b. 1950)<\/p>\n\n\n\n

I. Flow
II. Drift
III. Breathless<\/p>\n\n\n\n

Jacquelyn Schwandt, viola
Aimee Fincher, piano (Northern Arizona University)<\/p>\n\n\n\n

\u00c9vocation \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Pauline Viardot (1821-1910)
Ha\u00ef luli!
Lamento: La chanson du p\u00eacheur<\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
ILonka Rus, piano (Sam Houston State University)<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 206      <\/strong><\/p>\n\n\n\n

Paper: Fanny Hensel’s Lieder: A Linear Approach<\/em><\/strong>
Jillian Vogel (Louisiana State University)<\/p>\n\n\n\n

Room 211      <\/strong><\/p>\n\n\n\n

Paper: Outside Influence, Individuality, and Stylistic Evolution in Collaborations of Fanny Hensel and Felix Mendelssohn<\/em><\/strong>
Monica Song (Duke University)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Jazz Standards with Women Composers<\/em><\/strong>
Angelique Alexander, mezzo soprano
Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Augusta Holm\u00e8s: exploring a dynamic, groundbreaking, and prolific forgotten artist<\/em><\/strong>
Deborah Popham, soprano (Sam Houston State University)
Nicole Asel, mezzo-soprano (Colorado State University)
Allan Armstrong, piano (Indiana University Jacobs School of Music)<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 206      <\/strong><\/p>\n\n\n\n

Lecture Recital: Lili Boulanger’s Th\u00e8me et variations: performative insights from the manuscript<\/em><\/strong>
Corinne Penner, piano (McLennan College)<\/p>\n\n\n\n

Room 211      <\/strong><\/p>\n\n\n\n

Paper: Complexities of Gender and Modernism in Johanna Beyer’s Percussion Ensemble Repertoire<\/em><\/strong>
Haley Nutt (Western Washington University)<\/p>\n\n\n\n

Room 307      <\/strong><\/p>\n\n\n\n

Lecture Recital: Amy Beach\u2019s Maria Stuart: Scena and Aria for Alto and Orchestra, Op. 18 (Eilende Wolken, Segler der L\u00fcfte or Wand\u2019ring Clouds, Sail through the Air) (text by Friedrich Schiller) <\/em><\/strong>
Tammy Hensrud, mezzo soprano (Hofstra University)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: A new canon for opera scenes productions<\/em><\/strong>
Gene Roberts, piano
Michelle Diggs Thompson, soprano
<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 5<\/h3>\n\n\n\n

A Wealden Suite for Clarinet Quartet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026Ruth Gipps<\/p>\n\n\n\n

I. Andante espressivo
II. Allegretto scherzando
III. Andante – Allegro impertinence<\/p>\n\n\n\n

BATIK Clarinet Quartet<\/em>
Michelle Kiec, Eb clarinet (Oklahoma City University)
Soo Goh, A clarinet (Appalachian State University)
Michael Walsh, Bb clarinet (South Dakota State University)
Christy Banks, bass clarinet (Millersville University of Pennsylvania)<\/p>\n\n\n\n

Waltz for Bonnie\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/p>\n\n\n\n

Bonnie Oppenheimer, oboe (Mississippi University for Women)
Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Plastic Hugs. Emptiness\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Mar\u00eda del Pilar Miralles Castillo<\/p>\n\n\n\n

1.         Hugging You Tightly
2.         It feels like plastic
3.         It’s Ok, just hug
4.         Recycling All the Plastic. Forgetting You.
5.         Alone
6.         Something Is Missing
7.         Sh…<\/p>\n\n\n\n

Cassandra Roach\u00e9, bassoon
Bryan Wysocki, percussion (University of Georgia)
electronics<\/p>\n\n\n\n

Upward\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026Lindsey Wiehl (Valley City State University)<\/p>\n\n\n\n

Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Eloquence V……………………………………………………………………………………..Lori Ardovino (The University of Montevallo)<\/p>\n\n\n\n

Brittney Patterson, flute (The University of Montevallo)<\/p>\n\n\n\n

Lament for Cello and Piano (2000)\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Ellen Taaffe Zwilich
Adagio para Amantani (2007)\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Gabriela Lena Frank<\/p>\n\n\n\n

An-Lin Bardin, cello
Naomi Niskala, piano (Susquehanna University)
(Bardin-Niskala Duo)
Famous Stranger: Works of Maria Grever arranged for Voice and Guitar<\/em><\/p>\n\n\n\n

J\u00farame (1926)………………………………………………………………………………….\u2026\u2026arr. Duo Atesorado
Te quiero, dijiste (1930)
Cuando vuelva a tu lado (1934)
Un beso (1931)
Despedida (1946)<\/p>\n\n\n\n

Amy Canchola, soprano
Noe Garcia, guitar<\/p>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 6<\/h3>\n\n\n\n

Two Figures, Two Stories: Music of Shulamit Ran and Leslie Uyeda<\/em><\/p>\n\n\n\n

\u2026like near misses\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Leslie Uyeda
The Flight of the Brave Chicken \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026Shulamit Ran<\/p>\n\n\n\n

Carol Shansky, piccolo\/flute (New Jersey City University)
Michelle Kiec, clarinet\/bass clarinet (Oklahoma City University)<\/p>\n\n\n\n

Nocturne \u201cAbandon\u201d \u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.. M\u00e9lanie Chasselon (1845-1923)
Elegie \u201cPlainte!\u201d (Complaints).\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026..Teresa Carre\u00f1o (1853-1917)<\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

Sonatina for Cor Anglais and Piano (1968)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Mary Chandler (1911-1996)<\/p>\n\n\n\n

I. Allegro giocoso
II. Minuet: Allegretto
III. Alla siciliana
IV. Rondo: Allegro spiritoso<\/p>\n\n\n\n

Kristin Leitterman, English horn (Arkansas State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Bloom Balloon \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Ayanna Woods
Ocean Vibes\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Taylor Ambrosio Wood<\/p>\n\n\n\n

Danielle Moreau, vibraphone<\/p>\n\n\n\n

\u201cSprich\u201d from Lieder fernen Gedenkens, op. posth. \u2026\u2026\u2026\u2026\u2026…\u2026…Evelyn Faltis (1887-1937)
Mondbegl\u00e4nzt im stillen Walde, op. 4 no. 4 \u2026\u2026\u2026\u2026\u2026…Johanna M\u00fcller-Hermann (1868-1941)
Licht in der Nacht from Vier Lieder<\/em> \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026…Alma Mahler-Werfel (1879-1964)
from F\u00fcnf Ges\u00e4nge<\/em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026Charlotte Schlesinger (1909-1976)<\/p>\n\n\n\n

II. Es ziehn die Reihe lang
III. Wie hell das Licht mir scheinet<\/p>\n\n\n\n

In That Blissful Eden from Blissful Eden<\/em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……Elizabeth Gyring (1886-1970)<\/p>\n\n\n\n

Listen!\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026… Vally Weigl (1894-1982)<\/p>\n\n\n\n

Kerry Ginger, mezzo soprano (Sewanee: The University of the South)
Jonathan Levin, piano<\/p>\n\n\n\n

Elegy\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………….Emily Sullivan (UC Davis)<\/p>\n\n\n\n

Bonnie Oppenheimer, oboe (Mississippi University for Women)
Denise Rowan, bassoon (Mississippi State University)<\/p>\n\n\n\n

Segovia (1962)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Ida Presti (1924-1967)
Danse Rhythmique (1959)<\/p>\n\n\n\n

JT Gleason, Guitar<\/p>\n\n\n\n

Two Lithuanian Short Pieces for Solo Violin<\/em><\/p>\n\n\n\n

Canzona\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………..Zita Bru\u017eait\u0117
The Wave Follows the Bird\u2019s Flight\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026Loreta Narvilait\u0117<\/p>\n\n\n\n

Stephen Nordstrom, violin (University of Texas at El Paso)<\/p>\n\n\n\n

Being\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…………………..Victoria Malawey (Macalester College)<\/p>\n\n\n\n

1. (Be)longing
2. Beside
3. beLIeVING
4. Between
5. Beyond<\/p>\n\n\n\n

Suren Petrosyan, cello (University of North Alabama)
Karen Cantrell, piano (University of North Alabama)<\/p>\n\n\n\n

A Better Resurrection\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026\u2026\u2026\u2026\u2026\u2026Jane K (Evgeniya Kozhevnikova) (b. 1987)
Come, My Beloved
You Are Beautiful
Beloved, Let Us Love<\/p>\n\n\n\n

Benjamin Schoening, baritone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

<\/div>\n\n\n\n

FRIDAY, MARCH 3RD<\/h2>\n\n\n\n

8:30\u20138:55 AM<\/strong><\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: A Heart in the Highlands: Exploring Helen Hopekirk’s Celtic Piano Works<\/em><\/strong>
Hannah Roberts, piano (University of Alabama)<\/p>\n\n\n\n

Room 408      <\/strong><\/p>\n\n\n\n

Lecture Recital: Commissioning Music for Social Change: Three Adaptations (2021)<\/em><\/strong> by Yiheng Yvonne Wu<\/em><\/strong>
An-Lin Bardin, cello
Naomi Niskala, piano (Susquehanna University)
(<\/em>Bardin-Niskala Duo)<\/em><\/p>\n\n\n\n

9:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 7<\/h3>\n\n\n\n

Hymns of Late Summer\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Alexandra Molnar-Suhajda (Alry Publishing)<\/p>\n\n\n\n

1. Eclogue                                                                                
2. Ballata
3. Abubade
4. Pastorale\u2019<\/p>\n\n\n\n

Lament\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Adrienne Albert (ASCAP)<\/p>\n\n\n\n

Rose Johnson, flute\/alto flute – Haynes Artist
Lori Shepherd, clarinet – Backun Artist
Cassandra Bendickson, bassoon
Peregrine Rose Trio<\/p>\n\n\n\n

And Love Called Love\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026 Irina Kirilenko
Chopiniola<\/p>\n\n\n\n

Sarah Masterson, piano (Newberry College (Newberry, SC))<\/p>\n\n\n\n

Fantasy on Two Klee Studies (1989)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026..Augusta Read Thomas
Spring Song (1995)<\/p>\n\n\n\n

Paul Christopher, cello (Northwestern State University of Louisiana)<\/p>\n\n\n\n

Atraente (Polka for piano)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Chiquinha Gonzaga
Bi\u00f3nne – Adeus (Tango)
Tim – Tim (Tango)
Ga\u00facho \u2013 O Corta \u2013 Jaca de C\u00e1 e L\u00e1 (Tango Brasileiro)<\/p>\n\n\n\n

Sheri Falcone, clarinet (Mississippi State University)
Denise Rowan, bassoon (Mississippi State University)
Rosangela Sebba, piano (Mississippi State University)<\/p>\n\n\n\n

Trailblazing Women at the Piano: 20th Century Americans<\/em><\/p>\n\n\n\n

Obsolete Objects\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026..Meredith Monk (b. 1942)<\/p>\n\n\n\n

More Semi-Simple Variations, Intermezzo, and Fugue on a Theme by Milton Babbitt…Juri Seo (b. 1981)<\/p>\n\n\n\n

Summer Dreams, Op. 47\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Amy Beach (1867-1944)<\/p>\n\n\n\n

I. The Brownies
II. Robin Redbreast
III. Twilight
V. Elfin tarantella<\/p>\n\n\n\n

O, What a Tango\u2019d Web\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Diane Jones (b. 1962)<\/p>\n\n\n\n

Tina Toglia, piano (Hamilton College)
Ida Tili-Trebicka, piano (Syracuse University)<\/p>\n\n\n\n

Seven Stages\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Lindsey Wiehl
(Valley City State University)<\/p>\n\n\n\n

Kristin Leitterman, English horn (Arkansas State University)<\/p>\n\n\n\n

Pink Moon for two flutes and piano\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Laura Pettigrew<\/p>\n\n\n\n

Laurel Swinden, flute (Wilfrid Laurier University)
Brielle Frost, flute (Lamar University)
Jacob Clark, piano (Lamar University)<\/p>\n\n\n\n

11:00 AM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 8<\/h3>\n\n\n\n

Pantheon for violin, trombone and piano\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Elizabeth Raum (b. 1945)<\/p>\n\n\n\n

I. Eos: Goddess of the Dawn
II. Fates (Moirae)
V. Artemis (Diana) Goddess of the Moon and the Hunt<\/p>\n\n\n\n

Douglas Mark, trombone (Delta State University)
Anne-Ga\u00eblle Ravetto, violin (Delta State University)
Jung-Won Shin, piano (Delta State University)<\/p>\n\n\n\n

Tension\/Release\u2026\u2026\u2026\u2026\u2026…\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Jessica Flannigan (b. 1988)<\/p>\n\n\n\n

Jason Baker, timpani<\/p>\n\n\n\n

The Wound is Where the Light Enters for Viola and Piano \u2026\u2026\u2026\u2026\u2026…\u2026..Melika M. Fitzhugh<\/p>\n\n\n\n

Amanda Wilton, viola (University of North Alabama)
Karen Cantrell, piano (University of North Alabama)<\/p>\n\n\n\n

Para Vivir\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026…\u2026…\u2026\u2026Patricia Caicedo
Vos nunca te fuiste de mi Corazon
Eterna Huella<\/p>\n\n\n\n

Angelique Alexander, mezzo soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Piano Trio\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026.Gayane Chebotarian (1918-1988)
Songs for Tasya\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026Polina Nazykinskaya (b. 1987)<\/p>\n\n\n\n

Rachel Reese-Kollmeyer, violin
Eduard Teregulov, cello
Albina Khaliapova, piano<\/p>\n\n\n\n

Break<\/h3>\n\n\n\n

1:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 9<\/h3>\n\n\n\n

Starling (2021)………………………………………………………………………………………Lisa Bost-Sandberg<\/p>\n\n\n\n

Elizabeth Robinson, flute (South Dakota State University)
Mary Matthews, flute (Tennessee Tech University)
Nicole Riner, flute (University of Wyoming)
Laura Pillman-Patterson, flute<\/p>\n\n\n\n

I Will Tango……………………………………………..Jane K (Evgeniya Kozhevnikova) (b. 1987) (University of Florida)<\/p>\n\n\n\n

1. I Will Tango with You                                                                   
2. Closer Than I’ve Ever Been
3. Finding a Smile in Your Eyes
4. Until the Night Will Part Us<\/p>\n\n\n\n

Paul Christopher, cello (Northwestern State University of Louisiana)<\/p>\n\n\n\n

Anna’s Song……………………………………………………………………………………………………..Jerry Casey<\/p>\n\n\n\n

Sarah Wee, soprano (Troy University)
Jonathan Levin, piano<\/p>\n\n\n\n

meteor Luna\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Tiffany Adams<\/p>\n\n\n\n

Danielle Moreau, percussion (College of Central Florida)<\/p>\n\n\n\n

Thirteen Ways of Looking at a Blackbird\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Juliana Hall (b. 1958)<\/p>\n\n\n\n

Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)
Cynthia Cripps, alto saxophone (The University of Texas Rio Grande Valley)<\/p>\n\n\n\n

The Memory of Old Things………………………………………………………………………….Jessica Rudman
(University of Utah)<\/p>\n\n\n\n

Matthew Hoch, baritone (Auburn University)
Jonathan Levin, piano<\/p>\n\n\n\n

Newly Rediscovered Vocal Duets………………………………………………………………….Rebecca Clarke
Sleep
Nacht f\u00fcr Nacht
Hymn to Pan<\/p>\n\n\n\n

Oliver Worthington, baritone (Butler University)
Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

Sunflower Sea Star (2023)………………………………………………………………………Lisa Neher (b.1985)<\/p>\n\n\n\n

I. Intertidal
II. Predator
III. Keystone<\/p>\n\n\n\n

Martin J. Van Klompenberg, bassoon
Jonathan Levin, piano<\/p>\n\n\n\n

Vocal Duets after Chopin Mazurkas and Brahms’ Hungarian Dances
Arrangements by Pauline Viardot (1821-1910)<\/p>\n\n\n\n

I. La Beaut\u00e9 (after Chopin’s Mazurka No. 42 in G Major, Opus 47, No.1)<\/em>
II.  Les Cavaliers (after Brahms’ Hungarian Dances Nos. 5 and 6)<\/em>
III. S\u00e9paration (after Chopin’s Mazurka No. 14 in G Minor, Opus 24, No.1)<\/em>
IV. Les Boh\u00e9miennes (after Brahms’ Hungarian Dance No. 1)<\/em><\/p>\n\n\n\n

Korliss Uecker, soprano (Music Conservatory of Westchester)
Tammy Hensrud, mezzo soprano (Hofstra University)
Jonathan Levin, piano<\/p>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium  <\/strong><\/p>\n\n\n\n

Concert No. 10<\/h3>\n\n\n\n

Tucson Suite\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Barbara Holm<\/p>\n\n\n\n

Rodeo Parade
Sabino Canyon
Festival
Sonoran Sunset<\/p>\n\n\n\n

Whitney O’Neal, flute (University of North Alabama)
Christina Volz-Stomackin, violin (University of North Alabama)
Suren Petrosyan, cello (University of North Alabama)<\/p>\n\n\n\n

Afrofuturism..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026..Shanyse Strickland<\/p>\n\n\n\n

Theresa May, trumpet
Megan Denman, piano<\/p>\n\n\n\n

Mexicana Hermosa: The Music of Mexican-Female Composers for Voice and Guitar<\/em><\/p>\n\n\n\n

Vals del Alma (1983)..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.\u2026.Laura Ch\u00e1vez Blanco
De maiz tierno (2010)..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Anastasia Guzm\u00e1n \u201cSonaranda\u201d
B\u00e9same mucho (1940)..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.\u2026.Consuelo Velazquez
Despedida (1946)..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026Mar\u00eda Grever
Mexicana Hermosa (2017)..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026.Natalia LaFourcade<\/p>\n\n\n\n

Amy Canchola, soprano
Noe Garcia, guitar<\/p>\n\n\n\n

Sonata for piccolo and piano (2018)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Amanda Harberg (b. 1973)<\/p>\n\n\n\n

1. Allegro, Flowing
2. Moderato, Dreamy
3. Vivace, Driving, Playful<\/p>\n\n\n\n

Daniel Shineberg, flute (Center of Behavioral Medicine)
Kowoon Lee, piano (Washburn University \/ Cottey College)
Duo Confluence<\/p>\n\n\n\n

Three songs from Still We Dance<\/em>\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026..Mary Carol Warwick<\/p>\n\n\n\n

Hold my hand            
Come walk with me
Alaskan Summer<\/p>\n\n\n\n

Susan Hurley, soprano (Mississippi University for Women)
William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 206      <\/strong><\/p>\n\n\n\n

Lecture Recital: A 21st century Renaissance of Women\u2019s Words in Song – Lecture Recital of Laura Nevitt\u2019s work<\/em><\/strong>
Laura Nevitt, composer
Shari Eve Feldman, soprano (University of Maryland)
Mackenzie Lyn Marr, piano (Arizona State University)<\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Repertoire by Women Composers for Early and Intermediate Stage Singers: Finding Level Appropriate Repertoire<\/em><\/strong>
Teri Bickham, soprano (The University of North Carolina Greensboro)
Jennifer Piazza-Pick, soprano (Queens University of Charlotte)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Spotlight on Duets by Historical Women Composers<\/em><\/strong>
Oliver Worthington, baritone (Butler University)
Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital: Faces of repetitiveness in piano pieces for four hands by contemporary Polish female composers<\/em><\/strong>
Piotr R\u00f3\u017ca\u0144ski (The Krzysztof Penderecki Academy of Music in Krakow)
Grzegorz Mania (The Feliks Nowowiejski Academy of Music in Bydgoszcz)
Piano 4 hands<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 206      <\/strong><\/p>\n\n\n\n

Paper: The Pedagogical Piano Works of Germaine Tailleferre<\/em><\/strong>
Jenna Klein (Mississippi State University)
Room 211<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> A Garret of Old Playthings: American composer Elizabeth Alexander and Seafarer Press<\/em><\/strong>
Cheryl Coker, soprano
Christina Coker Hrivnak, piano<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Lullabies, Lamentations, and Laundry, Oh My: Singing about <\/em><\/strong>Motherhood and Music<\/em><\/strong>
Dorea Cook, mezzo soprano (Valencia College)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> What a Difference Her Way Makes: Discussing Universality in the<\/em><\/strong> Works of Mar\u00eda Grever<\/em><\/strong>
Lydia Bechtel, soprano (Pittsburg State University)
Isaac Hernandez, piano<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 11<\/h3>\n\n\n\n

Aegean Perspective\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Elizabeth Raum<\/p>\n\n\n\n

I. Pluto and Persephone
II. Arachne and Minerva
III. The Graces
IV. Fates
V. Sisyphus
VI. Ariadne and Theseus
VII. Atlas<\/p>\n\n\n\n

Michael Bartnik, clarinet
Taylor Assad, alto saxophone
Matthew Swihart, trumpet
Jason S. Ladd, tuba (Nicholls State University)
Gustavo Miranda, percussion<\/p>\n\n\n\n

Impressions from the Village Museum op. 15\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Carmen Petra Basacopol<\/p>\n\n\n\n

I. Balauri de pe poarta mare  –  “Dragons of the Great Gate”
II. Bordeiul (The Hut)
III. Turla sageata  (The Spire of the Church)<\/p>\n\n\n\n

Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Hope Rising\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Heather Niemi Savage<\/p>\n\n\n\n

Carol Shansky, flute (New Jersey City University)<\/p>\n\n\n\n

Ayes\u2026Tres canciones\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Maria Rodrigo (1888 \u2013 1967)
Text by Martinez Sierra (1881-1947)

Ivy Walz, mezzo soprano (Ithaca College School of Music, Theatre, and Dance)
Margaret Reitz, piano<\/p>\n\n\n\n

Summer Dreams, Op. 47\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026 Amy Beach<\/p>\n\n\n\n

1. The Brownies
2. Robin Redbreast
3. Twilight
4. Katy-dids
5. Elfin tarantelle
6. Good night<\/p>\n\n\n\n

Jacob Clark, piano (Lamar University)
Sujung Cho, piano (Lamar University)<\/p>\n\n\n\n

The Journey of Healing (2022) (World Premiere)<\/strong>.\u2026.Jane K (Evgeniya Kozhevnikova) (b. 1987)<\/p>\n\n\n\n

Ray (2017)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026….Jenni Watson (b. 1985)<\/p>\n\n\n\n

Bart Walters, saxophone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Love Songs for Ada\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Sabrina Clarke (West Chester University of Pennsylvania)
<\/p>\n\n\n\n

Deborah Popham, soprano (Sam Houston State University)
Sarah Masterson, piano (Newberry College (Newberry, SC))<\/p>\n\n\n\n

Bantam Winds\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026..Celka Ojakangas (b. 1992)<\/p>\n\n\n\n

I. Bantam Winds
II. Feather
III. Six-wired Steps<\/p>\n\n\n\n

Kristin Leitterman, oboe (Arkansas State University)
Erin Cameron, bass clarinet (Arkansas State University)
Juli Buxbaum, horn (Arkansas State University)<\/p>\n\n\n\n

Reception hosted by the Music by Women Festival for participants and special guests. Meet in the Poindexter lobby immediately following the 5 p.m. concert to walk over to the reception.<\/em><\/p>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 12<\/h3>\n\n\n\n

Suite for Two Pianos and Flute\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)<\/p>\n\n\n\n

I. Con moto
II. Presto
III. Con moto
IV. Con moto<\/p>\n\n\n\n

Ginger Zingara, flute (Mississippi University for Women)
Julia Mortyakova, piano (Mississippi University for Women)
Valentin Bogdan, piano (Mississippi University for Women)<\/p>\n\n\n\n

Pioneer Women: From Skagway to White Mountain \u2026\u2026\u2026\u2026\u2026\u2026\u2026Barbara Harbach (b. 1946)<\/p>\n\n\n\n

Kirsten Gunlogson, mezzo soprano (Butler University)
Eileen Cornett, piano (The Peabody Conservatory)
Elizabeth Gunlogson, clarinet (University of New Hampshire)<\/p>\n\n\n\n

Songs of the Seasons\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Margaret Bonds<\/p>\n\n\n\n

Po\u00e8me d\u2019Automne (1934)
Winter Moon (1936)
Young Love in Spring (1955)
Summer Storm (1955)<\/p>\n\n\n\n

Amy Yeung, soprano (The University of Tennessee at Martin)
Chan Mi Jean, piano (The University of Tennessee at Martin)<\/p>\n\n\n\n

Autumn Moves…………………………………………………………………..Seolhee Kim (University of Kansas)<\/p>\n\n\n\n

Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

A Birthday\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Jerry Casey<\/p>\n\n\n\n

Rebecca Coberly, soprano (University of Texas Rio Grande Valley)
Carol Shansky, flute (New Jersey City University)
Christy Banks, clarinet (Millersville University of Pennsylvania)
Cynthia Cripps, bassoon (University of Texas Rio Grande Valley)<\/p>\n\n\n\n

The Answer………………………………………………………………………………………………….Emily Sullivan (UC Davis)

Rebecca Coberly, soprano (University of Texas Rio Grande Valley)
Jonathan Levin, piano<\/p>\n\n\n\n

Quartet for Four Abstract Expressionist Paintings\u2026\u2026\u2026\u2026Dana Kaufman (University of California, Riverside)<\/p>\n\n\n\n

1. Woman III (Willem de Kooning)                            
2. Untitled, ca. 1958 by Alma Thomas
3. Children of Frejus by Sonia Getchoff
4. Gento Niese by Michael West<\/p>\n\n\n\n

Clarinet Quartet\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Sofia Kraevska<\/p>\n\n\n\n

1. Robins far away
2. Cantus
3. Anima<\/p>\n\n\n\n

MiamiClarinet<\/em>
Margaret Donaghue, clarinet (University of Miami)
Dawn McConkie, clarinet and Eb clarinet (Emporia State University)
Michael Walsh, bass clarinet (South Dakota State University)
Danielle Woolery, clarinet and bass clarinet (Texas Woman’s University)<\/p>\n\n\n\n

Vocal Duets by the Garc\u00eda Sisters, Pauline Viardot (1821-1910) & Maria Malibran (1808-1836)<\/em><\/p>\n\n\n\n

La Jota…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………Pauline Viardot Garcia
Belle, viens \u00e0 moi…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………Maria Malibran
Il ritrovo
Haba\u00f1era…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026………………..Pauline Viardot Garcia<\/p>\n\n\n\n

Dana Zenobi, soprano (Butler University)
Oliver Worthington, baritone (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

Dv\u011b p\u00edsn\u011b, op. 4\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..V\u00edt\u011bzslava Kapr\u00e1lov\u00e1 (1915-1940)<\/p>\n\n\n\n

Catherine Compton, soprano (Indiana University Jacobs School of Music)
Allan Armstrong, piano (Indiana University Jacobs School of Music)<\/p>\n\n\n\n

Falling Between the Worlds Song Cycle\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026…\u2026Dayton Kinney (Texas Woman’s University)<\/p>\n\n\n\n

1. Alone
2. Confinement<\/p>\n\n\n\n

Sarah Wee, soprano (Troy University)
Jonathan Levin, piano<\/p>\n\n\n\n

To the Seasons for Soprano, Horn, and Piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026..Gina Gillie<\/p>\n\n\n\n

I. To Summer
II. To Autumn
IV. To Spring<\/p>\n\n\n\n

Sarah Beckham-Turner, soprano (West Texas A&M University)
Guglielmo Manfredi, horn (West Texas A&M University)
Sarah Rushing, piano (West Texas A&M University)<\/p>\n\n\n\n

<\/div>\n\n\n\n

SATURDAY, MARCH 4TH<\/h2>\n\n\n\n

8:30\u20138:55 AM<\/strong><\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Landscapes and Light: Flute Works by Yuko Uebayashi<\/em><\/strong>
Stephanie Hoeckley, flute (Arkansas State University)<\/p>\n\n\n\n

Room 408      <\/strong><\/p>\n\n\n\n

Lecture Recital: Insight Into Selected Preludes from Lera Auerbach\u2019s \u201c24 Preludes for Solo Piano\u201d Op. 41<\/em><\/strong>
Elena Nezhdanova, piano (Hamilton College)<\/p>\n\n\n\n

9:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 13<\/h3>\n\n\n\n

Echoes on Deception Lake\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Laura Pettigrew<\/p>\n\n\n\n

Brielle Frost, flute (Lamar University)
Jacob Clark, piano (Lamar University)<\/p>\n\n\n\n

Trois Pieces for cello and piano \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Nadia Boulanger (1887-1979)<\/p>\n\n\n\n

Luis Bernardo Castro, cello
Grace Betry, piano<\/p>\n\n\n\n

Sonata Pastorale\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Lillian Fuchs (1902-1995)<\/p>\n\n\n\n

Kevin Nordstrom, violin (University of Louisville)<\/p>\n\n\n\n

It’s in the Simple Things\u2026..\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Hannah Adhikari<\/p>\n\n\n\n

Daniel Shineberg, flute (The Center of Behavioral Medicine)
Kowoon Lee, piano (Cottey College \/ Washburn University)
Duo Confluence<\/p>\n\n\n\n

QuarTango for Clarinet Duet (2020) \u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Elaine Ross (b. 1966)
Jams for Two Clarinets (2023)\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Lynda Dembowski (b. 1969)<\/p>\n\n\n\n

Funk
Soul
Beaucoup Zoos<\/p>\n\n\n\n

Lynda Dembowski, clarinet (Towson University)
Amanda Morrison, clarinet (Slippery Rock University)<\/p>\n\n\n\n

Women\u2019s Musical Voices in Response to Climate Change<\/em><\/p>\n\n\n\n

Forgive Them Not, For They Know What They Do (2020)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Karen Lemon 
Air (2002)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Laura Schwendinger
Berkano (2018)\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Tatev Amiryan<\/p>\n\n\n\n

Ann DuHamel, piano (University of Minnesota Morris)<\/p>\n\n\n\n

Duo for Oboe and Clarinet, Op. 25 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Marion Bauer
Duo Displasia\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Alyssa Morris<\/p>\n\n\n\n

Alyssa Morris, oboe (Kansas State University)
Amy Guffey, clarinet, (Kansas State University)<\/p>\n\n\n\n

Portraits\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………………………………………………………….Mariona Vila<\/p>\n\n\n\n

Pacient
Grotesc
Coleric<\/p>\n\n\n\n

Roya Farzaneh, alto flute (East Tennessee State University)
Heather Killmeyer, English horn (East Tennessee State University)
Lisa Perry, bass clarinet (East Tennessee State University)<\/p>\n\n\n\n

11:00 AM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 14<\/h3>\n\n\n\n

Five Little Pieces for Clarinet and Piano (Op.14\/1)\u2026\u2026\u2026\u2026\u2026\u2026 Elisabeth Lutyens (1906-1983)<\/p>\n\n\n\n

1. Lirico
2. Drammatico
3. Doloroso
4. Pastorale
5. Declamatorio<\/p>\n\n\n\n

Romanze for Clarinet and Piano\u2026\u2026\u2026\u2026Marie Elisabeth von Sachsen-Meiningen (1853-1923)<\/p>\n\n\n\n

Nancy Williams, clarinet
Jonathan Levin, piano<\/p>\n\n\n\n

Toccata…\u2026\u2026\u2026………………………………………………………………………Anna Roc\u0142awska-Musia\u0142czyk<\/p>\n\n\n\n

Dance in Balkan Rhythm No. 2 \u2013 Tribute to B\u00e9la Bart\u00f3k\u2026\u2026\u2026\u2026.\u2026\u2026.Anna Ignatowicz-Gli\u0144ska<\/p>\n\n\n\n

VAN….\u2026\u2026\u2026……………………………………………………………………………………………..Hanna Kulenty<\/p>\n\n\n\n

Piano 4 hands
Piotr R\u00f3\u017ca\u0144ski (The Krzysztof Penderecki Academy of Music in Krakow, Poland)
Grzegorz Mania (The Feliks Nowowiejski Academy of Music in Bydgoszcz, Poland)<\/p>\n\n\n\n

The Piper of Dreams, Op. 12b\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Ruth Gipps (1921-1999)<\/p>\n\n\n\n

Kristin Sarvela, oboe (Sam Houston State University)<\/p>\n\n\n\n

Atrevida\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Madeline Lee<\/p>\n\n\n\n

Ellie Jenkins, horn (Dalton State College)
Valentin Bogdan, piano<\/p>\n\n\n\n

Songs of the Cotton Grass \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Hilary Tann<\/p>\n\n\n\n

A Girl\u2019s Song to Her Mother
Wings of the Grasses
Vale of Feathers<\/p>\n\n\n\n

I voci delle leonesse:
Meghan Merciers, clarinet (University of North Alabama)
Gretchen Windt, mezzo soprano (University of North Alabama)<\/p>\n\n\n\n

Ashakiran: Ray of Hope\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Meera Gudipati (b. 1993)<\/p>\n\n\n\n

Kathleen Carter Bell, English Horn (Tennessee State University)<\/p>\n\n\n\n

Infant Joy (1924)……………………………………………………………………….Rebecca Clarke (1886-1979)
Down By The Salley Gardens (1919)
Lethe (1941)<\/p>\n\n\n\n

Keri Lee Pierson, soprano (BGSU)
Jonathan Levin, piano<\/p>\n\n\n\n

Break<\/h3>\n\n\n\n

1:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 15<\/h3>\n\n\n\n

From America to Haiti: Woodwind Quintets of Harberg and Blanchet<\/em><\/p>\n\n\n\n

Suite for Woodwind Quintet\u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026…………………Amanda Harberg<\/p>\n\n\n\n

1. Cantus
2. Furlana
4. Cabeletta<\/p>\n\n\n\n

Haitian Folk Tale \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026.Lina Mathon-Blanchet<\/p>\n\n\n\n

Bluestem Blaze (Oklahoma State University Faculty Chamber Ensemble)<\/p>\n\n\n\n

Erin Murphy, flute (Oklahoma State University)
Andrew W. Parker, oboe (Oklahoma State University)
Babette Belter, clarinet (Oklahoma State University)
Johnny Salinas, saxophone (Oklahoma State University)
Marat Rakhmatullaev, bassoon (Oklahoma State University)<\/p>\n\n\n\n

500 Years \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026………………………Rhonda Head(Indigenous Super Stars)
Kisahkihitin I Love You
Awaken (Graduation Song)<\/p>\n\n\n\n

Rhonda Head, mezzo soprano (Indigenous Super Stars)
Jonathan Levin, piano<\/p>\n\n\n\n

Trio Lyrique \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Ida Gotkovsky<\/p>\n\n\n\n

I. Molto dolce legato sostenuto
II. Prestissimo<\/p>\n\n\n\n

Evgeny Zvonnikov, violin
James Barger, saxophone
Sarah Rushing, piano (West Texas A&M University)<\/p>\n\n\n\n

Past and Present – Works for Euphonium and Piano<\/em><\/p>\n\n\n\n

Carissima Mia (1969)\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Helen Johnston (1910-1982)
Concert Piece (2021)\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026…Misa Mead (b. 1985)<\/p>\n\n\n\n

Danielle VanTuinen, euphonium (University of Florida)
Jonathan Levin, piano<\/p>\n\n\n\n

Sonata for Viola and Piano\u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026…..Rebecca Clarke (1886-1979)<\/p>\n\n\n\n

I. Impetuoso
II. Vivace<\/p>\n\n\n\n

Katherine Messer, viola
Grace Betry, piano
Portrait of America\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Diana Blom<\/p>\n\n\n\n

1. The Last Song
2. I am the Little Irish Boy
3. A Shadow
4. Indian Prayer
5. The Last Song (reprise)<\/p>\n\n\n\n

Kevin Hanrahan, tenor (University of Nebraska-Lincoln)
William Reber, piano (Mississippi University for Women)<\/p>\n\n\n\n

3:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 16<\/h3>\n\n\n\n

Divertimento in B-flat for Clarinet, Viola, Cello, and Piano (1780)\u2026.\u2026Anna Amalia of Weimar (1739-1807)<\/p>\n\n\n\n

I. Adagio
II. Allegro<\/p>\n\n\n\n

Meghan Merciers, clarinet (University of North Alabama)
Amanda Wilton, viola (University of North Alabama)
Suren Petrosyan, cello (University of North Alabama)
Karen Cantrell, piano (University of North Alabama)<\/p>\n\n\n\n

The Sierra Marcy Song Cycle\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026……………….Melika M. Fitzhugh<\/p>\n\n\n\n

Part I: The Depth of Places Hidden and Unfound
Part II: Withered and Wizened Scraps of Dreams
Part III: Shadowless Thief of Wounded Souls
Part IV: I Can No Longer Remember the Color of Your Eyes
Part V: Chipping Paint and Creaking
Part VI: Blooming Forth<\/p>\n\n\n\n

Dana Zenobi, soprano (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

A Cycle of Love Songs\u2026\u2026..\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026Jane K (Evgeniya Kozhevnikova) (b. 1987)<\/p>\n\n\n\n

1. Twilight
2. Night Song in Amalfi
3. Peace<\/p>\n\n\n\n

Rebecca Coberly, soprano (The University of Texas Rio Grande Valley)
Carol Shansky, flute (New Jersey City University)<\/p>\n\n\n\n

Between your beauty and my heart – Edna St. Vincent Millay\u2019s songs on love<\/em><\/p>\n\n\n\n

Women have loved before as I love now\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026…Margaret Bonds (1913-1972)
Love\u2019s Autumn\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026Judith Lang Zaimont (b. 1945)
Return from Town\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026..Constance Mills Herreshoff (1881-ca.1963)
What lips my lips have kissed\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…..Sheila Silver (b. 1946)
Thursday
I know my mind and I have made my choice\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026..Margaret Bonds (1913-1972)<\/p>\n\n\n\n

Amalia Osuga, soprano (University of Alabama in Huntsville)
Aimee Fincher, piano<\/p>\n\n\n\n

4:00-4:25 PM<\/strong><\/p>\n\n\n\n

Room 206<\/strong><\/p>\n\n\n\n

Lecture Recital: The Emily Dickinson Songs of Penny Rodriguez<\/em><\/strong>
Chuck Chandler (DePaul University)
Penny Rodriguez, piano\/composer
Grace Morgan, singer<\/p>\n\n\n\n

Room 211<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Journey of a Curly Girl: Representation in Classical Art Song Literature and 21st Century Commissioning Projects<\/em><\/strong>
Shari Eve Feldman, soprano (University of Maryland)
Mackenzie Lyn Marr, piano<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> The Songs of Louise Farrenc: Pianist, Composer, Professor, and Editor<\/em><\/strong>
Gretchen Windt, mezzo soprano\/lecturer (University of North Alabama)
Laurelie Gheesling, piano (University of North Alabama)<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> Three Compositional Settings of Elizabeth Barrett Browning\u2019s Sonnet 43<\/em><\/strong>
Sarah Wee, soprano (Troy University)
Jonathan Levin, piano<\/p>\n\n\n\n

4:30-4:55 PM<\/strong><\/p>\n\n\n\n

Room 206      <\/strong><\/p>\n\n\n\n

Paper: Lili Boulanger’s Compositional and Religious Influences in Specific Relation to Pie Jesu<\/em><\/strong>
Patricia Hernandez (student at University of Montevallo)<\/p>\n\n\n\n

Room 307<\/strong><\/p>\n\n\n\n

Lecture Recital: Horace and Lydia In Song: Duet Settings by Ella Adayevskaya and Augusta Holm\u00e8s<\/em><\/strong>
Dana Zenobi, soprano (Butler University)
Oliver Worthington, baritone (Butler University)
Jonathan Levin, piano<\/p>\n\n\n\n

Room 408<\/strong><\/p>\n\n\n\n

Lecture Recital:<\/strong> The Yangtze River Cycle by Rachel DeVore Fogarty<\/em><\/strong>
Sabrina Laney Warren, soprano (Bethel University)
Kelly Herrmann, flute<\/p>\n\n\n\n

5:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 17<\/h3>\n\n\n\n

Sonate for oboe, clarinet and bassoon\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Fernande Decruck (1896-1954)<\/p>\n\n\n\n

I. Moderato
II. Andante amabile
III. Scherzo giocoso<\/p>\n\n\n\n

Michelle Vigneau, oboe (University of Memphis)
Robyn Jones, clarinet (University of Memphis)
Daryn Zubke, bassoon (University of Memphis)<\/p>\n\n\n\n

Selections from Little Black Book, a song cycle that fails the Bechdel test\u2026\u2026……..Susan LaBarr<\/p>\n\n\n\n

I. Five
II. John
III. Vince
IV. Steve
V. James Squared <\/p>\n\n\n\n

Loralee Songer, mezzo soprano (Taylor University)
Jonathan Levin, piano<\/p>\n\n\n\n

Blue and Yellow: A Song for Ukraine\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Becky Sun (b. 1969)
Alone Together\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026..Katherine Bergman (b. 1985)<\/p>\n\n\n\n

1. IRL
2. #blessed
3. FOMO
4. Unplugged
5. Infomania<\/p>\n\n\n\n

BS Project
Brian Handeland, alto & tenor saxophones
Susan Miranda, oboe & English horn<\/p>\n\n\n\n

Unequivocal for clarinet and piano\u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Nancy Williams<\/p>\n\n\n\n

Christy Banks, clarinet (Millersville University of Pennsylvania)
Martha Saywell, piano (Texas A&M University-San Antonio)<\/p>\n\n\n\n

Balkanika \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Daniela Candillari<\/p>\n\n\n\n

Jonathan Houghtling, tenor trombone (Alabama State University)
Arie VandeWaa, bass trombone (University of South Alabama<\/p>\n\n\n\n

Yellow Jersey\u2026\u2026………………………………………………………………………………………….Libby Larsen<\/p>\n\n\n\n

Michelle Jaluvka, clarinet
Jenna Eschner, clarinet (University of Oklahoma)<\/p>\n\n\n\n

Five Appalachian Folk Songs \u2026\u2026\u2026\u2026\u2026…\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Traci Mendel<\/p>\n\n\n\n

Thaddaeus Bourne, baritone (University of Florida)
Sarah Masterson, piano (Newberry College (Newberry, SC))<\/p>\n\n\n\n

Town Light for Flute, Oboe, and Piano\u2026\u2026………………………………………………….Yuko Uebayashi<\/p>\n\n\n\n

Stephanie Hoeckley, flute (Arkansas State University)
Kristin Leitterman, oboe (Arkansas State University)
Jonathan Levin, piano<\/p>\n\n\n\n

Break<\/em><\/h3>\n\n\n\n

8:00 PM<\/strong>
Kossen Auditorium<\/strong><\/p>\n\n\n\n

Concert No. 18<\/h3>\n\n\n\n

L’Ancienne for Reed Quintet\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026……………………………………Nancy Williams<\/p>\n\n\n\n

I. l\u2019air
II. la terra
III. d\u2019eau
IV. le feu<\/p>\n\n\n\n

Christy Banks, clarinet (Millersville University of Pennsylvania)
Kristin Leitterman, oboe (Arkansas State University)
Elissa Kana, saxophone (Arkansas State University)
Erin Cameron, bass clarinet (Arkansas State University)
Martin van Klompenberg, bassoon<\/p>\n\n\n\n

Something Special for Kerry\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Olga Harris (Tennessee State University)
Something Special for Julia                                                                 <\/p>\n\n\n\n

Julia Mortyakova, piano (Mississippi University for Women)<\/p>\n\n\n\n

The Wildenbruch Lieder, op. 16 \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Ingeborg von Bronsart (1840-1913)<\/p>\n\n\n\n

1. Abendlied
2. St\u00e4ndchen
3. Zwei Str\u00e4usse
4. Der Blumenstrauss
5. Letze Bitte<\/p>\n\n\n\n

Catherine Compton, soprano (Indiana University Jacobs School of Music)
Allan Armstrong, piano (Indiana University)<\/p>\n\n\n\n

Jhula-Jhule \u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026……………………………………………………………….Reena Esmail<\/p>\n\n\n\n

An-Lin Bardin, cello
Naomi Niskala, piano (Susquehanna University)
(Bardin-Niskala Duo)<\/p>\n\n\n\n

Vocal suite on Pushkin’s poetry\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026.\u2026.\u2026.\u2026..\u2026\u2026\u2026\u2026.\u2026\u2026..Olga Harris
(Tennessee State University)<\/p>\n\n\n\n

Julia Jaffee, mezzo-soprano
Jonathan Levin, piano<\/p>\n\n\n\n

Trio for Oboe, Clarinet, and Piano, op. 10\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Ruth Gipps<\/p>\n\n\n\n

Stephanie Carlson, oboe (Murray State University)
Amy McCann, clarinet
Jonathan Levin, piano<\/p>\n\n\n\n

Going to the Sun: Snapshots from Glacier National Park\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026Jenni Brandon<\/p>\n\n\n\n

Megan Lanz, flute
Cayla Bellamy, bassoon (Colorado State University)<\/p>\n\n\n\n

A Very Short Song\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026.\u2026.\u2026.\u2026.\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Georgia Stitt
What Lips my Lips have Kissed
Communication
Almost Everything I Need
My Lifelong Love
Hold Fast your Dreams<\/p>\n\n\n\n

Dorea Cook, mezzo soprano (Valencia College)
Jonathan Levin, piano<\/p>\n\n\n\n

The Singing Fish (2017)\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026Lucy Armstrong (b. 1991)<\/p>\n\n\n\n

1. Life in the Sea
2. The Wailing Fish
3. The Singing Fish <\/p>\n\n\n\n

Bart Walters, saxophone (University of North Georgia)
Vivian Doublestein, piano (University of North Georgia)<\/p>\n\n\n\n

Women Dutch Composers of the 1930s<\/em><\/p>\n\n\n\n

Trois Morceaux (1939)\u2026\u2026\u2026\u2026\u2026.\u2026\u2026\u2026\u2026\u2026……………………………………………Rosy Wertheim
Concertstuk (c. 1948)\u2026\u2026\u2026\u2026\u2026\u2026\u2026..\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Henriette Bosmans (1895-1952)<\/p>\n\n\n\n

Carol Shansky, flute (New Jersey City University)
Amber Liao, piano<\/p>\n","protected":false},"excerpt":{"rendered":"

Schedule – March 2-4, 2023 Watch Concerts Live Jump to: Thursday Morning Thursday Afternoon Thursday Evening Friday Morning Friday Afternoon Friday Evening Saturday Morning Saturday Afternoon Saturday Evening Participant Biographies […]<\/p>\n","protected":false},"author":2,"featured_media":8,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-131","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-previous"],"_links":{"self":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":33,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/131\/revisions"}],"predecessor-version":[{"id":174,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/posts\/131\/revisions\/174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media\/8"}],"wp:attachment":[{"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/media?parent=131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/categories?post=131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.muw.edu\/musicbywomen\/wp-json\/wp\/v2\/tags?post=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}